Dave Eggers - You Shall Know Our Velocity

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You Shall Know Our Velocity: краткое содержание, описание и аннотация

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"Headlong, heartsick and footsore…Frisbee sentences that sail, spin, hover, circle and come back to the reader like gifts of gravity and grace…Nobody writes better than Dave Eggers about young men who aspire to be, at the same time, authentic and sincere." – The New York Times Book Review
"You Shall Know Our Velocity! is the work of a wildly talented writer… Like Kerouac's book, Eggers's could inspire a generation as much as it documents it." – LA Weekly
"There's an echolet of James Joyce there and something of Saul Bellow's Chinatown bounce, but we're carried into the narrative by a fluidity of line that is Eggers's own." – Entertainment Weekly
"Eggers is a wonderful writer, bold and inventive, with the technique of a magic realist." – Salon
"An entertaining and profoundly original tale." – San Francisco Chronicle
"Eggers's writing really takes off – his forte is the messy, funny tirade, stuffed with convincing pain and wry observations." – Newsday
"Often rousing…achieves a kind of anguished, profane poetry." – Newsweek
"The bottom line that matters is this: Eggers has written a terrific novel, an entertaining and imaginative tale." – The Boston Globe
"There are some wonderful set-pieces here, and memorable phrases tossed on the ground like unwanted pennies from the guy who runs the mint." – The Washington Post Book World
"Powerful… Eggers's strengths as a writer are real: his funny pitch-perfect dialog; the way his prose delicately captures the bumblebee blundering of Will's thoughts;… and the stream-water clarity of his descriptions… There is genius here… Who is doing more, single-handedly and single-mindedly, for American writing?" – Time
***
Because of Dave Eggers' experiences with the industry when he released his first book, he decided to publish this novel on his own. It is only available online or at Independent Bookshops. If you enjoy this book, please buy a copy… this is one of the few cases where the author really will recieve his fair share of the proceeds, and you will be helping a fledgling publishing house. This e-copy was proofed carefully, italics left intact. There is no synopsis on the book, so here are excerpts from a Salon.com review:
Will Chmlielewski, the hero and narrator of "You Shall Know Our Velocity," is seeking relief for his head, which, on the inside, has been badly affected by the death of a friend and, on the outside, has been beaten to a pulp by a band of toughs. Will moves through the novel with a badly bruised and scabbed face, which everyone keeps telling him – and he keeps telling everyone – will heal to its former condition. It's the same hope Will holds out for his mind. He can't sleep without alcohol or masturbation.
The plot of "You Shall Know Our Velocity" is best recounted swiftly, since it hinges on motion and speed. Will has a friend called Hand. After Jack's death in a car crash, they agree to make a six-day trip around the world – "six, six and a half" – flying from country to country and dispersing $80,000 to strangers, money that Will has suddenly come into and which plagues him with white, Western guilt.
On their way to nowhere in particular, Will and Hand cross paths and lock horns with a variety of exotics – peasants, prostitutes, elegant Frenchwomen in dark cafes – none of whom seem to want Will's money. He literally can't give it away. In the cities, it causes pandemonium and never less than a quick escape. In the country, among African subsistence farmers, it throws Will into confusion – about money, charity, justice, his motives and such. Sometimes he calls his mother, which is no help. In Senegal, a statuesque Parisian named Annette joins Will and Hand for a midnight swim and tells them that they live in "the fourth world," something Will can't understand.
If it sounds a bit sophomoric, it is. So is "On the Road." So was "Emile." A certain crabbed critic for a paper of record has complained about Eggers' "shaggy-dog plot" and "self-indulgent yapping," but I think she's showing her age. A writer is among us, however imperfect, and he'll only get better if we leave him alone.

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I pushed my hair from my face and smoothed it in back, letting the water exit my mouth and spread slowly down my neck. Hand lifted himself from the water so his head peeked into the empty boat. I couldn't see what was there. But he was often finding things. He swam back; the boat was empty.

On the shore we dried in the sun. Far away, a fishing boat with an old man pulling from its side a huge fish, or a part of it. It looked like a swordfish, huge chunks torn from its sides.

"Scavenger fish," Hand said. "They bite and disappear down."

"Poor man."

"Turn around," Hand said.

"Why?"

"You didn't show me that shit. Jesus."

"What?"

"Have you looked at your back?"

"No. Sort of."

"Fuck, man. You've got a huge bruise here -" he pushed his finger into the lower part of my left lat – "and right here" – he brushed his hand over my right shoulder – "it's all red and scratched. It's just nasty."

"Doesn't hurt back there."

"Well, good. It's nasty-looking."

– You act like it wasn't your fault.

– We've leapt over that.

– I'm not sure I have.

A strong-shouldered woman was playing with four small children by the water. They had buried the tallest of the kids and were giggling like henchmen. Their dog walked to us and waited for our attention. It was a small white thing with short legs, trailing a leash. This one was winking at us.

"He's only got one eye," said Hand. It was true. I scratched the dog's head. Half the animals in my life were missing an eye – growing up we'd fed nuts to a cycloptic squirrel, Terrence, that lived on our roof – and I couldn't figure out if this was good luck or bad. The dog's one eye was wide open and the other was closed tight around the vacancy. It was grinning, though – was accustomed to being appreciated. Listen my friends, I have one eye, I'm winking at you, give me some of your love. We scratched him everywhere, as he moved to guide our hands to his needs. When satisfied, the dog abruptly returned to his family. He had to get back to take care of some things.

As the tiny waves came to wet the sand with long hisses, I picked up my Churchill. Now he was at the Admiralty, whipping everything into shape, trying to increase the production of ships, honing his speechmaking skills, having the first of his children, writing beautiful letters to his Clementine. I'd never written a beautiful letter to anyone, and I had never fought the Boers, had never righted a derailed military train at Frere, never faced their artillery fire while loading wounded onto the cab and tender -

– Churchill what would you have done?

– When?

– In Oconomowoc.

– What? What are you talking about?

– I was beaten. They hit me with bats. I was in a storage unit, gathering Jack's stuff, just going through it, I guess I was lost a bit and Hand was gone -

– Where was Hand?

– He went off, up the hill.

– Hand should have been there.

– I know. But if I allow myself to know that I'll leave him, and I don't want that. I do want it, so often, but I'm stuck with him, worse off without him, if you can believe it.

– I can.

– So what would you have done?

– I can't say. The odds sound difficult.

– I would have fought next to you, Churchill. Anywhere. Did I tell you that? In India, I would have been there, leaping into musket fire. In Egypt, surveying the Dervish army at Surgham Hill, I would have been there. Cavalry, infantry, whatever -

"We should leave," I said.

"Right," Hand said.

We dressed quickly so we could drive through the countryside and tape money to donkeys. We'd been in Senegal for twenty hours and hadn't given away anything.

I drove. I drove fast. The road was dry, passing through scrubland and the occasional farm, the roadside spotted with small villages of huts and crooked toothpick fences. The terrain was dry, the grass amber. We passed more blue buses bursting with passengers, staring at us, at nothing.

The donkey plan was Hand's. As we drove, hair still wet, we looked for donkeys standing alone so we could tape money to their sides for their owners to find. We wondered what the donkey-owners would think. What would they think? We had no idea. Money taped to a donkey? It was a great idea, we knew this. The money would be within a pouch we'd make from the pad of graph paper we'd brought, bound with medical tape. On the paper Hand, getting Sharpie all over his fingers, wrote an note of greeting and explanation. That message:

We saw many donkeys But each time we saw a donkey there was someone standing - фото 4

We saw many donkeys. But each time we saw a donkey, there was someone standing nearby.

"We have to find one alone, so the owner will be surprised," Hand said.

"Right."

We drove.

"This looks like Arizona," Hand said.

"It was pretty lush in the resort, though."

"Watch it."

I had driven off the road for a second, with a whoosh of gravel and a tilt of the passenger side, then back on, level and straight.

"Dumbfuck," Hand said.

"I've got it. No problem."

"Stupid. Listen."

There was a flopping sound.

"Pull over," he said.

We had a flat.

We stopped. When we got out, all was very quiet. The earth was flat and the savannah was broken only by large leafless trees, bulbous at their trunks and muscled throughout. A bright blue crazily-painted bus, full, drove by; everyone stared. The sun was directly above.

We got the spare and the tools and jacked the car up. We started on the lugnuts, but they were rusted and weren't budging. We pounded them with the wrench with no results. We sat on the highway next to the car, suddenly both very tired. The pavement was so warm I wanted to rest my face on it. I imagined what lay ahead: hitchhiking to the next town, maybe catching the bus, then finding our way to some kind of garage, then negotiations with the mechanics, a towtruck back, then, hours later, the fixing of the flat. We'd waste the day. We'd already wasted too much.

A man appeared behind the car. In a purple-black dashiki, easily seventy, with a small square jaw and eyes small and black and set deep under his brows. He said nothing.

He inserted himself between me and Hand and, without a word, took over. He first placed a rock behind the back tire, to prevent rolling. We had forgotten that. Then, crouching, with hands that hadn't, it seemed, seen moisture in decades, wrinkles white like cobwebs, he lowered the jack so the wheel rested on the road. He stood and with his sandaled old foot he kicked the wrench; the lugnut turned. He kicked again for each nut, and in a minute the tire was off.

"Leverage," Hand said to the man, touching his shoulder. "You are very good man!" he said, now patting the man on the back.

I laughed at our incompetence. The man chuckled. He looked at my face and smiled.

I put the new tire on, and the man allowed me to tighten the lugnuts myself. When the job was done the old man turned and walked away. He still hadn't said anything.

"Give him something," Hand said.

"You think?"

"Of course."

The man was now across the street, heading down the embankment and into the tall grass.

"You think it's an insult?" I said.

"No. Go."

"In America that would be an insult."

"This is different."

I grabbed a bunch of bills from my thigh pocket.

I ran after the man and when I descended the embankment I realized I was barefoot. The rough earth scratched my soles but I caught him fifty feet into the opposite field.

"Excuse me!" I said, knowing he wouldn't understand the word, but knowing I had to say something, and then settling on the words I would have said had he been able to understand. He turned to me.

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