Dave Eggers - You Shall Know Our Velocity

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You Shall Know Our Velocity: краткое содержание, описание и аннотация

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"Headlong, heartsick and footsore…Frisbee sentences that sail, spin, hover, circle and come back to the reader like gifts of gravity and grace…Nobody writes better than Dave Eggers about young men who aspire to be, at the same time, authentic and sincere." – The New York Times Book Review
"You Shall Know Our Velocity! is the work of a wildly talented writer… Like Kerouac's book, Eggers's could inspire a generation as much as it documents it." – LA Weekly
"There's an echolet of James Joyce there and something of Saul Bellow's Chinatown bounce, but we're carried into the narrative by a fluidity of line that is Eggers's own." – Entertainment Weekly
"Eggers is a wonderful writer, bold and inventive, with the technique of a magic realist." – Salon
"An entertaining and profoundly original tale." – San Francisco Chronicle
"Eggers's writing really takes off – his forte is the messy, funny tirade, stuffed with convincing pain and wry observations." – Newsday
"Often rousing…achieves a kind of anguished, profane poetry." – Newsweek
"The bottom line that matters is this: Eggers has written a terrific novel, an entertaining and imaginative tale." – The Boston Globe
"There are some wonderful set-pieces here, and memorable phrases tossed on the ground like unwanted pennies from the guy who runs the mint." – The Washington Post Book World
"Powerful… Eggers's strengths as a writer are real: his funny pitch-perfect dialog; the way his prose delicately captures the bumblebee blundering of Will's thoughts;… and the stream-water clarity of his descriptions… There is genius here… Who is doing more, single-handedly and single-mindedly, for American writing?" – Time
***
Because of Dave Eggers' experiences with the industry when he released his first book, he decided to publish this novel on his own. It is only available online or at Independent Bookshops. If you enjoy this book, please buy a copy… this is one of the few cases where the author really will recieve his fair share of the proceeds, and you will be helping a fledgling publishing house. This e-copy was proofed carefully, italics left intact. There is no synopsis on the book, so here are excerpts from a Salon.com review:
Will Chmlielewski, the hero and narrator of "You Shall Know Our Velocity," is seeking relief for his head, which, on the inside, has been badly affected by the death of a friend and, on the outside, has been beaten to a pulp by a band of toughs. Will moves through the novel with a badly bruised and scabbed face, which everyone keeps telling him – and he keeps telling everyone – will heal to its former condition. It's the same hope Will holds out for his mind. He can't sleep without alcohol or masturbation.
The plot of "You Shall Know Our Velocity" is best recounted swiftly, since it hinges on motion and speed. Will has a friend called Hand. After Jack's death in a car crash, they agree to make a six-day trip around the world – "six, six and a half" – flying from country to country and dispersing $80,000 to strangers, money that Will has suddenly come into and which plagues him with white, Western guilt.
On their way to nowhere in particular, Will and Hand cross paths and lock horns with a variety of exotics – peasants, prostitutes, elegant Frenchwomen in dark cafes – none of whom seem to want Will's money. He literally can't give it away. In the cities, it causes pandemonium and never less than a quick escape. In the country, among African subsistence farmers, it throws Will into confusion – about money, charity, justice, his motives and such. Sometimes he calls his mother, which is no help. In Senegal, a statuesque Parisian named Annette joins Will and Hand for a midnight swim and tells them that they live in "the fourth world," something Will can't understand.
If it sounds a bit sophomoric, it is. So is "On the Road." So was "Emile." A certain crabbed critic for a paper of record has complained about Eggers' "shaggy-dog plot" and "self-indulgent yapping," but I think she's showing her age. A writer is among us, however imperfect, and he'll only get better if we leave him alone.

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I was bored. If more people were dancing I could watch or join, but this wasn't working. Now two sailors were on the dancefloor, without women, admiring their own legs moving inside their tight tapered delicately bleached jeans.

"It is a shame," said Raymond, watching the sailors with half-closed eyes. "This country does not allow its women dignity."

I thought he might be overgeneralizing, but I didn't really know enough to comment either way.

"There's Burma," he continued, "there's Thailand, there is Russia. All sell their women. Their souls are sold when born. The men are mice and the women are cattle."

I drank two vodka-sodas. Soon Raymond didn't like his new friend anymore and wanted to go. Hand's date whispered something to him and he shook his head and whispered back, hand cupped around her ear. She jogged behind the bar and came back with a pen and a little notebook. He wrote something down.

I went to the bar for a shot of anything. The woman serving me was wearing a white sports bra that looked like it had been mauled by tigers – desert isle chic. I turned again. Hand was showing his friend something. A piece of paper. A picture. What was it?

I grabbed it.

"What the fuck are you doing?" I yelled. It was a picture of Jack. Hand stood and looked at me, heavy-lidded with pity.

"I told her we were looking for our friend," he said.

"What does that mean?"

He was drunk already. He couldn't be, so soon.

"You know what it means," he said.

"That doesn't even make sense," I said.

"So what the fuck?" he said.

"You're disgusting."

"I can show him to anyone I want, fucker."

"I don't know you."

He scoffed. He was such a messy drunk.

"Don't ever show that picture to some random waitress again," I said.

"I'll do whatever."

"You fucking won't."

"Guys!" Raymond said, with an arm between us. "Easy."

I walked out and waited in the cab. I wanted an hour alone in the cab in the cooling air but they followed me out seconds later.

Hand asked again that we be taken to the jazz club, and I wanted Hand back in St. Louis. He was the wrong guy to have brought. The picture. What kind of -? I couldn't go home, couldn't leave him, though, because we were in Dakar and only had this week.

Five minutes through deserted streets and the next place was precisely the same but worse and without Val Kilmer. "In every part of the world," explained Raymond, "cabbies are trained to bring men to clubs like this. We go in, the cabbie gets a kickback, everyone's happy. We are merely cargo. The way you guys are traveling, you're gonna be targets everywhere. You're perfect prey."

This time, immediately upon entering, we were all attacked in a very real way – women pushing each other to get closer to us, throwing jagged looks at each other, one grabbing Hand's crotch in a way less erotic than territorial. Raymond wound up next to a large woman with bursting eyes and Hand ran to the bathroom. I was being left more or less alone so ordered a drink and saw, across the bar, the two Sierra Leonian sisters, in the corner, beyond the dancefloor. They saw me too and laughed a warm and commiserative laugh.

They were still on the make. The place was full – more French sailors, three dozen hungry Senegalese women, and the rest a hodgepodge of Italians and older European businessmen sitting alone, still waiting, waiting. We watched the dancefloor crowd, clear and change and at one point the Sierra Leonians were dancing alone and I decided then to give them the contents of my left sock, about $400, before we left.

Hand returned from the bathroom with a story. Apparently there had been a few French sailors inside and they'd asked him his nationality. American, he said. "America!" they said, "you pay for the world!" Then they both cheered and patted him on the back. He probably made it up.

"The crazy thing is," Hand said, "I think they were serious."

"You show them any pictures?" I asked.

"Fuck you," he said.

"They're young. They'll learn," said Raymond.

"Learn what?" Hand asked.

"Derision," he said.

I was impressed by Raymond. He could break out a word like derision, in his second language, and even better, he was an aphorism kind of man, who could conceive of such things – We are merely cargo - - and slip them into conversation – You give chaos, chaos gives back. I always wanted to be a guy like that.

I watched the dancefloor, full of slack shoulders and heads hung and swinging, arms reaching passively up, up. Women tucked their hair behind their ears and men pecked their heads to the beat, hands as fists.

What was wrong with Charlotte? Nothing. Every complaint now seemed ridiculous. She had long dark hairs that swirled around her nipples and I'd seen this as problematic instead of loving her indifference to them. And I'd disliked her sighs. She sighed too much, I announced to myself one day, and worse, her sighs were too sad. Too full of sorrow. When I held her she sighed, and her sighs were weary, were groaning and exhausted, the sigh of an old person who'd seen everything and couldn't believe she was now being held, at the end of a journey she could never describe. The sighs were withering, were mood-killing, and finally I complained about Charlotte's sighs, to no avail. She'd responded with another sigh and that, I know now, was the end of the end.

I was a fool. She was full of soul and now I was in this place, and the women here assumed I needed them.

"Let's go," said Hand. "This is too sad."

We moved for the door. A huge woman with enormous fingernails, not just long but wide, was tugging on me. I was flattered by the attention but it was unclear what she wanted. Another woman, her friend, smaller and with red-ringed eyes, patted my crotch like you would the head of a muzzled dog. Hand was ready, close to the door.

But I wanted to unload the cash on the Sierra Leonians. They were harmless and hopeful next to the rest of these women. I slipped past the clawed woman and to the bathroom – just a hole in the floor in a room like a closet – to secretly retrieve the bills, wrapped around my ankle like a manacle. The wad stifled within my closed fist, I walked across the dancefloor and found the two young women sitting on a watcher's ledge, bored, and said "Sorry" to them while stuffing the bills in the older one's hand. She didn't even look at the wad; she felt it but kept her eyes on mine. It was, I realized in a shot, the first time any of these women had really looked at me. I jogged across the dancefloor, getting a running start before the throng of grabbing women at the bar.

Raymond was outside. The street was crowded and the bouncers said goodnight – that was nice, I thought – and we waited in the taxi in the dark. Hand was not with us. "Sven's inside," Raymond explained.

Hand emerged with the Sierra Leonian sisters kissing him on the cheeks and rubbing his chest – he'd taken credit for my gift – and he left them on the steps. He crossed the street and strode to the cab smiling grandly. He opened the door and got in with me and tried to close it but jesus – a body, again! – a body stopped the door from closing, prevented us from moving. It was my huge clawing prostitute. She had seen me give the money to the Sierra Leonians and wanted her share. She was enormous. I tried pushing her back but she was strong, at least as heavy as me, and was halfway in the car, preventing us from leaving or even closing the door. Her hand was out and she was talking quickly, in French. Then English: "Give me I see you! Give me I see you!"

I found a 50 dirham note and threw it to her. It fell to the street. She picked it up and I closed the door, narrowly missing her head. She turned around quickly and walked back into the bar, stuffing it in her pants as we drove away.

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