Geoff Ryman - Air (or Have Not Have)

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'Geoff Ryman's new novel is swift, smart and convincing. Air is a wonderful and frightening examination of old and new, and survival on the interface between'. – Greg Bear
'This is a liminal book: its characters are on the threshold of something new; their village is on the brink of change; the world is launching into a new way to connect; humanity, at the end of the novel, is on the cusp of evolution… its plot is exciting and suspenseful, its characters gripping, its wisdom lightly and gracefully offered, its language clear and beautiful. Like The Child Garden, Air is both humane and wise. This novel is such a village. I cannot recommend it highly enough. It becomes finer as I think back on it, and I look forward to rereading it. I only wish Ryman's work were more widely available and more widely read, as it deserves'.- Joan Gordon New York Review of Science Fiction
'Ryman renders the village and people of Kizuldah with such humane insight and sympathy that we experience the novel almost like the Air it describes: It's around us and in us, more real than real, and it leaves us changed as surely as Mae's contact with Air changes her. This amazing balance that Ryman maintains – mourning change while embracing it – renders Air not merely powerful, thought-provoking, and profoundly moving, but indispensable. It's a map of our world, written in the imaginary terrain of Karzistan. It's a guide for all of us, who will endure change, mourn our losses, and must find a way to love the new sea that swamps our houses, if we are not to grow bitter and small and afraid'. – Robert Killheffer, The Magazine of Fantasy and Science Fiction
'The wondrous art wrought in Ryman's Air shows some of its meaning plainly, calling forth grins, astonishment and tears. More of its meaning is tucked away inside, like the seven hidden curled-up dimensions of spacetime, like the final pages of the third book of Dante, beyond words or imagining high and low. Treasure this book'. – Damien Broderick, Locus

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I have a wonderful idea, but I do not know how to progress it because I am so ignorant of the insurance business. And here at hand I have a brother who knows all about it! I think you and I together could come up with very intelligent ways to use the TV to get our local village people to see how important it is to have insurance.

I need your help. Please can we meet so that we can talk all through this.

Your sister,

Mae

Mae was scornful. 'It says nothing about the case. It does not even ask him to give the case up!'

'Ah. You noticed.'

'You are asking me to lie down and be screwed by my own brother.'

'I am asking you to give something up so that he sees it is in his self-interest to give something up, too. So that he will be on your side, as a brother should be. I am willing to bet, Mae, that he would give anything to be by your side as a brother should be.'

Mae snarled. 'Hmph. Okay, we send your letter, eh? And just see the reply we get from my charming younger brother!'

Mae,

Your idea for television insurance is interesting. Of course, it would have to be linked with Yeshibozkent Home Guardian, whose interests I represent. But I am sure they would have no objections to screens that carried their brand and sold their products in a way that suits our locale. I will need to discuss this idea with them first.

I do have doubts whether we can work together. Your behaviour in the past leads to grave concerns about your state of mind. However, families must show solidarity in the face of adversity. If you are willing to allow my greater knowledge of the field to direct policy, then perhaps we can consider this further.

Your brother,

Mr Wang Ju-mei

Happy Province Sales Conqueror, Yeshibozkent Home Guardian

Mae was furious. 'My behaviour! My state of mind! What about his, suing his own sister! Trying to take away all that she has done!'

Siao sipped his tea. 'Shall we look at what he really said? First, he has grave doubts about the two of you working together. Is that not something you can agree with?'

Mae puffed out air. 'Poh, yes, that at least.'

'So. Shall we regard that as a simple statement of fact?'

Mae shrugged her shoulders. 'He sued me, I did not sue him.'

'He hasn't sued you. He has stated his intention to. In fact, he gave you fair warning. Isn't that so? Mae? It is so.'

'You are a man and you are on his side.'

'You are perfectly right to call him jealous and scheming. Let's just look at what he says in the letter. Now, he then mentions your behaviour and your state of mind. Have you not chased a man with cleavers? Did you not have a careless affair with the neighbour? Did you not threaten to kill Ju-mei?'

Mae did not like this. She wanted to fight, but there was nothing to fight.

Siao whispered, 'He is frightened of you, Mae. He is terrified of you. You are his big, brave older sister, and he knows you take on the New York Times and that you chased big strong Mr Haseem out of your house, and he is scared!'

There was something in what Siao was saying that made Mae laugh.

'I'm frightened of you, Mae! The whole village is terrified of you! So, okay, Madam Owl, who is violent and aggressive, hates him. People know when you hate them, Mae. They also know when you love them.'

Mae was still smiling.

'So he is saying he will talk to his company, he is saying families must stick together. Mae! You've won! So now you must act like you have won.'

Mae started to puff out.

Siao said, 'You must go and visit your family. And make amends.'

Mae was left to wait alone in the icy diwan.

Her family burned tiny amounts of coal. Two grey chunks of it smouldered on the brazier. Mae sat on the cushions and tried to warm her feet and still her butterfly hands, her butterfly stomach. Mae, Mae, why are you so scared?

She heard them whispering outside the room. Why were they so scared? Why was the whole family Wang frightened of itself?

It's like this for Ju-mei, she thought. He shows up in people's houses, they don't want to be discourteous, so they show him in into the diwan and have a quiet fight hissing behind curtains, trying to make each other be polite to him. He sits alone and pretends not to hear.

But the least you can do is let people wait in warmth. If coal is such a luxury, then burn shitcakes. Except that the family Wang can't be seen to burn shit, only peasants burn shit.

We used to wrap birthday presents in the red paper napkins that came with the tea at the teahouse. We would wrap up something precious like an orange. And we would carefully pick off the tape so we could use the napkins again. Every little present came wrapped in the same red napkins.

Poor Mama. All we ever had to eat was soup, one bowl of soup a day. And I remember one day we had to eat grass stew, just to fill our bellies. The next day, Mama went to every house in the village and begged. Someone gave her hen's-feet. Someone gave her an onion. And she made us soup, out of almost nothing. And then one of us little monkeys spilled kerosene from the lamp into it. And she fell on the floor weeping. She did not even punish us. She just lay there crying.

Mae looked at the photographs on the walls. There they were, all children lined up in white shirts, white dresses in the Golden Age, as Mama called the time when Papa was alive. Even then, she would have beaten those clothes white on the rocks under the bridge.

There was Papa with a photographic face like burnished bronze in a city suit, with a moustache and a pipe. Mae remembered the day it was taken. They had all ridden down from Kurulmushkoy in a cart, and he had sat up straight and proud in his best clothes. He was the local candidate for the Party of National Unity, and that was why his picture was to be taken. That was why he was killed.

It was okay for Missy and me, we were girls, we could go on being girls. It was Ju-mei who had no one to show him how to be. And that's why Papa's picture now hangs in the middle of the wall.

Mae remembered: Ju-mei didn't talk for six months after Papa was killed. He just sat in silence, looking at his little scuffed shoes.

Mae remembered. It was Ju-mei who had found him dying in the diwan. We had to keep using the cushions, with Papa's blood on them.

Suddenly the diwan curtains snapped back as if Ju-mei wanted to tear them down. His chin was thrust up, he was in full city regalia, and he had on his glasses.

Suddenly she remembered her father's dead face and the answer came.

He is frightened of the past. He is doing everything he can to escape it. And the more he fights, the more he's trapped in it. And so am I.

Something in Mae seemed to snap and unwind. She uncoiled and relaxed.

Poor Ju-mei, you can never give up fighting, not even for a moment.

Mae stood up and gave her brother a respectful bow. Even she was amazed. She did not feel a tremor of resentment.

'Brother,' she murmured.

'Sister,' he growled curtly, and jerked his head up and down. It was more like he was hitting her with his head than bowing in respect.

He didn't know what to say. They both stood staring for a moment.

'May I sit down?' Mae asked.

'I am amazed that you have to ask,' he growled back. He thought she was trying to show him up for bad manners. Which meant, of course, that he knew he had been bad-mannered at leaving her alone for so long.

Mae sat down and looked at the walls and thought the Karz equivalent of, To hell with it. She gave up trying to do anything at all.

'Your photographs reminded me strongly of the old days, when we lived here with our auntie.'

'Tuh! I am too busy to think about the past.'

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