Donna Tartt - The Secret History

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The Secret History: краткое содержание, описание и аннотация

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'The Secret History tells the story of a group of classics students at an elite American college, who are cerebral, obsessive and finally murderous… it is a haunting, compelling and brilliant piece of fiction' The Times Tartt's erudition sprinkles the text like sequins, but she's such an adept writer that she's able to make the occasional swerve into Greek legends and semantics seem absolutely crucial to the examination of contemporary society which this book undoubtedly and seriously is, for all the fun it provides on the way… Brilliant' Sunday Times 'A highly readable murder mystery; a romantic dream of doomed youth and a disquisition on ancient and modern mores… Tartt shows an impressive ability to pace and pattern her novel' Independent 'A huge, mesmerizing, galloping read, pleasurably devoured… gorgeously written, relentlessly erudite' Vanity Fair The skill with which Tartt manipulates our sympathies and anticipations is… remarkable… A marvellous debut' Spectator 'Implicates the reader in a conspiracy which begins in bucolic enchantment and ends exactly where it must… a mesmerizing and powerful novel' Jay Mclnerney 'A compelling read… this very young novelist has the arrogant boldness to tell us that it is in abstract, arcane scholarship and mandarin addictions that utter violence can flourish' George Steiner, The Times Literary Supplement 'Mesmerizing and perverse' Elaine Showalter, The Times Literary Supplement 'Brilliant… a study of young arrogance, a thriller, a comedy of campus manners, and an oblique Greek primer. It is a well written and compulsive read' Evening Standard

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The mourning of the hippies, in particular, had an almost anthropological significance. Bunny, in life, had been at almost perpetual war with them: the hippies contaminating the bathtub with tie-dye and playing their stereos loudly to annoy him; Bunny bombarding them with empty soda cans and calling Security whenever he thought they were smoking pot. Now that he was dead, they marked his passage to another plane in impersonal and almost tribal fashion – chanting, weaving mandalas, beating on drums, performing their own inscrutable and mysterious rites.

Henry stopped to watch them at a distance, resting the ferrule of his umbrella on the toe of his khaki-gaitered shoe.

'Is "mandala" a Pali word?' I asked him.

He shook his head. 'No,' he said. 'Sanskrit. Means "circle."'

'So this is some Hindu kind of thing?'

'Not necessarily,' he said, looking the hippies up and down as if they were animals in a zoo. 'They have come to be associated with Tantrism – mandalas, that is. Tantrism acted as a kind of corrupting influence upon the Indian Buddhist pantheon, though of course elements of it were assimilated into and restructured by the Buddhist tradition, until, by a.d.800, say, Tantrism had an academic tradition of its own – a corrupt tradition, to my way of thinking, but a tradition nonetheless.' He paused, watching a girl with a tambourine twirling dizzily on the lawn. 'But to answer your question,' he said, 'I believe that the mandala actually has quite a respectable place in the history of Theravada, Buddhism proper.

One finds their features in reliquary mounds on the Gangetic plain and elsewhere from as early as the first century a. d.'

Reading back over this, I feel that in some respects I've done Bunny an injustice. People really did like him. No one had known him all that well but it was a strange feature of his personality that the less one actually knew him, the more one felt one did.

Viewed from a distance, his character projected an impression of solidity and wholeness which was in fact as insubstantial as a hologram; up close, he was all motes and light, you could pass your hand right through him. If you stepped back far enough, however, the illusion would click in again and there he would be, bigger than life, squinting at you from behind his little glasses and raking back a dank lock of hair with one hand.

A character like his disintegrates under analysis. It can only be denned by the anecdote, the chance encounter or the sentence overheard. People who had never once spoken to him suddenly remembered, with a pang of affection, having seen him throwing sticks to a dog or stealing tulips from a teacher's garden. 'He touched people's lives,' said the college president, leaning forward to grip the podium with both his hands; and though he was to repeat the exact phrase, in the exact way, two months later at a memorial service for the freshman girl (who'd fared better with a singleedged razor blade than with the poison berries), it was, in Bunny's case at least, strangely true. He did touch people's lives, the lives of strangers, in an entirely unanticipated way. It was they who really mourned him – or what they thought was him – with a grief that was no less sharp for not being intimate with its object.

It was this unreality of character, this cartoonishness if you will, which was the secret of his appeal and what finally made his death so sad. Like any great comedian, he colored his environment wherever he went; in order to marvel at his constancy you wanted to see him in all sorts of alien situations: Bunny riding a camel, Bunny babysitting, Bunny in space. Now, in death, this constancy crystallized and became something else entirely: he was an old familiar jokester cast – with surprising effect – in the tragic role.

When the snow finally melted it went as quickly as it had come.

In twenty-four hours it was all gone except for some lovely shady patches in the woods – white-laced branches dripping rain holes in the crust – and the slushy gray piles at the roadside. Commons lawn stretched out wide and desolate like some Napoleonic battlefield: churned, sordid, roiled with footprints.

It was a strange, fragmented time. In the days before the funeral none of us saw each other very much. The Corcorans had spirited Henry back to Connecticut with them; Cloke, who seemed to me close on the verge of a nervous breakdown, went uninvited to stay at Charles and Camilla's, where he drank Grolsch beer by the six-pack and fell asleep on the couch with lighted cigarettes. I myself was encumbered with Judy Poovey and her friends Tracy and Beth. At mealtimes they came regularly to fetch me ('Richard,'Judy would say, reaching across the table to squeeze my hand, 'you must eat') and for the rest of the time I was captive to little activities they planned for me – drive-in movies and Mexican food, going to Tracy's apartment for Margaritas and MTV. Though I didn't mind the drive-ins, I did not care for the continual parade of nachos and tequila-based drinks. They were crazy about something called Kamikazes, and liked to dye their Margaritas a horrifying electric blue.

Actually, I was often glad of their company. Despite her faults, Judy was a kindly soul, and she was so bossy and talkative that I felt oddly safe with her. Beth I disliked. She was a dancer, from Santa Fe, with a rubbery face and an idiotic giggle and dimples all over when she smiled. At Hampden she was thought something of a beauty but I loathed her lolloping, spaniel-like walk and her little-girl voice – very affected, it seemed to me – which degenerated frequently into a whine. She had also had a nervous breakdown or two, and sometimes, in repose, she got a kind of walleyed look that made me nervous. Tracy was great. She was pretty and Jewish, with a dazzling smile and a penchant for Mary Tyler Moore mannerisms like hugging herself or twirling around with her arms outstretched. The three of them smoked a lot, told long boring stories ('So, like, our plane just sat on the runway for five hours') and talked about people I didn't know. I, the absentminded bereaved, was free to stare peacefully out the window. But sometimes I grew tired of them, and if I complained of a headache or said I wanted to go to sleep, Tracy and Beth would disappear with prearranged swiftness and there I would be, alone with Judy. She meant well, 1 suppose, but the type of comfort she wished to offer did not much appeal to me and after ten or twenty minutes alone with her I was ready again for any amount of Margaritas and MTV at Tracy's.

Francis, alone of us all, was unencumbered and occasionally he stopped by to see me. Sometimes he found me alone; when he did not he would sit stiffly in my desk chair and pretend, Henrylike, to examine my Greek books until even dimwit Tracy got the hint and left. As soon as the door closed and he heard footsteps on the stairs he would shut the book on his finger and lean forward, agitated and blinking. Our main worry at the time was the autopsy Bunny's family had requested; we were shocked when Henry, in Connecticut, got us word that one was in progress, by slipping away from the Corcorans' house one afternoon to call Francis from a pay phone, under the flapping banners and striped awnings of a used-car lot, with a highway roaring in the background. He'd overheard Mrs Corcoran tell Mr Corcoran that it was all for the best, that otherwise (and Henry swore he'd heard this very distinctly) they'd never know for sure.

Whatever else one may say about guilt, it certainly lends one diabolical powers of invention; and I spent two or three of the worst nights I had, then or ever, lying awake drunk with a horrible taste of tequila in my mouth and worrying about clothing filaments, fingerprints, strands of hair. All I knew about autopsies was what I had seen on reruns of'Quincy,' but somehow it never occurred to me that my information might be inaccurate because it came from a TV show. Didn't they research these things carefully, have a consulting physician on the set? I sat up, turned on the lights; my mouth was stained a ghastly blue. When the drinks came up in the bathroom they were brilliant-hued, perfectly clear, a rush of vibrant acid turquoise the color of Ty DBol.

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