Aravind Adiga - The White Tiger

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The Man Booker Prize 2008 Winner.
Born in a village in heartland India, the son of a rickshaw puller, Balram is taken out of school by his family and put to work in a teashop. As he crushes coals and wipes tables, he nurses a dream of escape – of breaking away from the banks of Mother Ganga, into whose depths have seeped the remains of a hundred generations.
The White Tiger is a tale of two Indias. Balram’s journey from darkness of village life to the light of entrepreneurial success is utterly amoral, brilliantly irreverent, deeply endearing and altogether unforgettable.
***
From Publishers Weekly
Starred Review. A brutal view of India 's class struggles is cunningly presented in Adiga's debut about a racist, homicidal chauffer. Balram Halwai is from the Darkness, born where India 's downtrodden and unlucky are destined to rot. Balram manages to escape his village and move to Delhi after being hired as a driver for a rich landlord. Telling his story in retrospect, the novel is a piecemeal correspondence from Balram to the premier of China, who is expected to visit India and whom Balram believes could learn a lesson or two about India 's entrepreneurial underbelly. Adiga's existential and crude prose animates the battle between India 's wealthy and poor as Balram suffers degrading treatment at the hands of his employers (or, more appropriately, masters). His personal fortunes and luck improve dramatically after he kills his boss and decamps for Bangalore. Balram is a clever and resourceful narrator with a witty and sarcastic edge that endears him to readers, even as he rails about corruption, allows himself to be defiled by his bosses, spews coarse invective and eventually profits from moral ambiguity and outright criminality. It's the perfect antidote to lyrical India.
***
From The New Yorker
In this darkly comic début novel set in India, Balram, a chauffeur, murders his employer, justifying his crime as the act of a "social entrepreneur." In a series of letters to the Premier of China, in anticipation of the leader’s upcoming visit to Balram’s homeland, the chauffeur recounts his transformation from an honest, hardworking boy growing up in "the Darkness"-those areas of rural India where education and electricity are equally scarce, and where villagers banter about local elections "like eunuchs discussing the Kama Sutra"-to a determined killer. He places the blame for his rage squarely on the avarice of the Indian élite, among whom bribes are commonplace, and who perpetuate a system in which many are sacrificed to the whims of a few. Adiga’s message isn’t subtle or novel, but Balram’s appealingly sardonic voice and acute observations of the social order are both winning and unsettling.

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It will be good for me to stop here.

When we meet again, at midnight, remind me to turn the chandelier up a bit. The story gets much darker from here.

The Fourth Night

I should talk a little more about this chandelier.

Why not? I've got no family anymore. All I've got is chandeliers.

I have a chandelier here, above my head in my office, and then I have two in my apartment in Raj Mahal Villas Phase Two. One in the drawing room, and a small one in the toilet too. It must be the only toilet in Bangalore with a chandelier!

I saw all these chandeliers one day, tied to the branch of a big banyan tree near Lalbagh Gardens; a boy from a village was selling them, and I bought all of them on the spot. I paid some fellow with a bullock cart to bring them home and we went riding through Bangalore, me and this fellow and four chandeliers, on a limousine powered by bulls!

It makes me happy to see a chandelier. Why not, I'm a free man, let me buy all the chandeliers I want. For one thing, they keep the lizards away from this room. It's the truth, sir. Lizards don't like the light, so as soon as they see a chandelier, they stay away.

I don't understand why other people don't buy chandeliers all the time, and put them up everywhere. Free people don't know the value of freedom, that's the problem.

Sometimes, in my apartment, I turn on both chandeliers, and then I lie down amid all that light, and I just start laughing. A man in hiding, and yet he's surrounded by chandeliers!

There-I'm revealing the secret to a successful escape. The police searched for me in darkness: but I hid myself in light.

In Bangalore!

Now, among the many uses of a chandelier, this most unsung and unloved object, is that, when you forget something, all you have to do is stare at the glass pieces shining in the ceiling long enough, and within five minutes you'll remember exactly what it is you were trying to remember.

See, I'd forgotten where we left off the story last night, so I had to go on about chandeliers for a while, keeping you busy, but now I remember where we were.

Delhi -we had got to Delhi last night when I stopped the narrative.

The capital of our glorious nation. The seat of Parliament, of the president, of all ministers and prime ministers. The pride of our civic planning. The showcase of the republic.

That's what they call it.

Let a driver tell you the truth. And the truth is that Delhi is a crazy city.

See, the rich people live in big housing colonies like Defence Colony or Greater Kailash or Vasant Kunj, and inside their colonies the houses have numbers and letters, but this numbering and lettering system follows no known system of logic. For instance, in the English alphabet, A is next to B, which everyone knows, even people like me who don't know English. But in a colony, one house is called A 231, and then the next is F 378. So one time Pinky Madam wanted me to take her to Greater Kailash E 231, I tracked down the houses to E 200, and just when I thought we were almost there, E Block vanished completely. The next house was S something.

Pinky Madam began yelling. "I told you not to bring this hick from the village!"

And then another thing. Every road in Delhi has a name, like Aurangazeb Road, or Humayun Road, or Archbishop Makarios Road. And no one, masters or servants, knows the name of the road. You ask someone, "Where's Nikolai Copernicus Marg?"

And he could be a man who lived on Nikolai Copernicus Marg his whole life, and he'll open his mouth and say, " Hahn? "

Or he'll say, "Straight ahead, then turn left," even though he has no idea.

And all the roads look the same, all of them go around and around grassy circles in which men are sleeping or eating or playing cards, and then four roads shoot off from that grassy circle, and then you go down one road, and you hit another grassy circle where men are sleeping or playing cards, and then four more roads go off from it. So you just keep getting lost, and lost, and lost in Delhi.

Thousands of people live on the sides of the road in Delhi. They have come from the Darkness too-you can tell by their thin bodies, filthy faces, by the animal-like way they live under the huge bridges and overpasses, making fires and washing and taking lice out of their hair while the cars roar past them. These homeless people are a particular problem for drivers. They never wait for a red light-simply dashing across the road on impulse. And each time I braked to avoid slamming the car into one of them, the shouting would start from the passenger's seat.

But I ask you, who built Delhi in this crazy way? Which geniuses were responsible for making F Block come after A Block and House Number 69 come after House Number 12? Who was so busy partying and drinking English liquor and taking their Pomeranian dogs for walks and shampoos that they gave the roads names that no one could remember?

"Are you lost again, driver?"

"Don't go after him again."

"Why do you always defend him, Ashok?"

"Don't we have more serious things to discuss? Why are we always talking about this driver?"

"All right, let's discuss the other things, then. First let's discuss your wife, and her temper tantrums."

"Do you really think that's more important than the tax thing? I keep asking you what are we doing about it, and you keep changing the topic. I think it's insane, how much they're asking us to pay."

"I told you. It's a political thing. They're harassing us because Father is trying to distance himself from the Great Socialist."

"I don't know why he ever got involved with that rogue."

"He got into politics because he had to, Ashok-you don't have a choice in the Darkness. And don't panic, we can deal with this income tax charge. This is India, not America. There's always a way out here. I told you, we have someone here who works for us-Ramanathan. He's a good fixer."

"Ramanathan is a sleazy, oily cretin . We need a new tax lawyer, Mukesh! We need to go to the newspapers and tell them we're being raped by these politicians!"

"Listen"-the Mongoose raised his voice-"you just got back from America. Even this man driving our car knows more about India than you do right now. We need a fixer. He'll get us the interview with a minister that we need. That's how Delhi works."

The Mongoose leaned forward and put his hand on my shoulder. "Lost again? Do you think you could find your way home this time without getting lost a dozen times?"

He sighed and fell back on his seat. "We shouldn't have brought him here, he's hopeless. Ram Bahadur got it all wrong about this fellow. Ashok."

"Hm?"

"Look up from your phone a minute. Have you told Pinky that you're staying back for good?"

"Hm. Yes."

"What does the Queen say?"

"Don't call her that. She's your sister-in-law, Mukesh. She'll be happy in Gurgaon, it's the most American part of the city."

Now, Mr. Ashok's thinking was smart. Ten years ago, they say, there was nothing in Gurgaon, just water buffaloes and fat Punjabi farmers. Today it's the modernest suburb of Delhi. American Express, Microsoft, all the big American companies have offices there. The main road is full of shopping malls-each mall has a cinema inside! So if Pinky Madam missed America, this was the best place to bring her.

"This moron," the Mongoose said, "see what he's done. He's got lost again."

He stretched his hand and smacked my skull with it. "Take a left from the fountain, you idiot! Don't you know how to get to the house from here?"

I began apologizing, but a voice from behind me said, "It's all right, Balram. Just get us home."

"See-you're defending him again."

"Just put yourself in his place, Mukesh. Can you imagine how confusing Delhi must be to him? It must be like getting to New York for the first time was for me."

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