Jennifer Weiner - Good in Bed

I sighed. “Fine,” I said. “Terrific. Whatever. We’ll talk about the movie.”

“So you’re agreeing to the conditions?”

“Yes. I’m agreeing. No love life. No skirts. No nothing.”

“Then I’ll see what I can do.”

“I told you, Roberto already set up the interview!”

But I was talking to a dead line.

Two weeks later, when I finally left for the interview, it was a gray, drizzly Saturday morning in late November, the kind of day where it looks like everyone with means and money has fled the city and gone to the Bahamas, or their country cottage in the Poconos, and the streets are populated with the people they’d left behind: pockmarked delivery boys, black girls with braids, scruffy-looking dreadlocked white kids on bikes. Secretaries. Japanese tourists. A guy with a wart on his chin with two hairs sprouting from it, long, curly hairs that reached almost to his chest. He smiled and stroked them as I walked by. My lucky day.

I spent the twenty-block walk uptown trying not to think of Bruce and trying not to let my hair get too wet. The lobby of the Regency was huge, marble, blessedly quiet and mirror-lined, which let me appreciate, from three different angles, the zit that had sprouted on my forehead.

I was early, so I decided to loiter. The hotel gift shop boasted the typical assortment of overpriced bathrobes, $5 toothbrushes, and magazines in many languages, one of which happened to be the November Moxie. I grabbed it and flipped to Bruce’s column. “Going Down,” I read. “One Man’s Oral Adventures.” Hah! “Oral adventures” had not been Bruce’s forte. He had a little problem with excessive saliva. In a moment of margarita-soaked weakness I’d once referred to him as “the human bidet.” It had been that bad at the beginning. Of course, there was no way he’d mention that, I thought smugly, any more than he’d mention that I’d been the only girl he’d ever attempted that particular maneuver upon. And I flipped back to his column. “I once overheard my girlfriend refer to me as the human bidet,” read the pull-quote. He’d heard that? My face flamed.

“Miss? Are you planning to purchase that?” asked the woman behind the counter. So I did, with a pack of Juicy Fruit gum and a $4 bottle of water. Then I parked myself on one of the plush couches in the icy-cool lobby and began:

Going Down

When I was fifteen and a virgin, when I wore braces and the tighty whities my mother bought me, my friends and I used to laugh ourselves sick over a Sam Kinison routine.

“Women!” he’d rant, tossing his hair over his shoulder, stalking the stage like a small, rotund, beret-wearing trapped animal. “Tell us what you want! Why,” he’d say, and drop to one knee, beseeching, “why is it so HARD to say YES, right THERE, that’s GOOD, or NO, not THAT. TELL US WHAT YOU WANT!” he’d shriek, as the audience erupted, “WE’LL DO IT!”

We laughed without knowing precisely what made this so hysterical. What could be so hard? we wondered. Sex, insofar as we’d experienced it, did not involve much mystery. Lather, rinse, repeat. That was our repertoire. No fuss, no muss, and certainly no confusion.

When C. parted her legs and then parted herself with her fingertips…

Oh… my… God, I thought. It was as if he’d shoved a mirror between my legs and broadcasted the image to the whole world. I swallowed hard and kept reading.

… I felt a sudden and complete sympathy with every man who’d ever pumped his fist to Kinison’s lament. It was like looking at a face with no features, was the best thing I could think. Hair and belly and hands above, creamy thighs to the left and the right, but in front of me, a mystery, curves and tucks and protrusions that bore, it seemed, little resemblance to the air-brushed pornography I’d seen since I was fifteen. Or maybe it was just the proximity. Or maybe it was just my nerves. Being confronted with a mystery is a scary thing.

“Tell me what you want,” I whispered to her, and I remember how far away her head seemed at that moment. “Tell me what you want and I’ll do it.” But then I realized that by telling me what she wanted, she’d be as much as admitting that… well, that she knew what she wanted. That someone else had stared into this strange, unknowable heart, had learned the geography, had unfurled her secrets. And even though I knew she’d had other lovers, that seemed somehow different, more intimate. She’d let someone else see her here, like this. And I, being male and a former Sam Kinison listener to boot, resolved to bring her to paradise, to make her mewl like a sated kitty, to obliterate every trace of memory of the He Who’d Gone Before.

Strange unknowable heart, I snorted. He Who’d Gone Before. Somebody get me a shovel!

And she tried, and I tried, too. She demonstrated with her fingertips, with words, with gentle pressure and gasps and sighs. And I tried, too. But a tongue isn’t like a finger. My goatee drove her crazy, in precisely the opposite of the way she wanted to be driven crazy. And when I heard her on the phone once refer to me as the Human Bidet, well, it seemed easier to rely on the things I knew I could do better.

Do any of us know what we’re doing? Does any man? I ask my friends, and at first they all guffaw and swear they have to scrape their women off the ceiling. I buy them beer and keep their glasses full, and in a few hours I have my more perfect truth: We’re all clueless. Every single one of us.

“She says she’s coming,” says Eric mournfully. “But I dunno, man…”

“It isn’t obvious,” says George. “How are we supposed to know?”

How, indeed? We’re men. We need reliability, we need hard (or even liquid) evidence, we need diagrams and how-to guides, we need the mystery explicated.

And when I close my eyes I can see her, still, as she lay that first time, furled tight like the wings of a tiny bird, seashell pink, tasting like the rich ocean water, full of tiny lives, things I’ll never see, let alone understand. I wish I could. I wish I had.

“Okay, Jacques Cousteau,” I muttered, and struggled to my feet. When he closed his eyes he could still see me, he’d written. Well, what did that mean? And when had he written it? And if he still missed me, then why wasn’t he calling? Maybe, I thought, there was hope after all. Maybe I’d call him later. Maybe we still had a chance.

I took the elevator up to the hospitality suite on the twentieth floor, where a variety of young, larva-pale publicists in variations on black stretch pants, black bodysuits, and black boots sat on couches and smoked.

“I’m Cannie Shapiro from the Philadelphia Examiner,” I said, to the one sitting beneath a life-size cardboard cutout of Maxi Ryder in battle fatigues, brandishing an Uzi.

Larva Girl paged languidly through some pages full of names.

“I don’t see you,” she said.

Great. “Is Roberto here?”

“He stepped out for a minute,” she said, flip-flopping one hand toward the door.

“Did he say when he’d be back?”

She shrugged, apparently having exhausted her vocabulary.

I peered at the pages, trying to read upside-down. There was my name: Candace Shapiro. And there was a thick black line through it. “NGH” read the note in the margin.

Just then Roberto hustled in.

“Cannie,” he said, “what are you doing here?”

“You tell me,” I said, trying for a smile. “Last I heard I was interviewing Maxi Ryder.”

“Oh, God,” he said. “Nobody called you?”

“About what?”

“Maxi decided to, um, scale way back on the print interviews. She’s only doing the Times. And USA Today.”

“Well, nobody told me.” I shrugged. “I’m here. Betsy’s expecting a story.”