John Updike - Rabbit At Rest

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Rabbit, now in his 50s and with a heart condition, is living in a condo in Florida. Nelson and his family come to stay and disaster unfolds. Rabbit has a serious heart attack after a boating accident with his granddaughter and Nelson has been embezzling the family firm to feed his cocaine habit.
***
Amazon.com Review
It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death-and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.
Indeed, from Rabbit's vantage point-which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit-decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:
Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy… and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.
Marching through the decades, John Updike's first three Rabbit novels-Rabbit, Run (1960), Rabbit Redux (1971), and Rabbit Is Rich (1981)-dissect middle-class America in all its dysfunctional glory. Rabbit at Rest (1990), the final installment and winner of the Pulitzer Prize, continues this brilliant dissection. Yet it also develops Rabbit's character more fully as he grapples with an uncertain future and the consequences of his past. At one point, for example, he's taken his granddaughter Judy for a sailing expedition when his first heart attack strikes. Rabbit gamely navigates the tiny craft to shore-and then, lying on the beach, feels a paradoxical relief at having both saved his beloved Judy and meeting his own death. (He doesn't, not yet.) Meanwhile, this all-American dad feels responsible for his son's full-blown drug addiction but incapable of helping him. (Ironically, it's Rabbit's wife Janice, the "poor dumb mutt," who marches Nelson into rehab.)
His misplaced sense of responsibility-plus his crude sexual urges and racial slurs-can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough."

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"I'm not sure," he lies.

"You must have, in the days when she was single. She told me she knew quite a few guys before meeting up with my father." She smiles, giving him permission to have known her mother.

"I guess she did," Harry says, sad at the thought. Always he has wanted to be every woman's only man, as he was his mother's only son. "I met her once or twice."

"You should see her," Annabelle goes on pertly. "She's lost a lot of weight and dresses real snappy. I kid her, she has more boyfriends than I do."

Rabbit closes his eyes and tries to picture it, at their age. Come on. Work. Dressing snappy. Once a city girl, always a city girl. Her hair, that first time he saw her, rimmed with red neon like wilt.

The girl he thinks is his daughter goes on, "I'll tell her you're in here, Mr. Angstrom." Though he is trying now to withdraw, into his evening stupor, an awakening affinity between them has stirred her to a certain forwardness. "Maybe she'll remember more than you do."

Outside the sealed hospital windows, in the slowly thickening dusk, sap is rising, and the air even in here feels languid with pollen. Involuntarily Harry's eyes close again. "No," he says, "that's O.K. Don't tell her anything. I doubt if she'd remember anything." He is suddenly tired, too tired for Ruth. Even if this girl is his daughter, it's an old story, going on and on, like a radio nobody's listening to.

* * *

They keep him in the hospital for five nights. Janice visits him Saturday. She is very busy on the outside; the classes she has to take to be a real-estate salesman have begun to meet, "The Laws of Real Property and Conveyancing" for three hours one night, and the other, "Procedures of Mortgages and Financing," on another. Also, she has been spending a lot of daytime hours with Pru and the grandchildren, and Charlie Stavros called her up and took her out to lunch.

Rabbit protests, "The bastard, he did? I'm not even dead yet."

"Of course not, darling, and nobody expects you to be. He said it was your idea, from when you had lunch together. Charlie's concerned about us, is all. He thinks I shouldn't just be letting things slide but should get an outside accountant and our lawyer and look at the books over at the lot, just like you wanted."

"You believe it when Charlie tells you, but not when I do."

"Honey, you're my husband, and husbands get wives all confused. Charlie's just an old friend, and he has an outsider's impartiality. Also, he loved my father, and feels protective toward the firm."

Harry has to chuckle, though he doesn't like to laugh now or do anything that might joggle his heart, that delicate web of jumping shadow he saw on the radiograph monitor during his operation. Sometimes, when shows like Cosby or Perfect Strangers or Golden Girls begin to tickle him too much, he switches off the set, rather than stress his heart with a laugh. These shows are all idiotic but not as totally stupid as this new one everybody raves about, Roseanne, starring some fat woman whose only talent as far as he can see is talking fast without moving her mouth. "Janice," he says seriously, "I think the only person who ever loved your father was you. And maybe your mother, at the beginning. Though it's hard to picture."

"Don't be rude to the dead," she tells him, unrufed. She looks plumped up, somehow; without that steady diet of tennis and swi mming Valhalla Village provides she is maybe gaining weight. They are still members up at the Flying Eagle, but haven't made it out that way as much as in past springs. They had enjoyed good friendly times up there without realizing they would end. And, with his heart, Harry doesn't quite know how much to get into golf again. Even with a cart, you can be out there on the seventh hole and keel over and by the time they bring you in, through the other foursomes, there's been no oxygen to the brain for ten minutes. Five minutes is all it takes, and you're a vegetable.

"Well, are you going to do it? Call in another accountant."-

"I've done it already" she announces, the proud secret she's been waiting for the conversation to elicit. "Charlie had called up Mildred on his own already and we went over there to this very nice nursing home right near us, she's perfectly sensible and competent, just a little unsteady on her legs, and we went over to the lot and this Lyle who was so mean to you wasn't there but I was able to reach him over the phone at his home number. I said we wanted to look over the accounts since October and he said the accounts were mostly in these computer disks he keeps at his house and he was too sick to see us today, so I said maybe he was too sick to be our accountant then."

"You said that?"

"Yes I did. The first thing they teach you in this class on conveyancing is never to pussy-foot around, you do somebody and a potential sale more harm by not being clear than by speaking right out, even if they might not like hearing it at first. I told him he was fired and he said you can't fire somebody with AIDS, it's discrimination, and I said he should bring in his books and disks tomorrow or a policeman would be out to get them."

"You said all that?" Her eyes are bright and her hair bushes out from her little nut of a face, getting tan again, with a touch of double chin now that she's putting on weight. Harry admires her as you admire children you have raised, whose very success pulls them away, into the world's workings, into distance and estrangement.

"Maybe not as smoothly as I'm saying it to you, but I got it all out. Ask Charlie, he was right there. I don't like what these queers have done to Nelson. They've corrupted him."

"Gay," Harry says wearily. "We call them gay now." He is still trying to keep up with America, as it changes styles and costumes and vocabulary, as it dances ahead ever young, ever younger. "And what did Lyle say then?"

"He said we shall see. He asked whether I'd consulted with Nelson about all this. I said no but I wasn't sure Nelson was fit to consult with these days. I said in my opinion he and his friends were milking Nelson for all he was worth and had turned him into a human wreck and a dope addict and Charlie wrote on a pad of paper for me to see, `Cool it.' Elvira and Benny were out in the showroom all ears even though the office door was closed. Oh, but that fairy got me mad," Janice explains, "he sounded so aboveit-all and bored on the phone, as if dealing with women like me was just more than his poor sensitive body and spirit could bear."

Rabbit is beginning to know how Lyle felt. "He probably was tired," he says in his defense. "That disease he has does an awful job on you. Your lungs fill up."

"Well, he should have kept his penis out of other men's bottoms then," Janice says, lowering her voice though, so the nurses and orderlies in the hall don't hear.

Bottoms. Thelma. That casket of nothingness. Probing the void. "And I don't know," Rabbit wearily pursues, "in a situation like Nelson's, who corrupts who. Maybe 1 corrupted the poor kid, twenty years ago."

"Oh Harry, don't be so hard on yourself. It's depressing to see you like this. You've changed so. What have they done to you, these doctors?"

He's glad she asked. He tells her, "They stuck a long thin thing into me and I could see it on television in my heart. Right on the screen, my own poor heart, while it was pumping to keep me alive. They shouldn't be allowed to go into your heart like that. They should just let people die."

"Darling, what a stupid way to talk. It's modern science, you should be grateful. You're going to be fine. Mim called all worried and I told her how minor it was and gave her your number here."

"Mim." Just the syllable makes him smile. His sister. The one other survivor of that house on Jackson Road, where Mom and Pop set up their friction, their heat, their comedy, their parade of days. At nineteen Mim took her bony good looks and went west, to Las Vegas. One of her gangster pals with a sentimental streak set her up with a beauty parlor when her looks began to go, and now she owns a Laundromat as well as the hairdresser's. Vegas must be a great town for Laundromats. Nobody lives there, everybody is just passing through, leaving a little bit of dirt like on the pale Antron carpets back at 14Y2 Franklin Drive. Harry and Janice visited Mim once, seven or eight years ago. These caves of glowing slot machines, no clocks anywhere, just a perpetual two o'clock in the morning, and you step outside and to your surprise the sun is blazing, and the sidewalks so hot a dog couldn't walk on them. What with Sinatra and Wayne Newton, he expected a lot of glitz, but in fact the gambling addicts were no classier than the types you see pulling at the one-armed bandits down in Atlantic City. Only there was a Western flavor, their voices and faces lined with little tiny cracks. Mim's face and voice had those tiny cracks too, though she had had a face-lift, to tighten up what she called her "wattles." Life is a hill that gets steeper the more you climb.

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