John Updike - Rabbit At Rest

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Rabbit, now in his 50s and with a heart condition, is living in a condo in Florida. Nelson and his family come to stay and disaster unfolds. Rabbit has a serious heart attack after a boating accident with his granddaughter and Nelson has been embezzling the family firm to feed his cocaine habit.
***
Amazon.com Review
It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death-and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.
Indeed, from Rabbit's vantage point-which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit-decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:
Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy… and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.
Marching through the decades, John Updike's first three Rabbit novels-Rabbit, Run (1960), Rabbit Redux (1971), and Rabbit Is Rich (1981)-dissect middle-class America in all its dysfunctional glory. Rabbit at Rest (1990), the final installment and winner of the Pulitzer Prize, continues this brilliant dissection. Yet it also develops Rabbit's character more fully as he grapples with an uncertain future and the consequences of his past. At one point, for example, he's taken his granddaughter Judy for a sailing expedition when his first heart attack strikes. Rabbit gamely navigates the tiny craft to shore-and then, lying on the beach, feels a paradoxical relief at having both saved his beloved Judy and meeting his own death. (He doesn't, not yet.) Meanwhile, this all-American dad feels responsible for his son's full-blown drug addiction but incapable of helping him. (Ironically, it's Rabbit's wife Janice, the "poor dumb mutt," who marches Nelson into rehab.)
His misplaced sense of responsibility-plus his crude sexual urges and racial slurs-can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough."

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"This is still spring," Charlie tells him. "Wait till the pitchers' arms warm up. Schmidt'll wilt. He's old, not compared to you and me but in the game he's in he's old, and there's no hiding from the young pitchers over the long season."

Harry finds it salutary, to have his admiration for Schmidt checked. You can't live through these athletes, they don't know you exist. For them, only the other players exist. They go to the ballpark and there's thirty thousand there and a big bumbly roar when their names are announced and that's all of you they need. "Does it seem to you," he asks Charlie, "there's a lot of disasters lately? That Pan Am plane blowing up, and then those soccer fans in England the other day getting crushed, and now this gun exploding on the battleship for no apparent reason."

"Apparent's the key word," Charlie says. "Everything has some little tiny reason, even when we can't see it. A little spark somewhere, a little crack in the metal. Also, champ, look at the odds. How many people in the world now, five billion? With the world jammed up like it is the wonder is more of us aren't trampled to death. There's a crush on, and it's not going to get better."

Rabbit's heart dips, thinking that from Nelson's point of view he himself is a big part of the crowding. That time he screamed outside the burning house at 26 Vista Crescent, I'll kill you. He didn't mean it. A spark, a crack in metal. A tiny flaw. When you die you do the world a favor.

Charlie is frowning down into the menu, which is enormous, printed in photocopy in green ink on rough flecked acid-free paper. The things they can do with Xerox now. Who still uses a place like Verity Press? First letterpress went, then photo-offset. Charlie no longer wears thick squarish hornrims that set a dark bar across his eyebrows but gold aviator frames that hold his thick lavender-tinted lenses to his nose like fingers pinching a wineglass. Charlie used to be thickset but age has whittled him so his Greek bones show – the high pinched arch to his nose, the wide slanting brow below his dark hairline. His sideburns are gray but he is shaving them shorter. Studying the menu, he chuckles. "Beefsteak Salad," he reads. "Pork Kabob Salad. What kind of salads are those?"

When the waitress comes, Charlie kids her about it. "What's with all this high-cal high-fat meat?" he asks. "You giving us a beefsteak with a little lettuce on the side?"

"The meat is shoelaced and worked in," the waitress says. She is tall and almost pretty, with her hair bleached and trained up in a fluffy Mohawk, and a row of little earrings all around the edge of one ear, and dark dusty-rosy spots rouged behind her eyes. Her tongue has some trouble in her mouth and it's cute, the earnest, deliberate way her lips move. "They found there was a call for these, you know, heartier ingredients."

So underneath everything, Rabbit thinks, it's still Johnny Frye's Chophouse. "Tell me about the Macadamia and Bacon Salad," he says.

"It's one of people's favorites," she says. "The bacon is crisp and in, like, flakes. Most of the fat has been pressed out of it. Also there's alfalfa sprouts, and some radishes and cucumber sliced real thin, and a couple kinds of lettuce, I forget the different names, and I don't know what all else, maybe some chuba – that's dried sardines."

"Sounds good," Rabbit says, before it doesn't and he has to choose again.

Charlie points out, "Nuts and bacon aren't exactly what the doctor ordered."

"You heard her, the fat's been squeezed out. Anyway a little bit can't kill you. It's more a matter of internal balance. Come on, Charlie. Loosen up."

"What's in the Seaweed Special?" Charlie asks the waitress, because both men like to hear her talk.

"Oh, hijiki of course, and wakame, and dulse and agar in with a lot of chickpeas and lentils, and leafy greens, it's wonderful if you're going macrobiotic seriously and don't mind that slightly bitter taste, you know, that seaweed tends to have."

"You've done talked me out of it, Jennifer," Charlie says, reading her name stitched onto the bodice of the lime-green jumper they wear for a uniform at Salad Binge. "I'll take the Spinach and Crab."

"For salad dressing, we have Russian, Roquefort, Italian, Creamy Italian, Poppyseed, Thousand Island, Oil and Vinegar, and Japanese."

"What's in the Japanese?" Harry asks, not just to see her lips curl and pucker around the little difficulty in her mouth, but because the Japanese interest him professionally. How do they and the Germans do it, when America's going down the tubes?

"Oh, I could ask in the kitchen if you really care, but umeboshi, I think, and tamari, of course – we don't use that commercial soy sauce – and sesame oil, and rice vinegar." Her eyes harden as she senses that these men are flirtatiously wasting her time. Feeling apologetic, they both order Creamy Italian and settle to each other.

It has been a long time, their rapport has grown rusty. Charlie does seem older, drier, when you look. The thin gold aviator frames take out of his face a lot of that masculine certainty that must have appealed to Janice twenty years ago. "Cute kid," Charlie says, arranging the silver around his plate more neatly, square to the edges of the paper placemat.

"Whatever happened to Melanie?" Rabbit asks him. Ten years ago, they had sat in this same restaurant and Melanie, a friend of Nelson's and Pru's living at the time at Ma Springer's house, had been their waitress. Then she became Charlie's girlfriend, old as he was, relatively. At least they went to Florida together. One of the things maybe that had made Florida seem attractive. But no bimbo there had offered herself to Harry. The only flickers he got were from women his own age, who looked ancient.

"She became a doctor," Charlie says. "A gastroenterologist, to be exact, in Portland, Oregon. That's where her father wound up, you'll recall."

"Just barely. He was a kind of late-blooming hippie, wasn't he?" "He settled down with the third wife and has been a big support to Melanie. It was her mother, actually, who was flipping out, back in Mill Valley. Alcohol. Guys. Drugs."

The last word hurts Harry's stomach. "How come you know all this?"

Charlie shrugs minimally, but cannot quite suppress his little smile of pride. "We keep in touch. I was there for her when she needed a push. I told her, `Go for it.' She still had a bit of that poor-little-me-I'm-only-a-girl thing. I gave her the boost she needed. I told her to go out there where her dad was living with his squaw and kick ass."

"Me you tell avoid aggravation, her you told to go for it."

"Different cases. Different ages. You her age, I'd tell you, `Go for it.' I'll still tell you. As long as you avoid aggravation."

"Charlie, I have a problem."

"That's news?"

"A couple of 'em, actually. For one, I ought to do something about my heart. I just can't keep drifting along waiting for my next MI."

"You're losing me, champ."

"You know. Myocardial infarction. Heart attack. I was lucky to get away with the one I did have. The docs tell me I ought to have an open-heart, a multiple bypass."

"Go for it."

"Sure. Easy for you to say. People die having those things. I notice you never had one."

"But I did. In '87. December, you were in Florida. They replaced two valves. Aortic and mitral. When you have rheumatic fever as a kid, it's the valves that go. They don't close right. That's what gives you the heart murmur, blood running the wrong way."

Rabbit can hardly bear these images, all these details inside him, valves and slippages and crusts on the pipe. "What'd they replace them with?"

"Pig heart valves. The choice is that or a mechanical valve, a trap with a ball. With the mechanical, you click all the time. I didn't want to click if I could help it. They say it keeps you awake."

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