John Updike - Rabbit At Rest

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Rabbit, now in his 50s and with a heart condition, is living in a condo in Florida. Nelson and his family come to stay and disaster unfolds. Rabbit has a serious heart attack after a boating accident with his granddaughter and Nelson has been embezzling the family firm to feed his cocaine habit.
***
Amazon.com Review
It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death-and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.
Indeed, from Rabbit's vantage point-which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit-decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:
Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy… and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.
Marching through the decades, John Updike's first three Rabbit novels-Rabbit, Run (1960), Rabbit Redux (1971), and Rabbit Is Rich (1981)-dissect middle-class America in all its dysfunctional glory. Rabbit at Rest (1990), the final installment and winner of the Pulitzer Prize, continues this brilliant dissection. Yet it also develops Rabbit's character more fully as he grapples with an uncertain future and the consequences of his past. At one point, for example, he's taken his granddaughter Judy for a sailing expedition when his first heart attack strikes. Rabbit gamely navigates the tiny craft to shore-and then, lying on the beach, feels a paradoxical relief at having both saved his beloved Judy and meeting his own death. (He doesn't, not yet.) Meanwhile, this all-American dad feels responsible for his son's full-blown drug addiction but incapable of helping him. (Ironically, it's Rabbit's wife Janice, the "poor dumb mutt," who marches Nelson into rehab.)
His misplaced sense of responsibility-plus his crude sexual urges and racial slurs-can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough."

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During those spring months with Ruth on Summer Street, he used to wonder what it would be like to run to the end of the street, straight as far as the eye could see. In the thirty years since, he has often driven this way, to Brewer's northwestern edge and beyond, where the highway with its motels (Economy Lodge, Coronet, Safe Haven) melts into farmland and signs pointing the way to Harrisburg and Pittsburgh begin to appear. One by one the farms and their stone buildings, the bank bams put together with pegs and beams and the farmhouses built square to the compass with walls two feet thick, are going under to real-estate developments. Two miles beyond the pike to Maiden Springs, where the Murketts used to live before they got divorced, there is a fairly new development called Arrowdale after the old Arrowhead Farm that was sold off by the nieces and nephews of the old spinster who lived there so many years and had wanted to leave it to some television evangelist as a kind of salvation park, a holy-roller retreat, but whose lawyers kept talking her out of it. Rabbit as these recent years have gone by has watched the bulldozed land lose its raw look and the trees and bushes grow up so it almost seems houses have always been here. The streets curve, as they did in the Murketts' development, but the houses are more ordinary – ranch houses and split levels with sides of aluminum clapboards and fronts of brick varied by flagstone porchlets and unfunctional patches of masonry facing. Cement walks traverse small front yards with azaleas not quite in bloom beneath the picture windows. Bark mulch abounds, and matching porch furniture, and a tyrannical neatness absent in the older more blue-collar towns like Mt. Judge and West Brewer.

Ronnie and Thelma Harrison moved to one of these modest new houses when their three boys grew up and went off. Alex, the oldest, is an electronics engineer somewhere south of San Francisco; the middle boy, Georgie, who had had reading problems in school, is trying to be a dancer and musician in New York City; and their youngest, Ron junior, has stayed in the county, as a part-time construction worker, though he put in two years of college at Lehigh. Thelma doesn't complain about her sons or her house, though to Harry they seem disappointing, disappointingly ordinary, for a woman of Thelma's intelligence and, in his experience of her, passion.

Thelma's disease, systemic lupus erythematosus, has cost a fortune over the years, even with the benefits from Ronnie's insurance company's health plan. And it has meant that she has not been able to go back to teaching elementary school when her boys were gone, as she had hoped. Her health has been too erratic; it has kept her at home, where Harry could usually find her. This noon when he called from a pay phone in Brewer he expected her to answer and she did. He asked ifhe might drive over and she said he might. She didn't sound happy to hear from him, but not distressed either: resigned, merely. He leaves the Celica out front at the curving curb, though usually over the years she opened the garage for him and closed the door electronically from within the kitchen, to hide the evidence. But now that he is as sick as if not sicker than she, he doesn't know how much they still have to conceal. The neighborhood is empty during the midday, until the buses bring the children home from school. A single whining engine is at work somewhere out of sight in Arrowdale, and the air holds a pervasive vibration and hum of traffic from the Maiden Springs Pike. Also out of sight, some birds are chirping, raucous in their nesting frenzy, though the development is skimpy on trees. A robin hops on the bit of lawn beside Thelma's cement walk, and thrashes into the air as Harry approaches. He doesn't remember robins as seeming such big fierce birds; this one looked the size of a crow. He climbs two flagstone steps and crosses a little porch; Thelma opens the front door before he can ring the bell.

She seems smaller, and her hair grayer. Her prim, rather plain face always had a sallow tinge, and this jaundice has deepened, he can observe through the makeup she uses to soften her butterfly rash, a reddening the disease has placed like a soreness across her nose and beneath her eyes. Nevertheless, her deeply known presence stirs him. They lightly kiss, when she has closed the door, a long light-blocking green shade pulled down over its central pane of bevelled glass. Her lips are cool, and faintly greasy. She stays a time within his embrace, as if expecting something more to happen, her body relaxed against his in unspeakable confession.

"You're thin," she says, drawing at last away.

"A little less fat," he tells her. "I've a long way to go before I satisfy the doctors and Janice." It seems only natural to mention Janice, though he had to make his tongue do it. Thelma knows the score, and did from the start. The whole affair was her idea, though he grew used to it over the years, and built it in. Her walk as she moves away from him into the living room seems stiff, a bit of a waddle; arthritis is part of the lupus.

"Janice," she repeats. "How is Wonder Woman?" Once he confided that he called Janice that and Thelma has never forgotten. Women don't forget, especially what you wish they would.

"Oh, no different. She keeps busy in Florida with all these different groups, she's kind of the baby of our condo, and a shiksa besides. You'd hardly know her, she's so on the ball. Her tennis is terrific, the people who play tell me." He is getting too enthusiastic, he realizes. "But we were happy to leave. It got cold. March was miserable. At least up here you expect it and have the clothes."

"You never told us about your heart attack." That "us" is a little payback for his mentioning Janice right off: You trail your spouses after you like shadows, right into bed; they becloud the sheets.

"It didn't seem worth bragging about."

"We heard about it from little Ron, who knows a boy who knows Nelson. The kiddie network. Imagine how I felt, learning about it that way. My lover nearly dies and never tells me."

"How would we, I, whoever, tell you? It's not the kind of thing they have cards for in the drugstore."

In recent years he and Janice have seen less and less of the Harrisons. Rabbit and Ron were Mt. Judge boys together and played on the high-school basketball varsities that, coached by Marty Tothero, were league champions for two out of their three years in senior high. But he has never liked Ronnie: loudmouthed, pushy, physically crude, always playing with himself in the locker room, flicking towels, giving redbellies, terrorizing the JVs. Women don't mind this kind of prick as much as Harry does. Part of Thelma's fascination for him has been that she could stand the guy, put up with his sexual tricks and remain outwardly such a prim, plain schoolteacher-type. Not really plain: with her clothes off her body is somehow better than her clothes have led you to expect. The first time they ever slept together, her breasts seemed like a girl's in Playboy – nipples like perfect little doorbells.

"What can I offer you?" Thelma asks. "Coffee. A beer?"

"Both are no-nos for the new me. Do you have anything like a Diet Coke or Pepsi?" He remembers Judy's little quavering voice singing Coke is it on that long zigzag ride into shore.

"Sure. We don't drink much any more ourselves, now that we've resigned from the Flying Eagle."

"You ever coming back?"

"I don't think so. We heard the fees went up again, as you maybe didn't notice, you're so rich, plus the assessment for repairs to the two greens close to the road that are always being vandalized. Even three years ago Ronnie figured it was costing him over eighty dollars a round, it wasn't worth it. There's a whole new younger crowd out at the Eagle now that dominates everything. They've changed the tone. It's gotten too yuppie."

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