John Updike - Rabbit At Rest

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Rabbit, now in his 50s and with a heart condition, is living in a condo in Florida. Nelson and his family come to stay and disaster unfolds. Rabbit has a serious heart attack after a boating accident with his granddaughter and Nelson has been embezzling the family firm to feed his cocaine habit.
***
Amazon.com Review
It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death-and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.
Indeed, from Rabbit's vantage point-which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit-decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:
Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy… and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.
Marching through the decades, John Updike's first three Rabbit novels-Rabbit, Run (1960), Rabbit Redux (1971), and Rabbit Is Rich (1981)-dissect middle-class America in all its dysfunctional glory. Rabbit at Rest (1990), the final installment and winner of the Pulitzer Prize, continues this brilliant dissection. Yet it also develops Rabbit's character more fully as he grapples with an uncertain future and the consequences of his past. At one point, for example, he's taken his granddaughter Judy for a sailing expedition when his first heart attack strikes. Rabbit gamely navigates the tiny craft to shore-and then, lying on the beach, feels a paradoxical relief at having both saved his beloved Judy and meeting his own death. (He doesn't, not yet.) Meanwhile, this all-American dad feels responsible for his son's full-blown drug addiction but incapable of helping him. (Ironically, it's Rabbit's wife Janice, the "poor dumb mutt," who marches Nelson into rehab.)
His misplaced sense of responsibility-plus his crude sexual urges and racial slurs-can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough."

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Harry wants to pursue it. "Really? That can't be. He's making fifty grand a year, with the benefits and bonuses. My father used to support us all on less than two thousand."

"Harry," Janice breaks in, in a voice that sounds like her mother's, toward the end, when the old widow got into the habit of laying down the law, "people now need more things than your father did. That was a simpler world. I remember it, I was there too. What did we use to do for fun, when we went out for a date? Go to the movies for seventy-five cents apiece or maybe the miniature-golf course out on 422 for even less. And then a soda at the Pensupreme, and that was considered a very adequate good time."

More than adequate, he remembers, if in the car after all that kissing and bare tit it took to warm her up Janice let him into herself, her inside warm and wet and softly grainy like a silk slipper. If she was having her period or feeling virtuous, she might hold him in her hand while he supplied the motion and the come, white as lobster meat. A shocking white, really, and tough to mop up. What he loved best in the car with Janice was when she'd sit on him, her ass in his hands and her tits in his face. And tidily take his come away with her. Like mailing a letter.

Her mind on a track far distant from his, she is going on, "Nelson has to have good suits to make a good presentation of himself at the lot, and children now aren't just content with blocks and a ball, they have to have these video games -"

"Jesus – fifty thousand buys a lot of video games, he'll have enough to open an arcade soon if that's what he's spending it all on."

"Well, you joke, but that big barn of Mother's, it's no end of expense, isn't that the case, Pru?"

Hauled back from a politely smiling daze, Pru grins and admits, "It eats up the dollars."

They are hiding something from him, Harry sees. The unseen man portentously intones, "Fifty-six. Five six," and a quavery old voice, so frantic it nearly chokes itself, croaks, "Bingo!" Eff one eleven, Joe Gold had said. Fly ' em into Libya.

Harry says, "Well I don't know what the hell's going on."

No one contradicts him.

Roy is falling asleep with a sliver of shrimp shell on his slack lower lip. Harry has a sudden hankering for pecan pie. He tries to tease Judy into having dessert to keep him company. "Key-lime pie," he croons to her. "You can only get it in Florida. The chance of a lifetime."

"What makes it so special?"

He isn't quite sure. He lies. "Tiny delicate limes that only grow on the Florida Keys. Anywhere else is too coarse for them, too cold and mean."

She consents but then only picks nibbles off the crust at the back, so he, having sold it to her, has to eat it for her, on top of his pecan pie topped by a big oozing dip of butter-pecan ice cream. Nelson's absence grows bigger as their meal wears on. Janice and Pru have decaf coffee and, preoccupied, dying to talk to each other, watch Harry finish Judy's dessert. In a way, gluttony is an athletic feat, a stretching exercise. Makes your tummy say "howdy!" The waitress in her pleats of gold finally comes with the check and as he signs it with their condo number he feels like a god casually dispatching thunderbolts; the sum will appear on his monthly statement, next year, when the world has moved greatly on. How full he feels, stepping into the night air! A majestic float of a man, in a parade of dependents. Harry carries Roy, who fell asleep during dessert. Janice and Pru hold Judy one by each hand and, because she has been good during the boring long meal, allow her to swing herself between them, giggling as they grunt with the strain.

Between Buildings A and B, several of the overhead sodium lights on their tall burnished wands of aluminum have been mysteriously smashed: they're out there, the criminals, watching and waiting for the security guards to nod, so the fortress of sleeping retirees can be stormed. In this gap of unillumination, the stars leap down at them out of the black warm sky. At night Florida recovers something of its old subtropical self, before men tamed its teeming flatness. Being here is exciting, like being on the deck of a ship; the air tastes of salt, of rotting palm thatch, of swamp. The stars are moister here, more plummy. The St. Augustine grass has its strange spongy matted texture and each blade seems darkly metallic; the lawn snugly conceals round sprinkler heads. The skin that men have imposed on nature is so thin it develops holes, which armadillos wriggle through, the pathetic intricate things appearing in the middle of Pindo Palm Boulevard at dawn and being squashed flat by the first rush of morning traffic, they don't even have the sense to curl up into balls but jump straight into the air. Harry, Roy's breath moist on his neck and the child's head heavy as a stone on his shoulder, looks up at the teeming sky and thinks, There is no mercy. The stark plummy stars press down and the depth of the galactic void for an instant makes him feel suspended upside down. The entrance to Building Blooms alluringly with its cabined yellow glow. The five Angstroms each cope in their way with the sore place inside them, Nelson's gnawing absence. They fumble through the protected entrances, the elevator, the peachand-silver hallway, avoiding each other's eyes in embarrassment.

As her mother tucks her brother in, Judy settles before the television and flicks from The Wonder Years to Night Court to a French movie, starring that lunky Depardieu who is in all of them, this time about a man who comes to a village and usurps another man's identity, including his wife. In a moment's decision the young widow, besmirched and lonely, accepts him as her husband, and this thrills Harry; there ought to be a law that we change identities and families every ten years or so. But Judy keeps flicking away from the story and Pru finally yells at the kid and tells her to get ready for bed on the sofa, they'll all clear out of the living room for her sake, though why she didn't accept Grandma and Grandpa's nice offer of a little room of her own is beyond her, Pru's, understanding. The girl breaks into tears and this is a relief for all of them, giving vent to their common unspoken sense of abandonment.

Janice tells Harry, "You go to bed, hon. You look beat. I'm too jazzed up by the coffee to sleep, Pru and I will sit in the kitchen."

"I thought the coffee was decal" He had looked forward to having her, her little firm brown body, in bed beside him; with these other people here they don't have a second to themselves. His memories had stirred him. Fifty-two years old and she still has a solid ass. Not like Thelma, who's been losing it lately.

"That's what I ordered," Janice says, "but I never trust them really. I think a lot of the time now they just tell you it's decaf to shut you up."

"Don't sit up too late." On an impulse he adds to reassure her, "The kid's all right, he's just having some kind of a toot."

Pru glances at him in surprise, as if he's said more than he knows.

He feels goaded to elaborate: "Both me and Toyota give him a royal pain in the ass for some reason."

Again, he is not contradicted.

Fantasies about America produced two strongly contradictory conclusions that in the end came to the same point of injecting some caution into the golden dreams, he reads in bed. It's a history book Janice gave him for Christmas, by a woman historian yet, about the Dutch role in the American Revolution, which he hadn't thought up to 'now had been much. According to one school, America was too big, too divided, ever to become a single country, its communications too distended for the country ever to be united. Just that sentence makes him feel enormous, slack, distended. The beautiful thing about history is it puts you right to sleep. He looks back up the page for something amusing he remembered reading last night. Climate in the New World, according to a best-selling French treatise translated into Dutch in 1775, made men listless and indolent; they might become happy but never stalwart. America, armed this scholar, "was formed for happiness, but not for empire." Another European scholar reported that the native Indians "have small organs of generation" and "little sexual capacity."

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