John Updike - Rabbit At Rest

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Rabbit, now in his 50s and with a heart condition, is living in a condo in Florida. Nelson and his family come to stay and disaster unfolds. Rabbit has a serious heart attack after a boating accident with his granddaughter and Nelson has been embezzling the family firm to feed his cocaine habit.
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Amazon.com Review
It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death-and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.
Indeed, from Rabbit's vantage point-which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit-decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:
Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy… and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.
Marching through the decades, John Updike's first three Rabbit novels-Rabbit, Run (1960), Rabbit Redux (1971), and Rabbit Is Rich (1981)-dissect middle-class America in all its dysfunctional glory. Rabbit at Rest (1990), the final installment and winner of the Pulitzer Prize, continues this brilliant dissection. Yet it also develops Rabbit's character more fully as he grapples with an uncertain future and the consequences of his past. At one point, for example, he's taken his granddaughter Judy for a sailing expedition when his first heart attack strikes. Rabbit gamely navigates the tiny craft to shore-and then, lying on the beach, feels a paradoxical relief at having both saved his beloved Judy and meeting his own death. (He doesn't, not yet.) Meanwhile, this all-American dad feels responsible for his son's full-blown drug addiction but incapable of helping him. (Ironically, it's Rabbit's wife Janice, the "poor dumb mutt," who marches Nelson into rehab.)
His misplaced sense of responsibility-plus his crude sexual urges and racial slurs-can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough."

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"I know, Bern. I remember your telling me. But you look great now."

"When you come out of anesthesia, it hurts like hell. You can't believe you can live with such pain. To get at your heart, they split your whole rib cage open. They crack you open like a coconut. And they pull the best veins they can find out of your upper leg. So when you come out of it your groin's killing you as well as your chest."

"Wow." Harry inappropriately laughs, since while Bernie is talking to him on the cart, Ed, with that pompous fussy setup he has, laying his hands on the club finger by finger like he's doing flower arrangement, and then peeking toward the hole five or six times before swinging, as if he's trying to shake loose cobwebs or a tick in his collar, looked up during the swing so the topped ball scuttered into the water, skipping three times before sinking, leaving three expanding, interlocking sets of rings on the water. Alligator food.

"Six hours I was on the table," Bernie is urging into his ear. "I woke up and I couldn't move. I couldn't even open my eyelids. They freeze you, so your blood flow is down to almost nothing. I was like locked into a black coffin. No. It's like I was the coffin. And then out of this blackness I hear this weird voice, with a thick Indian accent, the Pakistani anesthetist."

Joe Gold, with his partner's ball in the water, tries to hit it too quick, to get a ball in play, jerking the club back in two stages like he does and then roundhousing with that flat swing stocky guys tend to have. He pushes the shot off so he catches the pot bunker on the right.

Bernie is doing a high, spacy, Pakistani voice. " 'Ber-nie, Bernie,' this voice says, so honest to God I think maybe it's the voice of God, `oper-ation a suc-cess!' "

Harry has heard the story before but laughs anyway. It's a good, scary story about the edge of death.

" 'Ber-nie, Ber-nie,' " Bernie repeats, "like it came out of the clouds to Abraham, to go cut Isaac's throat."

Harry asks, "Shall we keep the same order?" He feels he disgraced himself on the previous hole.

"You go first, Angstrom. I think it shakes you up too much to hit last. Go for it. Show these nudniks how it's done."

This is what Rabbit hoped to hear. He takes a seven-iron and tries to think of five things: keeping his head down, keeping his backswing from being too long, moving his hip while the club is still at the top, keeping his downswing smooth, and keeping the clubface square on the ball, at that point on the sphere where a clockface says 3:15. From the whistly magic way the ball vanishes from the center of his held-down vision he knows the hit is sweet; they all together watch the dark dot rise, hover that little ghostly extra bit that gives the distance, and then drop straight down on the green, a hair to the left but what looks pin high, the ball bouncing right with the slant of the bowl-shaped green.

"Beauty," Ed has to admit.

"How about a mulligan?" Joe asks. "We'll give you one this time."

Bernie asks, pushing himself out of the cart, "What iron was that?"

"Seven."

"Gonna hit 'em like that, my friend, you should use an eight."

"Think I'm past the hole?"

"Way past. You're on the back edge."

Some partner. There's no satisfying him. Like Marty Tothero nearly forty years ago. Get twenty-five points a game, Marty wanted thirty-five and would talk about a missed layup. The soldier in Harry, the masochistic Christian, respects men like this. It's total uncritical love, such as women provide, that makes you soft and does you in.

"For me, I think a choked-up six," Bernie says.

But in trying to take something off the shot he takes off too much and leaves it short, over the water but on the bank where it's hard to take a stance. "Tough chip from there," Harry says, unable to resist a gentle needle. He still blames Bernie for parking the cart so close on that attempted deliberate hook.

Bernie accepts the needle. "Especially after that last shitty chip of mine, huh?" he says, pushing his cut-up, deflated, humpbacked old body into the cart, Harry having slid over into the driver's seat. The guy who's on the green has earned the right to drive. Harry feels momentum building, they're going to cream these oafs. He glides over the water on an arched wooden bridge with red rubber treads laid over the planks. "From where you are," Bernie tells him as they get out, "the green slopes down. Hit your putt too hard, you'll slide miles beyond."

Ed with a ball in the water is out of it. Bernie's stance on the steep bank is so awkward he whiffs the ball once, shanks it sideways on his next swing, and picks up. But sandy Joe Gold, in his element, waggles his feet to plant himself and manages a good blast shot out of the pot bunker. With Bernie's advice preying on his mind, interfering with his own instincts, Harry strokes his long approach putt tentatively and leaves it four feet short. He marks it with a Valhalla Village marker while Joe two-putts for his bogey. Joe takes his time and gives Harry too long to study his four-footer. He sees a break, then doesn't see it. In trying to avoid upping out on the left like he did on the last hole, he loses his par putt, very makable, an inch to the right. "Son of a son of a bitch," he says, frustration pressing from behind his eyes so hard he thinks he might burst into tears. "On in one, and a fucking three-putt."

"It happens," Ed says, writing down the 4 with his trained accountant's primness. "Tie hole."

"Sorry, Bern," Harry says, climbing back into the cart, on the passenger side.

"I screwed you up," his partner says. "Should have kept my yap shut about the green being downhill." He unwraps another cigar and, pushing the pedal, leans back into a long day.

Not Harry's day. The Florida sun seems not so much a single thing overhead but a set of klieg lights that pursue you everywhere with an even white illumination. Even directly under palm trees and right up against the twelve-foot pine fences that separate the Village from the rest of the world, the sun fords you, reddening the tip of Rabbit's nose and baking his forearms and the back of his non-gloved hand, which is already dotted with little white bumps of keratosis. He carries a tube of number-15 sunscreen in his golf bag and is always dabbing it on but the ultraviolet gets through anyway, cooking his squamous cells into skin cancer. The three men he plays with never use anything and just get a comfortable tan, even the bald top of Bernie's head, as smooth as an ostrich egg with only a few small specks on it as he bends over his shots with that awful reverse-shift, squeezed-feet stance of his. Harry feels Bernie's steady, mechanically repeating ineptitude short shots, chunked chips – a burden today, since he can't quite carry him, and wonders why somebody who exudes suffering wisdom the way Bernie does never learns a thing about golf or even seems to try. To him, Harry supposes, it's just a game, a way of killing time in the sun at this stage of his life. Bernie was a boy once and then a man making money and children (a carpet business in Queens; two daughters who married nice solid guys and a son who went to Princeton and the Wharton School in Philadelphia and became a hostile-takeover specialist on Wall Street) and now he's at the other end of life's rainbow, and this is what you do: Bernie endures retirement fun in Florida the way he's endured his entire life, sucking that same acrid wet-cigar taste out of it. He doesn't see what Harry sees in the game infinity, an opportunity for infinite improvement. Rabbit doesn't see it himself today. Around the eleventh hole – a dogleg parfive that he butchers, slicing his second shot, a four-wood, so wildly it winds up in a condo's side yard, between some plastic trash cans and a concrete slab with some rusting steel clothesline poles sunk in it (a German shepherd chained to the clothesline barks at him, lunging toward him so the taut wire sings, and Gold and Silberstein loafing in their cart cackle, and Bernie chomps deeper and looks morose), taking the out-of-bounds drop for a four while the dog keeps barking and barking, trying to hit a three-iron so hard he digs six inches behind and sprays sand all over his shoes and into the tops of his socks, pulling the next iron to the left into a bed of parched and shedding azaleas beside the twelfth tee, taking a drop for another stroke, skulling the chip clear across over the green (all three playing partners keeping a ghastly silence now, shocked, mourning for him, or is it holding in their glee?), plunking the next sand shot against the trap lip so it dribbles back, and picking up in disgust, and even hitting himself on the knee when after raking he flips the sand rake to one side – after this hole, the game and day begin to eat him into a state of depression. The grass looks greasy and unreal, every other palm tree is dying from the drought and dropping stiff brown fronds, the condos line every fairway like tall stucco outhouses, and even the sky, where your eyes can usually find relief, is dirtied by jet trails that spread and wander until they are indistinguishable from God's pure clouds.

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