John Updike - Rabbit At Rest

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Rabbit, now in his 50s and with a heart condition, is living in a condo in Florida. Nelson and his family come to stay and disaster unfolds. Rabbit has a serious heart attack after a boating accident with his granddaughter and Nelson has been embezzling the family firm to feed his cocaine habit.
***
Amazon.com Review
It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death-and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.
Indeed, from Rabbit's vantage point-which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit-decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:
Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy… and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.
Marching through the decades, John Updike's first three Rabbit novels-Rabbit, Run (1960), Rabbit Redux (1971), and Rabbit Is Rich (1981)-dissect middle-class America in all its dysfunctional glory. Rabbit at Rest (1990), the final installment and winner of the Pulitzer Prize, continues this brilliant dissection. Yet it also develops Rabbit's character more fully as he grapples with an uncertain future and the consequences of his past. At one point, for example, he's taken his granddaughter Judy for a sailing expedition when his first heart attack strikes. Rabbit gamely navigates the tiny craft to shore-and then, lying on the beach, feels a paradoxical relief at having both saved his beloved Judy and meeting his own death. (He doesn't, not yet.) Meanwhile, this all-American dad feels responsible for his son's full-blown drug addiction but incapable of helping him. (Ironically, it's Rabbit's wife Janice, the "poor dumb mutt," who marches Nelson into rehab.)
His misplaced sense of responsibility-plus his crude sexual urges and racial slurs-can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough."

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His dreams are delicious, like forbidden candy – intensely colored overpopulated rearrangements of old situations stored in his brain cells, rooms like the little living room at 26 Vista Crescent, with the fireplace they never used and the lamp with the driftwood base, or the old kitchen at 303 Jackson, with the wooden ice box and the gas stove with its nipples of blue flame and the porcelain table with the worn spots, skewed and new and crowded with people at the wrong ages, Mim with lots of green eye makeup at the age Mom was when they were kids, or Nelson as a tiny child sliding out from under a car in the greasy service section of Springer Motors, looking woebegone and sickly with his smudged face, or Marty Tothero and Ruth and even that nitwit Margaret Kosko, he hasn't thought of her name for thirty years, but there she was in his brain cells, just as clear with her underfed city pallor as she was that night in the booth of the Chinese restaurant, Ruth next to him and Margaret next to Mr. Tothero whose head looks lopsided and gray like that of a dying rhinoceros, the four of them eating now in the Valhalla dining room with its garbled bas-relief of Vikings and sumptuous salad bar where the dishes underneath the plastic sneeze guard are bright and various as jewels, arranged in rainbow order like the crayons in the Crayola boxes that were always among his birthday presents in February, a little stadium of waxy-smelling pointed heads there in the bright February window-light, filtered through icicles and the stunned sense of being a year older. Harry wakes from these dreams reluctantly, as if their miniaturized visions are a substance essential to his nutrition, or a whirring finely fitted machine he needs to reinsert himself into, like poor Thelma and her dialysis machine. He awakes always on his stomach, and only as his head clears and re-creates present time, establishing the felt-gray parallel lines he sees as the dawn behind the curved slats of Venetian blinds and the insistent pressure on his face as the cool Gulf breeze coming in where he left the sliding door ajar, does his solitude begin to gnaw again, and his heart to talk to him. At times it seems a tiny creature, a baby, pleading inside him for attention, for rescue, and at others a sinister intruder, a traitor muttering in code, an alien parasite nothing will expel. The pains, when they come, seem hostile and deliberate, the knives of a strengthening enemy.

He makes an appointment with Dr. Morris. He is able to get one surprisingly soon, the day after next. These doctors are scrambling down here, a glut of them, too many miners at the gold rush, the geriatric immigrants still hanging up north this time of year. The office is in one of those low stucco clinics along Route 41. Soothing music plays constantly in the waiting room, entwining with the surf-sound of traffic outside. The doctor has aged since the last appointment. He is bent-over and shufliy, with arthritic knuckles. His shrivelled jaw looks not quite clean-shaven; his nostrils are packed with black hair. His son, young Tom, pink and sleek in his mid-forties, gives Harry a freckled fat hand in the hall, and is wearing his white clinical smock over kelly-green golf slacks. He is established in an adjacent office, primed to take over the full practice. But for now the old doctor clings to his own patients. Harry tries to describe his complex sensations. Dr. Morris, with an impatient jerk of his arthritic hand, waves him toward the examination room. He has him strip to his jockey undershorts, weighs him, tut-tuts. He seats him on the examination table and listens to his chest through his stethoscope, and taps his naked back with a soothing, knobby touch, and solemnly, silently takes Harry's hands in his. He studies the fingernails, turns them over, studies the palms, grunts. Close up, he gives off an old man's sad leathery, moldy smell.

"Well," Harry asks, "what do you think?"

"How much do you exercise?"

"Not much. Not since I got down here. I do a little gardening up north. Golfbut I've kind of run out of partners."

Dr. Morris ponders him through rimless glasses. His eyes, once a sharp blue, have that colorless sucked look to the irises. His eyebrows are messy tangled tufts of white and reddish-brown, his forehead and cheeks are flecked with small blotches and bumps. His projecting eyebrows lift, like turrets taking aim. "You should walk."

"Walk?"

"Briskly. Several miles a day. What sorts of food are you eating?"

"Oh – stuff you can heat up. TV-dinner kind of thing. My wife is still up north but she doesn't cook that much even when she's here. Now, my daughter-in-law -"

"You ever eat any of this salty junk that comes in bags?"

"Well – once in a great while."

"You should watch your sodium intake. Snack on fresh vegetables if you want to snack. Read the labels. Stay away from salt and animal fats. I think we've been through all this, when you were in the hospital" – he lifts his forearm and checks his record – "nine months ago."

"Yeah, I did for a while, I still do, it's just that day to day, it's easier -"

"To poison yourself. Don't. Don't be lazy about it. And you should lose forty pounds. Without the salt in your diet you'd lose ten in retained water in two weeks. I'll give you a diet list, if you've lost the one I gave you before. You may get dressed."

The doctor has grown smaller, or his desk has grown bigger, since Harry's last visit here. He sits down, dressed, at the desk and begins, "The pains -"

"The pains will moderate with better conditioning. Your heart doesn't like what you're feeding it. Have you been under any special stress lately?"

"Not really. Just the normal flack. A couple family problems, but they seem to be clearing up."

The doctor is writing on his prescription pad. "I want you to have blood tests and an EKG at the Community General. Then I want to consult with Dr. Olman. Depending on how the results look, it may be time for another catheterization."

"Oh Jesus. Not that again."

The messy eyebrows go up again, the prim dry lips pinch in. Not a clever generous Jewish mouth. A crabby Scots economy in the way he thinks and talks, on the verge of impatience, having seen so many hopelessly deteriorating patients in his life. "What didn't you like? Were the hot flashes painful?"

"It just felt funny," Harry tells him, "having that damn thing inside me. It's the idea of it."

"Well, do you prefer the idea of a life-threatening restenosis of your coronary artery? It's been, let's see, nearly six months since you had the angioplasty at" -he reads his records, with difficulty – "St. Joseph's Hospital in Brewer, Pennsylvania."

"They made me watch," Harry tells him. "I could see my own damn heart on TV, full of like Rice Krispies."

A tiny Scots smile, dry as a thistle. "Was that so bad?"

"It was" – he searches for the word – "insulting." In fact when you think about it his whole life from here on in is apt to be insulting. Pacemakers, crutches, wheelchairs. Impotence. Once in the Valhalla locker room a very old tall guy – somebody's guest, he never saw him again – came out of the shower and his muscles were so shrivelled his thighs from the back blended right up into his buttocks so his asshole seemed to flow down into the entire long space between his legs. His ass had lost its cheeks and Harry couldn't stop staring at the fleshly chasm.

Dr. Morris is making, in a deliberate, tremulous hand, notes to add to his folder. Without looking up, he says, "There are a number of investigative instruments now that don't involve a catheter. Scans using IV technetium 99 can identify acutely damaged heart muscle. Then there is echocardiography. We won't rush into anything. Let's see what you can do on your own, with a healthier regimen."

"Great."

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