John Updike - Rabbit At Rest

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Rabbit, now in his 50s and with a heart condition, is living in a condo in Florida. Nelson and his family come to stay and disaster unfolds. Rabbit has a serious heart attack after a boating accident with his granddaughter and Nelson has been embezzling the family firm to feed his cocaine habit.
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Amazon.com Review
It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death-and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.
Indeed, from Rabbit's vantage point-which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit-decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:
Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy… and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.
Marching through the decades, John Updike's first three Rabbit novels-Rabbit, Run (1960), Rabbit Redux (1971), and Rabbit Is Rich (1981)-dissect middle-class America in all its dysfunctional glory. Rabbit at Rest (1990), the final installment and winner of the Pulitzer Prize, continues this brilliant dissection. Yet it also develops Rabbit's character more fully as he grapples with an uncertain future and the consequences of his past. At one point, for example, he's taken his granddaughter Judy for a sailing expedition when his first heart attack strikes. Rabbit gamely navigates the tiny craft to shore-and then, lying on the beach, feels a paradoxical relief at having both saved his beloved Judy and meeting his own death. (He doesn't, not yet.) Meanwhile, this all-American dad feels responsible for his son's full-blown drug addiction but incapable of helping him. (Ironically, it's Rabbit's wife Janice, the "poor dumb mutt," who marches Nelson into rehab.)
His misplaced sense of responsibility-plus his crude sexual urges and racial slurs-can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough."

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Their fifth winter down here, this is, and Harry still wakes amazed to find himself actually in Florida, beside the Gulf of Mexico. If not exactly beside it, within sight of it, at least he was until that new row of six-story condos with ornamental turrets and Spanish-tile roofs shut out the last distant wink of watery horizon. When he and Janice bought the place in 1984 you could still see from their balcony snatches of the Gulf, a dead-level edge to the world over the rooftops and broken between the raw new towers like the dots and dashes of Morse code, and in their excitement they bought a telescope and tripod at a nautical shop at the mall a mile down Pindo Palm Boulevard. In its trembling little circle of vision, that first winter, they would catch a sailboat with its striped spinnaker bellying out or a luxury yacht with tall white sides peeling back the waves silently or a fishing charter with its winglike gaffing platforms or, farthest out, a world unto itself, a rusty gray oil freighter headed motionlessly toward Mobile or New Orleans or back toward Panama or Venezuela. In the years since, their view of the water has been built shut, skyscraper hotels arising along the shore, constructions the color of oatmeal or raspberry whip or else sheer glass like vertical distillations, cold and pure, of the Gulf's blue-green.

Where these towers arise had once been nothing but sand and mangrove swamp and snaky tidal inlets slipping among the nets of roots and dimpling where an alligator or a water moccasin glided; and then a scattering of white-painted houses and unpainted shacks in feeble imitation of the South to the north, scratching out some cotton and grazing some cattle on the sandy soil, sending north shuffling herds of beef on the hoof to the starving rebel troops in the Civil War; and then houses closer together, some of brick and wrought iron and of limestone and granite barged in from Alabama quarries. Then, in the era after Reconstruction, to this appendage of the South came the railroads and the rich and the sick and the hopeful misfits, this being frontier in an unexpected direction. Busts followed booms; optimism kept washing in. Now, with the jets and Social Security and the national sunworship, they can't build onto it fast enough, this city called Deleon, named after some Spanish explorer killed for all his shining black breastplate by the poisoned arrow of a Seminole in 1521 near here or a place like it, and pronounced Deelyun by the locals, as if they are offering to deal you in. The past glimmers like a dream at the back of Harry's mind as he awakes; in his semiretirement he has taken to reading history. It has always vaguely interested him, that sinister mulch of facts our little lives grow out of before joining the mulch themselves, the fragile brown rotting layers of previous deaths, layers that if deep enough and squeezed hard enough make coal as in Pennsylvania. On quiet evenings, while Janice sits on the sofa sipping herself into stupidity with some lamebrain TV show, he lies on the bed leaning back against its padded satiny headboard with a book, staring dizzily down into the past as if high in a jade-green treehouse.

The sound that breaks into his dreams and dispels them is the rasp of golf greens being mowed, and then the scarcely less mechanical weeping noise of the seagulls gathering on the freshly watered fairways, where the earthworms are surfacing to drink. The head of their bed is by the big glass sliding doors, left open a crack to take in the winter-morning cool, in these few months when the air-conditioner is non-essential; so the cool salt air, sweetened with the scent of fresh fairways, reminds his face of where he is, this mass-produced paradise where Janice's money has taken him. She is not in the bed, though her warmth still greets his knee as he spreadeagles into her space. In deference to his height of six three, they have at last bought a king-size bed, so for the first time in his life his feet do not hang over the bottom and force him to sleep on his belly like a dead man floating. It took him a long time to get used to it, his feet not hooking onto the mattress this way but instead being forced to bend at the ankle or else point sideways. He gets foot cramps. He tries to sleep on his side, slightly curled up; it gives his mouth space to breathe and his belly room to slop into, and it frightens his frail heart less than hanging face down over the thickness of the mattress. But his arms don't know where to go. A hand crooked under his head loses circulation at the wrist and its numbness awakes him, tingling as if with an electric shock. If he lies on his back, Janice says, he snores. She snores herself now, now that they are approaching elderly, but he tries not to blame her for it: poor mutt, she can't help what she does when asleep, snoring and sometimes farting so bad he has to bury his nose in the pillow and remind himself she's only human. Poor women: they have a lot of leaks down there, their bodies are too complicated. He hears her now in the kitchen, talking in an unreal high needling sort of voice, the way we talk to children.

Rabbit listens for the lower younger voice of the children's mother to chime in but instead hears, close to his head, a bird cheeping in the Norfolk pine whose branches can be touched from their balcony. He still can't get over Norfolk pines, the way they look like the plastic trees you buy for Christmas, the branches spaced like slats and each one of them a plume perfect as a bird's feather and the whole tree absolutely conical in shape. The bird's cheeping sounds like a piece of moist wood being rhythmically made to squeak against another. Most nature in Florida has a manufactured quality. Wall-to-wall carpet, green outdoor carpeting on the cement walks, crunchy St. Augustine grass in the space between the walks, all of it imposed on top of the sand, the dirty-gray sand that sprays over your shoes when you take a divot down here.

Today is Wednesday, he has a golf date, his usual foursome, tee-off time at nine-forty: the thought gives him a reason to get out of bed and not just lie there forever, trying to remember his dream. In his dream he had been reaching out toward something his sleeping eyes didn't let him see through his lids, something round and shadowy and sad, big-bellied with the vague doom he tries to suppress during the daytime.

Up, Rabbit examines the phony-looking branches of the Norfolk pine to see if he can see the noisy bird. He expects from the self-importance of the sound a cockatoo or toucan at least, a squawky tropical something with foot-long tailfeathers hanging down, but all he sees is a small brown bird such as flicker all around in Pennsylvania. Maybe it is a Pennsylvania bird, a migrant down here just like him. A snowbird.

He goes into the bathroom and brushes his teeth and urinates. Funny, it used to make a throaty splash in the toilet bowl, now a kind of grudging uncertain stream comes out, he has to rise once and sometimes even twice in the night, sitting on the toilet like a woman; what with the foreskin folded over sleepily he can never be sure which direction it will come out in, bad as a woman, they can't aim either. He shaves and weighs himself. He's gained a pound. Those Planter's Peanut Bars. He moves to leave the bedroom and realizes he can't. In Florida he sleeps in his underwear; pajamas get twisted around him and around two in the morning feel so hot they wake him up, along with the pressure in his bladder. With Pru and the kids here he can't just wander into the kitchen in his underwear. He hears them out there, bumping into things. He either should put on his golf pants and a polo shirt or find his bathrobe. He decides on the bathrobe, a burgundy red with gray lapels, as being more -what's that word that keeps coming up in medieval history? – seigneurial. Hostly. Grandpatemal. It makes a statement, as Nelson would say.

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