John Updike - Rabbit Is Rich

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The hero of John Updike's Rabbit, Run (1960), ten years after the hectic events described in Rabbit Redux (1971), has come to enjoy considerable prosperity as Chief Sales Representative of Springer Motors, a Toyota agency in Brewer, Pennsylvania. The time is 1979: Skylab is falling, gas lines are lengthening, the President collapses while running in a marathon, and double-digit inflation coincides with a deflation of national confidence. Nevertheless, Harry Angstrom feels in good shape, ready to enjoy life at last – until his son, Nelson, returns from the West, and the image of an old love pays a visit to his lot. New characters and old populate these scenes from Rabbit's middle age, as he continues to pursue, in his erratic fashion, the rainbow of happiness.

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"Don't be so competitive, Harry. This is meant to be a loving sharing sort of thing, you heard Webb. One thing we absolutely agreed on, we're not going to carry any of it back to Brewer. This is all the monkey business there's going to be, even if it kills us." She stands there in the center of her straw rug rather defiantly, a thin-faced sallow woman he scarcely knows. Not only her nose is pink in the wake of her sunburn but patches below her eyes as well: a kind of butterfly is on her face. Harry supposes he should kiss her, but his forward step is balked by her continuing firmly, "l'll tell you one thing though, Harry Angstrom. You're my first choice."

"I am?"

"Of course. I adore you. Adore you."

"Me?"

"Haven't you ever sensed it?"

Rather than admit he hasn't, he hangs there foolishly.

"Shit," Thelma says. "Janice did. Why else do you think we weren't invited to Nelson's wedding?" She turns her back, and starts undoing her earring before the mirror, that just like the one in his and Janice's bungalow is framed in woven strips of bamboo. The batik hanging in here is of a tropical sunset with a palm in the foreground instead of the black-mammy fruit-seller he and Janice have, but the batik manufacturer is the same. The suitcases are the Harrisons', and the clothes hanging on the painted pipe that does for a closet. Thelma asks, "You mind using Ronnie's toothbrush? I'll be a while in there, you better take the bathroom first."

In the bathroom Harry sees that Ronnie uses shaving cream, Gillette Foamy, out of a pressure can, the kind that's eating up the ozone so our children will fry. And that new kind of razor with the narrow single-edge blade that snaps in and out with a click on the television commercials. Harry can't see the point, it's just more waste, he still uses a rusty old two-edge safety razor he bought for $1.99 about seven years ago, and lathers himself with an old imitation badger-bristle on whatever bar of soap is handy. He shaved before dinner after his nap so no need now. Also the Harrisons use chlorophyll Crest in one of those giant tubes that always buckles and springs a leak when he and Janice try to save a couple pennies and buy one. He wonders whatever happened to Ipana and what was it Consumer Reports had to say about toothpastes a few issues back, probably came out in favor of baking soda, that's what he and Mim used to have to use, some theory Mom had about the artificial flavoring in toothpaste contributing to tartar. The trouble with consumerism is, the guy next door always seems to be doing better at it than you are. Just the Harrisons' bathroom supplies make him envious. Plain as she is, Thelma carries a hefty medicine kit, and beauty aids, plus a sun block called Eclipse, and Solarcaine. Vaseline, too, for some reason. Tampax, in a bigger box than Janice ever buys. And a lot of painkiller, aspirin in several shapes and Darvon and more pills in little prescription bottles than he would have expected. People are always a little sicker than you know. Harry debates whether he should take his leak sitting down to spare Thelma the sound of its gross splashing and rejects the idea, since she's the one wants to fuck him. It streams noisily into the bowl it seems forever, embarrassingly, all those drinks at dinner. Then he sits down on the seat anyway, to let out a little air. Too much shellfish. He imagines he can smell yesterday's crabmeat and when he stands he tests with a finger down there to see if he stinks. He decides he does. Better use a washcloth. He debates which washcloth is Ronnie's, the blue or the brown. He settles on the brown and scrubs all his undercarriage, everything that counts. Getting ready for the ball. He erases his scent by giving the cloth a good rinsing no matter whose it is.

When he steps back into the room Thehna is down to her underwear, cocoa bra and black panties. He didn't expect this, nor to be so stirred by it. Breasts are strange: some look bigger in clothes than they are and some look smaller. Thehna's are the second kind; her bra is smartly filled. Her whole body, into her forties, has kept that trim neutral serviceability nurses and gradeschool teachers surprise you with, beneath their straight faces. She laughs, and holds out her arms like a fan dancer. "Here I am. You look shocked. You're such a sweet prude, Harry – that's one of the things I adore. I'll be out in five minutes. Try not to fall asleep."

Clever of her. What with the sleep debt they're all running down here and the constant booze and the trauma in the water today – his head went under and a bottomless bile-green volume sucked at his legs – he was weary. He begins to undress and doesn't know where to stop. There are a lot of details a husband and wife work out over the years that with a strange woman pop up all over again. Would Thelma like to find him naked in the bed? Or on it? For him to be less naked than she when she comes out of the bathroom would be rude. At the same time, with this strawshaded light swaying above the bed on so bright, he doesn't want her to think seeing him lying there on display that he thinks he's a Playgirl centerfold. He knows he could lose thirty pounds and still have a gut. In his underpants he crosses to the bambootrimmed bureau in the room and switches on the lamp there whose cheap wooden base is encrusted with baby seashells glued on. He takes off his underpants. The elastic waistband has lost its snap, the only brand of this type to buy is jockey, but those cutrate stores in Brewer don't like to carry it, quality is being driven out everywhere. He switches off the light over the bed and in shadow stretches himself out, all of him, on top of the bedspread, as he is, as he was, as he will be before the undertakers dress him for the last time, not even a wedding ring to relieve his nakedness; when he and Janice got married men weren't expected to wear wedding rings. He closes his eyes to rest them for a second in the red blankness there, beneath his lids. He has to get through this, maybe all she wants to do is talk, and then somehow be really rested for tomorrow night. Getting there… That slither underwater…

Thelma with what breaks upon him like the clatter of an earthquake has come out of the bathroom. She is holding her underclothes in front of her, and with her back to him she sorts the underpants into the dirty pile the Harrisons keep beside the bureau, behind the straw wastebasket, and the bra, clean enough, back into the drawer, folded. This is the second time in this trip, he thinks drowsily, that he has seen her ass. Her body as she turns eclipses the bureau lamp and the front of her gathers shadow to itself, she advances timidly, as if wading into water. Her breasts sway forward as she bends to turn the light he switched off back on. She sits down on the edge of the bed.

His prick is still sleepy. She takes it into her hand. "You're not circumcised."

"No, they somehow weren't doing it at the hospital that day. Or maybe my mother had a theory, I don't know. I never asked. Sorry."

"It's lovely. Like a little bonnet." Sitting on the edge of the bed, more supple naked than he remembers her seeming with clothes on, Thelma bends and takes his prick in her mouth. Her body in the lamplight is a pale patchwork of faint tan and peeling pink and the natural yellowy tint of her skin. Her belly puckers into flat folds like stacked newspapers and the back of her hand as it holds the base of his prick with two fingers shows a dim lightning of blue veins. But her breath is warm and wet and the way that in lamplight individual white hairs snake as if singed through the mass of dull brown makes him want to reach out and stroke her head, or touch the rhythmic hollow in her jaw. He fears, though, interrupting the sensations she is giving him. She lifts a hand quickly to tuck back a piece of her hair, as if to let him better see.

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