"Which I might be."
In fact, the question of what a later generation would term Sammy's sexual orientation seemed, at least to the satisfaction of everyone who made up the party at Pawtaw on that first weekend of December 1941, to have largely been settled. In the weeks since their visit to the World's Fair and their lovemaking inside the dark globe of the Perisphere, Sammy had, along with his strapping young paramour, become a fixture in the circle of John Pye, considered at that time, and for long afterward in the mythos of gay New York, to be the most beautiful man in the city. At a spot in the East Fifties called the Blue Parrot, Sammy had experienced the novelty of seeing men doing the Texas Tommy and the Cinderella, close, in darkness, though his weak stems prevented him from joining in the fun. Tomorrow, as everyone knew, he and Tracy were leaving for the West Coast, to take up their new life together as scenarist and serial star.
"So what is strange, then?" said Tracy.
Sammy shook his head. "It's just, look at you. Look at them." He jerked a thumb toward the open window. "It's that they could all play the secret identity of a guy in tights. Your bored playboy, your gridiron hero, your crusading young district attorneys. Bruce Wayne. Jay Gar-rick. Lamont Cranston."
"Jay Garrick."
"The Flash. Blond, muscles, nice teeth, a pipe."
"I would never smoke a pipe."
"This one went to Princeton, that one went to Harvard, the other one went to Oxford…"
"Filthy habit."
Sammy wrinkled up his face to acknowledge that his attempts at rumination were being parried, then looked away. Down on the beach, Fellowes had tackled John Pye. They were rolling in the sand.
"A year ago, when I wanted to be around someone like you, I had to, you know, make you up. And now…" He looked across the broad, sere expanse of the lawn, past Pye and Fellowes. A signature of foam scrawled itself across the surface of the waves. How could he begin to say how happy he had been, this last month or so, in the radiant focus of Bacon's regard, how mistaken Bacon was in wasting that regard on him. No one as beautiful, as charming and poised and physically grand, as Bacon could possibly take an interest in him.
"If you're asking me if you can be my sidekick," Bacon said, "the answer's yes. We'll get you a mask of your own."
"Say, thanks."
"We'll call you, oh, how does 'Rusty' sound? Rusty or Dusty."
"Shut up."
"Actually, Musty would be more appropriate." When they were in bed together, Bacon was always sampling deep nostalgic drafts of Sammy's penis, claiming it gave off the precise odor of a pile of old tarpaulins in his grandfather's woodshed back in Muncie, Indiana. Once, the location of the shed had been given as Chillicothe, Illinois.
"I warn you…" Sammy said, head inclined menacingly to one side, arms jutting out to execute a couple of judo chops, legs coiled to spring.
"Or, given the state of your linens, young man," Bacon said, raising his arms to his face, already cringing, "maybe we ought seriously to consider Crusty."
"That does it," Sammy said, launching himself onto the bed. Bacon pretended to scream. Sammy scrambled on top of him and pinned his wrists to the bed. His face hung suspended twenty inches above Bacon's.
"Now I've got you," he said.
"Please," said Bacon. "I'm an orphan."
"This is what we used to do to wise guys in my neighborhood."
Sammy pursed his lips and allowed a long strand of saliva to dangle downward, tipped by a thick bubbled bead. The bubble lowered itself like a spider on its thread until it hung just over Bacon's face. Then Sammy reeled it back in. It had been years since he had last attempted the trick, and he was pleased to discover that his spittle retained its viscosity and he his pinpoint control of it.
"Ew," said Bacon. He thrashed his head from side to side and struggled under the weight of Sammy on his wrists, while Sammy dangled the silvery thread over him again. Then, abruptly, Bacon stopped struggling. He looked at Sammy, level, calm, and with a dangerous glint in his eye; of course he could have freed himself easily, if he so desired, from the puny grip of his lover. His look said so. He opened his mouth. The pearl of spit dangled. Sammy cut the thread. A minute later, they lay naked beneath the four piled blankets on the narrow bed, disporting themselves in the precise manner that Dr. Fredric Wertham, in his fatal book, would one day allege to be universal among costumed heroes and their "wards." They fell asleep holding each other, and were wakened by a smell, comforting and maternal, of boiled milk and salt water.
A number of fragmentary accounts survive of the events that transpired at Pawtaw on the sixth of December, 1941. The entry in James Love's journal for 6 December is characteristically terse. It notes that Bob Perina had gained eighty-two yards for Princeton that afternoon, and gives details of the menu and highlights of conversation at dinner, with the rueful annotation "in rtrspct mr trivial than usl." The guests, as always, are identified by their initials: JP, DF, TB, SC, RP, DD, QT. The entry ends with the single word DISASTER. Only the absence of any entry at all for the following day, and the preoccupation of Monday's entry, when there was so much else going on in the world, with a visit to his attorney, give any further hint of what transpired. Roddy Parks, the composer, in an entry in his famous diary, supplies the name of another guest (his lover at the time, the photographer Donald Davis), and agrees with Love that the principal subjects of conversation at the table were a large exhibition of Fauvist paintings at the Marie Harriman Gallery, and the king of Belgium's surprise marriage. He also notes that the oyster stew was a failure and that Donald had remarked earlier in the afternoon that something seemed to be troubling the housekeeper, whom Parks calls Ruth Appling. His account of the raid is nearly as terse as Love's: "The police were called."
A check of the report filed by the Monmouth County sheriff supplies the name of the final guest that weekend, a Mr. Quentin Towle, as well as a rather more detailed account of events that evening, including some insight into the impetus that sent Ruth, at long last, to the telephone. "Miss Ebling," the report reads, "was exaspirated [sic] by the recent imprisonment of her brother Carl and happened in a bedroom to stumble upon a comic strip book of a type which she held responsible for many of the brother's mental problems. At this point, having identified the author of said comic strip book as one of the suspects, she determined to notify the authorities of the activities taking place in the house."
It is interesting to note that in spite of the emphasis, that night and during the course of the largely inconclusive legal proceedings that followed, on the role of the comic book in triggering Ruth Ebling's act of retribution, the only guest at Pawtaw that evening for whom there is no existing arrest record is the book's author.
Sammy got drunk at dinner for the first time in his life. Drunkenness came over him so slowly that at first he mistook it for the happiness of sexual fatigue. It had been a long day, one that had left a bodily imprint in his memory: the chill outside the Mayflower that morning as they waited for Mr. Love and his friends to pick them up; the elbow in his ribs, the roar and ashy smell of the Cadillac's heater, the sharp shaft of December air blowing in through the car window on the way down; the burn of a shot of rye he accepted from John Pye's flask; the lingering mark of Bacon's teeth and the imprint of his thumbs on Sammy's hips. As he sat at the dinner table, eating his stew and looking around him with an expression he knew, without anxiety, to be a stupid one, the day enveloped him in a pleasant confusion of aches and images like the one that overwhelms someone on the verge of sleep who has spent the entire day out of doors. He sank back into it and watched as the men around him unfurled the bright banners of their conversation. The wine was a '37 Puligny-Montrachet, from a case that had been the gift, Jimmy Love said, of Paul Reynaud.
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