Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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"What kind of chance could your death give him?"

"The chance to choose a new, young bride."

I said, "He doesn't know you haven't died?"

She said, “No, he doesn’t know. It’s a secret. Only you and I know, and you mustn't tell anyone else. All I wanted was to know, while I was still alive, who was saddened by my death and who was happy, who would truly grieve for me and whose tears were false, and whose silence was truly out of grief."

She paused to take a breath, then continued, "One person's place in another person's heart is revealed by how much of that person's heart consists of tears. All I want to do is measure the amount and quality of the tears people shed over my death."

I heaved a long sigh. "Anyway, I'm glad you're not dead. I'll stay with you. I'm not afraid."

She continued her one-sided conversation. "Everywhere you go in this world there is filth and deception. I can't stop worrying about where my coffin will be buried. Look at this eulogy. It says that during a certain incident in the struggle to cleanse class ranks in a certain year, I took a firm position, identifying what was correct, what incorrect, and that I gave the enemy no quarter, thus revealing my fearless spirit. You probably think that this was meant to praise me. Actually, it slanders me, since that was a particularly ruthless and bloody incident."

"Really? Why would they want to do that?" I asked uncertainly.

"Because everyone has ten mouths, and the only one of them that's sincere is the one that's silent in sleep." The more she talked, the feebler her breathing became. Every word that she spoke floated through the air of the crowded, chaotic courtyard like a thready note from a long-silent ancient lute.

"When you die, I promise I won't slander you," I said.

"Oh well, my real burial place will always be in my own heart," she said.

She smiled at me for a moment, then added, "Don't worry about any of this. When you're my age, everything will be perfectly clear. What do you think of my funeral gown? Isn't it lovely?"

She let go my hand and began removing the colorful material covering her and the fragrant blossoms that filled the coffin so that I could see her funeral gown, and finally she lifted the white cloth from her face.

Only at this point did I see that the body in the coffin was not Mrs. Ge at all. Through the fresh blossoms and pear branches, the woman I saw emerge from under the burial clothes was a different person altogether. The woman I had been staring at all this time was the Widow Ho, who was now gazing wearily heavenward.

When I realized I was looking at Widow Ho, I was at first frightened, but then, stricken with grief, I started to cry, fiercely and silently. Standing alone beside the coffin, I shed my inconsolable tears, but I didn't want anyone in the courtyard to know. It was as if Ho and I cherished a special secret.

***

I was awakened by my own sobbing to find that I was lying with my face in my exercise book, its pages wet with my tears.

Just at that point, the wind outside my window began to howl as if it had gone mad, with such intensity that it seemed it would blow itself out. Sitting up straight, I tried to concentrate, but my mind was too confused. I could make no sense of what had just happened. In the end, I was so unsettled that I ran over to see Widow Ho.

There was no moon and it was very dark out, with only the dim light reflected from the snow on the ground. I made a wild dash from our courtyard through the raging blizzard to pound on her door.

When she opened the door, she looked as alert and cautious as a cat, but when she saw that it was me, she gave a sigh of relief and suddenly looked tired and sleepy. She lay down on her bed again, looking rather ill.

"What's wrong, Niuniu?" she asked me in a husky, tired voice, as she was lying down. It was as if the words came only with great effort, not from her lips but from somewhere deep within her body, because her lips did not seem to have moved at all.

"I just came to see if you were okay."

"Thank you, Niuniu, I'm fine."

Standing in the doorway, I was looking at her smooth, milk-white skin. She was wearing a long, white nightgown that was far too big for her thin frame. Lying there on her big, soft, fluffy bed, she looked like a pure white lily, as peaceful as still water, although she had suffered her share of the endless uncertainties of life.

I have always had a special kind of feeling about her. She was my neighbor and I was always able to catch a glimpse of her coming and going. She was a kind of light in my otherwise bland inner life. In her I had found a warm and close friend, a special kind of woman who could take the place of my mother. When she was near me, even if we were silent, a fragrant warm feeling of security and gentleness enclosed me. This feeling was a kind of intangible glow that bathed or illumined my skin. And unlike the energy of remote control devices that can be blocked by intervening objects, it was of such strength that nothing could stay it.

I think it is principally bonds like this that can develop between people that distinguish us from stones.

When I saw that there was nothing wrong, and how lovely she looked lying there on her bed, I went back home reassured and was soon asleep.

Early the next morning, I knew that I was sick when I awoke with the cold shivers and a terrible headache. I was definitely running a fever. Although my entire body was hot and my pajamas were soaked through with sweat, I felt like an open refrigerator spilling out its icy air.

Lying on my bed, I made an effort to call my mother, but my voice sounded like a bunch of fluttering feathers and my ears started to ring. I called a number of times, but for some reason the entire house remained silent, and there was no sign of my mother. I didn't have the strength to call anymore, so all I could do was wait.

It was only after I stopped calling that I heard a commotion in the courtyard outside. A confused scuffling of feet seemed to come from the courtyard facing ours. I was able to make out a few words, like "died" and "police."

Just then, my mother strode into my room in great agitation, saying, "Niuniu, Mrs. Ge has been murdered. Whatever you do, don't leave the house."

When she came close and saw that I was burning with a fever as fierce as glowing coals and curled up in a ball shivering uncontrollably, she cried out, "Oh my god!"

My father was busy with meetings in another province and hadn't been home for many days. This morning, my mother, alone and suddenly faced with crises both at home and at the neighbor's, couldn't avoid feeling flustered.

She made me open my mouth, and in the light from the window she checked my throat. "Look at that," she said, "your throat is swollen almost shut!"

She nattered on about a grown-up girl like me making a snowman as if I were still a child, while she was looking in the closet for our thickest padded cotton coat to bundle me up in. She was convinced that my fever was the result of my spending too much time playing in the snow.

I rode to the hospital on the back of Mother's bicycle. As we passed by the Ges' courtyard, I saw many people milling around their door with strange expressions on their faces, their chatter spilling out on the snow. Like a layer of deep shadow, this atmosphere wiped away the lifeless emptiness of winter in the courtyard. The police were also there, like so many green trees on little wheels. With little to say and showing no signs of being the least bit touched, they shunted about the snow-covered courtyard telling people to move, to stand back. From the irritation on their faces, I could see that they detested disorder. They were trying to provide a framework of stability for the disquieted crowd, to bring some order to the chaotic courtyard.

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