Douglas Coupland - Girlfriend in a Coma

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Amazon.co.uk Review
In this latest novel from the poet laureate of Gen X—who is himself now a dangerously mature 36—boy does indeed meet girl. The year is 1979, and the lovers get right down to business in a very Couplandian bit of plein air intercourse: "Karen and I deflowered each other atop Grouse Mountain, among the cedars beside a ski slope, atop crystal snow shards beneath penlight stars. It was a December night so cold and clear that the air felt like the air of the Moon—lung-burning; mentholated and pure; hint of ozone, zinc, ski wax, and Karen's strawberry shampoo." Are we in for an archetypal '80s romance, played out against a pop-cultural backdrop? Nope. Only hours after losing her virginity, Karen loses consciousness as well—for almost two decades. The narrator and his circle soldier on, making the slow progression from debauched Vancouver youths to semi-responsible adults. Several end up working on a television series that bears a suspicious resemblance to The X-Files (surely a self-referential wink on the author's part). And then … Karen wakes up. Her astonishment— which suggests a 20th-century, substance-abusing Rip Van Winkle—dominates the second half of the novel, and gives Coupland free reign to muse about time, identity, and the meaning (if any) of the impending millennium. Alas, he also slaps a concluding apocalypse onto the novel. As sleeping sickness overwhelms the populace, the world ends with neither a bang nor a whimper, but a universal yawn—which doesn't, fortunately, outweigh the sweetness, oddity, and ironic smarts of everything that has preceded it. —This text refers to an out of print or unavailable edition of this title.
Synopsis
Girls, memory, parenting, millennial fear — all served Coupland-style. Karen, an attractive, popular student, goes into a coma one night in 1979. Whilst in it, she gives birth to a healthy baby daughter; once out of it, a mere eighteen years later, she finds herself, Rip van Winkle-like, a middle-aged mother whose friends have all gone through all the normal marital, social and political traumas and back again…This tragicomedy shows Coupland in his most mature form yet, writing with all his customary powers of acute observation, but turning his attention away from the surface of modern life to the dynamics of modern relationships, but doing so with all the sly wit and weird accuracy we expect of the soothsaying author of Generation X, Shampoo Planet, Life After God, Microserfs and Polaroids from the Dead.

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"Your destiny's now big enough to meet your jaded capacity for awe. It's now powerful enough for you to rise to the task of being individuals."

The meteorites disappear and the pulsing white sky goes black as though unplugged. Richard asks me, "Jared, wait a second—wait wait wait. You're going too quickly. Way earlier you said we could return to the world. What did you mean—the world as it was before—all this?"

"Exactamundo, Richard. You can return to the world the way it was—back to the morning of November 1, 1997. There'll have been no Sleep, and your lives will continue, at least in the beginning, as they were."

"Bull." Wendy says.

"I shit you not."

"Jared—are we gonna forget all this past year? the Sleep?" Linus asks. "Will I lose the pictures of heaven you gave me?"

I say, "You'll remember every single thing, Linus: everything that was lost and everything that was gained.""Jane," Megan says, "What about Jane?"

"Jane will be whole."

"My—our—baby . .." puffs Wendy.

"Born," I say. "And Hamilton and Pam, you'll be clean."

Eyes are wide before me—all save for Karen's. Karen has pulled back from the group, biting her finger, sucking in breath, closing her eyes and standing with her arms and legs pulled in as tightly as possible—as though she wished to become a thin line, so thin as to be invisible. The gang doesn't notice this; they're riveted by my words.

"You said that in the beginning our lives will be the same," Wendy says. "I sense there's some kind of deal happening here. We have to change somehow. There's a catch. How will our lives be changed. What's your Plan B?"

35 3 2 1 ZERO

"Plan B is this:

"You're to be different now. Your behavior will be changing. Your thinking is to change. And people will watch these changes in you and they'll come to experience the world in your new manner."

"How?" Richard asks. "How do we change?"

"Richard, tell me this: back in the old world, didn't you often feel as if the only way you could fully truly change yourself in the powerful way you yearned for was to die and then start again from scratch? Didn't you feel as if all of the symbols and ideas fed to you since birth had become worn out like old shoes? Didn't you ache for change but you didn't know how achieve it? And even if you knew how to do it, would you have had the guts to go forth? Didn't you want your cards shuffled a different way?"

"Yeah Sure. But didn't everybody?"

"No. Not always. This feeling is specific to the times we lived in."

"Okay ____ "

"And Richard, haven't you always felt that you live forever on the brink of knowing a great truth? Well, that feeling is true. There is the truth. It does exist."

"Yes. Well, now it's going to be as if you've died and were reincarnated but you stay inside your own body. For all of you. And in your new lives you'll have to live entirely for that one sensation — that of imminent truth. And you're going to have to holler for it, steal for it, beg for it — and you're never to stop asking questions about it twenty-four hours a day, the rest of your life.

"This is Plan B.

"Every day for the rest of your lives, all of your living moments are to be spent making others aware of this need — the need to probe and drill and examine and locate the words that take us to beyond ourselves.

"Scrape. Feel. Dig. Believe. Ask.

"Ask questions, no, screech questions out loud — while kneeling in front of the electric doors at Safeway, demanding other citizens ask questions along with you — while chewing up old textbooks and spitting the words onto downtown sidewalks — outside the Planet Hollywood, outside the stock exchange, and outside the Gap.

"Grind questions onto the glass on photocopiers. Scrape challenges onto old auto parts and throw them off of bridges so that future people digging in the mud will question the world, too. Carve eyeballs into tire treads and onto shoe leathers so that your every trail speaks of thinking and questioning and awareness. Design molecules that crystallize into question marks. Make bar codes print out fables, not prices. You can't even throw away a piece of litter unless it has a question stamped on it — a demand for people to reach a finer place." There's silence. The water's white noise is invisible now. The skyhas cleared and the stars are timidly reappearing, point by point.

"What do we ask?" Wendy says.

"Ask whatever challenges dead and thoughtless beliefs. Ask: When did we become human beings and stop being whatever it was we were before this? Ask: What was the specific change that made us human? Ask: Why do people not particularly care about their ancestors more than three generations back? Ask: Why are we unable to think of any real future beyond, say, a hundred years from now? Ask: How can we begin to think of the future as something enormous before us that also includes us? Ask: Having become human, what is it that we are now doing or creating that will transform us into whatever it is that we are slated to next become?

"Even if it means barking on street corners, that's what you have to do, each time baying louder than before. You must testify. There is no other choice.

"What is destiny? Is there a difference between personal destiny and collective destiny? 'I always knew I was going to be a movie star.' 'I always knew I was meant to murder.' Is Destiny artificial? Is it unique to Man? Where did Destiny come from?

"You're going to be forever homesick, walking through a cold railway station until the end, whispering strange ideas about existence into the ears of children. Your lives will be tinged with urgency, as though rescuing buried men and lassooing drowning horses. You'll be mistaken for crazies. You may well end up foaming at the mouth in a central Canadian drug clinic, Magic-Markering ideas onto your thighs which are bony from scouring the land on foot. Your eyes will always feel as if you've been staring at the sun, your bodies seemingly aching to cool them by staring at the moon. There aren't enough words for 'transform.' You'll invent more."

"We'll go crazy!" Hamilton shouts.

"No. You'll become clearer and clearer."

"No—we'll go totally effing crazy."

"Haven't you always known that, Hamilton? At the base of all of your cynicism across the years, haven't you always known that one day it was going to boil down into hard work? Haven't you?"Hamilton and the rest imagine their new lives.

"And you're going to care about what people think? As if they care! And you know the truth—or at least you'll always be headed in its direction. It doesn't matter how stupid or crazy or extreme you become. There is no other meaning. This is it."

Hamilton closes his eyes and specks of mica dust fall from the sky, making his face glint.

"In your old lives you had nothing to live for. Now you do. You have nothing to lose and everything to gain. Go clear the land for a new culture—bring your axes, scythes, and guns. I know you have the necessary skills—explosives, medicine, engineering, media knowledge, and the ability to camouflage yourselves. If you're not spending every waking moment of your life radically rethinking the nature of the world—if you're not plotting every moment boiling the carcass of the old order—then you're wasting your day."

The water flowing beneath us and over into the spillway has stopped, but nobody notices. One by one I come face-to-face with my friends.

"Pam, you have hard work ahead of you. Every moment of your life from now is going to be work, and no excuses. It's as though you've have to dig up a massive tree and untie the roots which have been tied into complex knots by dark forces beneath the soil. Could you do that? Are you capable?"

"Yes."

"Hamilton—no more pretending to be a child trapped inside an aging body. No avoiding the enormity and responsibility of being an adult. Could you do that? Are you capable?"

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