Douglas Coupland - Girlfriend in a Coma

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Amazon.co.uk Review
In this latest novel from the poet laureate of Gen X—who is himself now a dangerously mature 36—boy does indeed meet girl. The year is 1979, and the lovers get right down to business in a very Couplandian bit of plein air intercourse: "Karen and I deflowered each other atop Grouse Mountain, among the cedars beside a ski slope, atop crystal snow shards beneath penlight stars. It was a December night so cold and clear that the air felt like the air of the Moon—lung-burning; mentholated and pure; hint of ozone, zinc, ski wax, and Karen's strawberry shampoo." Are we in for an archetypal '80s romance, played out against a pop-cultural backdrop? Nope. Only hours after losing her virginity, Karen loses consciousness as well—for almost two decades. The narrator and his circle soldier on, making the slow progression from debauched Vancouver youths to semi-responsible adults. Several end up working on a television series that bears a suspicious resemblance to The X-Files (surely a self-referential wink on the author's part). And then … Karen wakes up. Her astonishment— which suggests a 20th-century, substance-abusing Rip Van Winkle—dominates the second half of the novel, and gives Coupland free reign to muse about time, identity, and the meaning (if any) of the impending millennium. Alas, he also slaps a concluding apocalypse onto the novel. As sleeping sickness overwhelms the populace, the world ends with neither a bang nor a whimper, but a universal yawn—which doesn't, fortunately, outweigh the sweetness, oddity, and ironic smarts of everything that has preceded it. —This text refers to an out of print or unavailable edition of this title.
Synopsis
Girls, memory, parenting, millennial fear — all served Coupland-style. Karen, an attractive, popular student, goes into a coma one night in 1979. Whilst in it, she gives birth to a healthy baby daughter; once out of it, a mere eighteen years later, she finds herself, Rip van Winkle-like, a middle-aged mother whose friends have all gone through all the normal marital, social and political traumas and back again…This tragicomedy shows Coupland in his most mature form yet, writing with all his customary powers of acute observation, but turning his attention away from the surface of modern life to the dynamics of modern relationships, but doing so with all the sly wit and weird accuracy we expect of the soothsaying author of Generation X, Shampoo Planet, Life After God, Microserfs and Polaroids from the Dead.

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"Where are we going?" Richard asks.

"To the jetty at the runway's end. My brother Jerry's coming over from West Van in his sixteen-footer to pick me up. Called him on mycell phone—I just got in from Taipei. Fucking nightmare. We had three deaths onboard and the passengers were going ape-shit between Honolulu and Vancouver. Screaming, wailing—Christ. We had to bolt shut the cockpit door."

The two scan the horizon for a boat or a light. "I wouldn't have believed it possible in all my years flying. I'm just glad I was able to get home. Once we docked, all the passengers simply ran. They didn't even wait for their luggage. I don't even know where these people could have gone. Waiting relatives? No taxis then, too."

"The plague—what is it?" Richard asks, his mind spooling out plotlines from 1970s sci-fi movies. "Who's dying? Old people? Babies? Any one group?"

"No pattern. Everybody. It brought down planes everywhere. All the big cities are fucked up. Vancouver, too. Noon today people started dropping like flies. It's pointless trying to drive anywhere downtown. It's a parking lot clogged with desperate, freaked-out people. People who catch this thing—whatever it is—have this powerful urge to sleep, so they lie down wherever they are—in their cars, on the mall floors, in the offices. A minute later, they're dead."

The runway drive is far longer than Richard might have thought. North, toward the city, Richard can see the plumes of smoke of several fires and patches of the city with failed electrical grids. They park near the muddy water at the runway's end. They hop off the luggage cart and stand in the rain as Captain Dunphy blinks a flashlight. They can see a boat coming toward them in the distance, and soon they hear a boat's engine in the December wind. Captain Dunphy blinks the flashlight to signal his brother; the boat berths sideways against the shore onto which sloppy water laps feebly. Captain Dunphy sees Jerry's suspicious face and says, "He's with me, Jerry. This is Richard, my neighbor."

"Hop in. It's going to be dark soon. Christ, the city's a mess. Everywhere's a mess. This plague—it's speeding up."

They hop into the boat, which jolts away from the shore like a knife tugged from a magnet. As the boat slaps against the small whitecaps, its passengers goggle the fevered city. Richard tries tophone home to Karen on Jerry's cell, but something's not working.

As they near West Vancouver, binoculars reveal that Lions Gate Bridge is full of cars. On the mountain, fires are burning—their gray plumes more reminiscent of autumn leaf burn-offs than of burning houses.

The boat travels up the shore and docks at a private dock a mile west of the Park Royal Mall, currently in flames. Onshore, Mrs. Dunphy is in a Volvo. They weave throughout West Vancouver's curves and hairpins. They see cars parked on the roadsides with dead drivers behind the wheels. A minivan stops at a stop sign and they briefly see four children looking out the rear window, chalky silent faces frightened out of their wits. At the corner of Cross Creek and Highland, two men try to stop them, but Mrs. Dunphy stomps the gas pedal as they race down the hill toward home. A shot is fired, which cracks the rear window.

On Rabbit Lane, the electricity still works, but Lois's and George's cars are gone. Karen is on the floor by the blank, snowstorming TV. Her knees are up to her chin, but her eyes are far, far away. She's shivering madly. Her forearms resemble a freshly plucked chicken.

"Karen? Karen—honey?" Richard says, but there is no response. He picks her up in his arms and is about to stand up when Karen speaks.

"It's happening," she says. "It's here. What I saw back then …"

"I know, honey."

"I tried to run away from it so long ago."

"Karen—I know, but you've gotta tell me. Something big's going on—all over the world. And you know what it is. Tell me, please." Karen squeezes her eyes shut and says nothing. Richard is exasperated: "Jesus H. Christ, Karen, can you tell me what's going on! Speak tome!"

She says, "The world's falling asleep. But not me. I don't know about you."

"Who told you?"

"The voices—they came in clearly this afternoon. I could finally hear them. Him. Jared. It. I don't know."Richard carries her onto the couch, smothers her body in blankets, and ignites the gas fireplace, which throws off considerable heat. He then cradles Karen in his lap and she calms down. Richard collects his thoughts. "Now tell me, Karen, what are we in for? Why us? Why here? Why you and me and … ?"

"Richard, I have a brain the size of a seventeen-year-old's. It's not always easy."

"Does anybody else live?"

"I don't know. I only know about us here close to home."

"What are we supposed to be doing?"

"I told you I don't know. Now stop this."

Richard thumps the sofa. "Jared! Jared! Can you hear me?"

"Don't scare me by thumping like that. Anyway, he, or whatever it is, can't hear you, Richard. He's busy."

"How obvious. I should have known."

"This is not a very good time or place for sarcasm, Richard."

"It's called irony these days."

"Whatever."

23 STEEL MINK BEEF MUSIC

She breathes deeply; the plastic-wrapped beef cool on her cheeks.

The lucky people, thinks Lois, will fall asleep inside their sleep: blissful sleepiness followed with a visit to dreamland forever— heaven—the cold clear hills that graced the world of her youth.

Lois was at Super-Valu in Park Royal, striding purposefully amid the store's glorious aisles of glorious food all gloriously lit, when the sleeping began. She was savoring the waves of admiration sent her way by staff and shoppers who recognized her from the previous evening's broadcast.

"You are so strong," said one young woman.

"A saint," said another. Lois's cheeks burned with pleasure.

Lois was the first shopper to notice a sleeper, a young woman in blue sweat clothing asleep beneath the cauliflower and broccoli bins. Lois bent down to gently tap her on the shoulder; a shank of hair fell from the woman's face revealing her peaceful death mask.

Paramedics were called, and no sooner had the young woman been moved into the back office when a shout came from down the mall outside the Super-Valu—news of another death. A nervous buzz began among the shoppers. "Just the oddest thing, isn't it?" said the woman in line in front of Lois. "Plastic bags, please—I mean, you just don't see something like that too often and then—"

Lois's eyes flared wide open; behind their till the cashier was yawning, falling down onto her knees and taking a nap before them. "Hello?"

The cashier from the next till came over. "Susan? Susan?" The cashier looked up at Lois. "No," Lois said, "it can't be."

The woman grabbed the intercom and beckoned management down to the tills pronto. Another shopper fell asleep on the frozen foods aisle's cold white floor. With news of this, delicate pandemonium broke out. Customers abandoned their carts and dashed for the exits. A voice came over the speakers announcing that due to technical problems, the store would have to close for the day.

Lois watched the shoppers panic. The man behind her squeezed his full cart through the space behind the clerk and left the store without paying. Lois, like some shoppers, moved out of the checkout area and stood silently in one of the main aisles to watch the scene unfold. Two more shoppers keeled over; the mall's tiny first-aid post lost its ability to cope with trauma. From some unknown corner, a siren, dormant since the days of the USSR, woke up frightened and cranky.

At the end of the aisle Lois saw her neighbor, Elaine Buchanan, piling steaks and chickens into a cart. She walked down to say, "Elaine—"

"Lois. If you're smart, you'll do this, too. Whatever's going on is way bigger than any of us." Elaine lurched slightly, putting a Family-

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