Douglas Coupland - Girlfriend in a Coma

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Amazon.co.uk Review
In this latest novel from the poet laureate of Gen X—who is himself now a dangerously mature 36—boy does indeed meet girl. The year is 1979, and the lovers get right down to business in a very Couplandian bit of plein air intercourse: "Karen and I deflowered each other atop Grouse Mountain, among the cedars beside a ski slope, atop crystal snow shards beneath penlight stars. It was a December night so cold and clear that the air felt like the air of the Moon—lung-burning; mentholated and pure; hint of ozone, zinc, ski wax, and Karen's strawberry shampoo." Are we in for an archetypal '80s romance, played out against a pop-cultural backdrop? Nope. Only hours after losing her virginity, Karen loses consciousness as well—for almost two decades. The narrator and his circle soldier on, making the slow progression from debauched Vancouver youths to semi-responsible adults. Several end up working on a television series that bears a suspicious resemblance to The X-Files (surely a self-referential wink on the author's part). And then … Karen wakes up. Her astonishment— which suggests a 20th-century, substance-abusing Rip Van Winkle—dominates the second half of the novel, and gives Coupland free reign to muse about time, identity, and the meaning (if any) of the impending millennium. Alas, he also slaps a concluding apocalypse onto the novel. As sleeping sickness overwhelms the populace, the world ends with neither a bang nor a whimper, but a universal yawn—which doesn't, fortunately, outweigh the sweetness, oddity, and ironic smarts of everything that has preceded it. —This text refers to an out of print or unavailable edition of this title.
Synopsis
Girls, memory, parenting, millennial fear — all served Coupland-style. Karen, an attractive, popular student, goes into a coma one night in 1979. Whilst in it, she gives birth to a healthy baby daughter; once out of it, a mere eighteen years later, she finds herself, Rip van Winkle-like, a middle-aged mother whose friends have all gone through all the normal marital, social and political traumas and back again…This tragicomedy shows Coupland in his most mature form yet, writing with all his customary powers of acute observation, but turning his attention away from the surface of modern life to the dynamics of modern relationships, but doing so with all the sly wit and weird accuracy we expect of the soothsaying author of Generation X, Shampoo Planet, Life After God, Microserfs and Polaroids from the Dead.

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"Kleek. Kleek. Kleek."

What was this strange noise she was making? I followed the sound over a series of logs, over a dewy patch of psilocybin mushrooms, then into a glade where as teenagers we'd spent many a Friday and Saturday night. Megan was sitting fetal beside an old rotted log that had probably been felled back in the 1920s.

"Kleek. Kleek. Kleek."

"Megan, there you are." I stopped to catch my breath and looked around at the dry cool dent in the forest floor, untouched by undergrowth as the shade canopy above was too dense. Between the yearly layers of pine, fir, and cedar sheddings lay bits of uncountable cigarettes packs, weather-yellowed pornography, candy wrappers, condoms, dead flashlight batteries, and clusters of stolen Mercedes hood ornaments.

"Kleek."

"Megan, what's that sound you're making?""Kleek."

Two could play at this game. I said, "Kleeg Kleeg."

Megan rolled her eyes. "Daddy, you're not doing it right."

"Kleeg. Kleeg."

"Daddy, that's not what carrots sound like. They sound like this: Kleek. Kleek. Kleek."

"How silly of me. I forgot."

There was a quiet moment and I thought of the summer Jared and I borrowed a golf cart from an elderly twosome and drove it through the woods, bailing out just before it ran over a small cliff. We never got caught.

"Megan, for God's sake, stop the carrot stuff. You know it's not true."

"Where's my real mom?" She was getting teary.

"Okay, Megan. I'll tell you, okay?"

"Okay." Her posture slackened and she relaxed visibly.

I caught my breath. "Your mom was eighteen when she became sick. She has the same birthday as you."

"Really?"

"Really."

I told Megan about her mother—everything—and afterward we walked out of the forest and back to the car, still running, still waiting to drive us away.

Of course, Megan wanted to see Karen—the sooner the better. We went that night. My mother and the staff at Inglewood spruced Karen up as best they could. Once inside Inglewood, I greeted the staff as I'd done hundreds of times before, and all the while my stomach felt lightweight and bilious. We slowly marched down the echoing hallway into Karen's room, where a small radio played Blondie's "Heart of Glass," then a song by the Smiths. Her bed had a blue chenille spread. "It's okay, Megan," I said. "There's no need to be afraid. We all love you."

Karen, even dolled up by Mom, was a heartbreaking sight. They tried to make Karen as natural as possible with foundation plus a dab of blush, with a trim of her hair, all crowned with an Alice-band. Shewore a lavender cardigan. Not having seen Karen dolled up since 1979, I felt a pang of intense loneliness. For Megan, the initial shock of seeing her mother seemed to wear off quickly. She gave no initial reaction. I stood still while Megan approached Karen's bedside. She placed her hand on her mother's forehead and with her other hand stroked Karen's hair and touched her hollow cheeks. She smudged her fingers on Karen's eyelids. "She's wearing makeup," Megan said. "Sleeping people don't wear makeup." She moistened her fingers to try to wipe clean Karen's cheeks and forehead, erasing Mom's makeover effort. Having accomplished this, she jumped up onto the bed and lay down beside Karen. Karen was inside a sleep cycle, her mouth rasping. Megan looked closely at her face. "How long has she been like this?"

"Since December 15, 1979."

"Who visits her?"

"George does," I said, "every day. And I come here once a week on Sunday."

"Hmm."

Megan looked at her mother. "She doesn't scare me, you know."

"Well, she shouldn't."

Megan ran her fingers over Karen's face again, then said to me, "Can I come with you on Sunday from now on, Dad?"

"Deal."

"Do I look more like you or Mom?"

"Your mother," I said with relief.

Megan looked at Karen's face right up close, as though trying to locate the watermark on a forged banknote. She gave out a puff of air indicating satisfaction, and then lay down beside her and rested. I went outside for fresh air, flummoxed by Megan's casual acceptance. I thought of how life ought to have been as opposed to what it became. After that day, Megan drove with me to Inglewood Lodge on Sundays.

In the 1980s, Hamilton and I would party often. One morning in particular I was awakened by Hamilton tweezing unmetabolized coke from my nostrils. Life was big.

I recovered somewhat from the 1987 stock crash and continued treadmilling within the city's financial district selling low-tide stocks. This was around the time where I started to drink. My compatriots were machine-bronzed fiftysomethings decorated with gold nugget rings and pin-curly hairdos lying into telephone headsets at 5:00 A.M. Lord—the scammy little push-me-pull-you's we enacted over the phones from within our bleak putty-colored office cubicles.

A minor scandal about a spurious core sample knocked me out of the Stock Exchange. With my savings, I bought a Kleenex-box house in North Van where I lived alone, seeing Megan only rarely—baaad father. I took that first house, spackled, sanded, and painted it, then flipped it for a twenty-five-thousand-dollar profit. This became a pattern: I'd buy the worst house on a good block, work and drink like a demon on weekends to whip it into shape, then flip it for a reasonable profit. My behavior wasn't greed, it was … it was me doing anything but speaking honestly with myself—countless silent moments hastily varnished with vodka and thoughts of renovations. I was visiting Karen twice, thrice a week. At Inglewood, I drank vodka and orange juice from a carton.

10 ONE DAY YOU WILL SPEAK WITH YOURSELF

After some years I realized I'd landed myself a major drinking problem—a device for coping with life's endlessly long days. I truly wondered if I was in some kind of coma myself, shambling through life with an IV drip filled with Scotch. My twenties were vanishing and the only good thing I had going for me was a daughter who I hardly ever saw. For her sake I bucked up a bit in the early 19905 and began to sell residential properties with a modicum of success—my years of renovating claptraps left me with a good instinct for the true value of a house.

I also began doing things I couldn't have imagined doing while sober: I'd often lose my car when I went out at night—forget where I parked it, then call all the towing firms the next day to see if they had it. I woke up one morning to see I'd peed onto the wall. For the most part, I maintained a good front while inner deterioration grew. My breath stank permanently like wine left inside a stemmed glass overnight.

And time ticked on.

Pam sent me a card from Athens:

DINNER WITH DAVID BOWIE. GLAMORAMA. DRANK ABSINTHE FOR THE FIRST TIME, P.

Linus, one day in 1990, without telling anybody, left the city. He drove to Lethbridge in Alberta, parked his VW Bug on the side of a ridge, the Continental Divide, donned his knapsack, and went walking through the stubble and chaff on the fields, across the prairies, flushing out the partridge and pheasants, slouching eastward, then south as winter approached, never again to return to his VW. He spent the next few years gadabouting the southern United States, growing his beard, doing spare jobs for food, and sending a postcard from here or there in his microscopic print:

DEAR RICHARD, THIS IS LAS VEGAS. VIVA. IT'S WINTER NOW. I'M

WORKING AT AN ITALIAN RESTAURANT AS A WAITER. IT'S OKAY. THERE'S NOT MUCH TO DO HERE. THERE'S A TARGET RANGE NEARBY, SO I'M LEARNING TO SHOOT. IT SOUNDS DUMB, BUT IT'S SOMETHING TO LEARN.

THANK YOU FOR YOUR KIND LETTER PLUS THE SNAPSHOTS OF HOME. I

APPRECIATE YOUR BEING CONCERNED FOR ME, BUT I ASSURE YOU I'M OKAY. YOU ASKED WHY I'M DOING THIS AND THAT'S A REASONABLE QUESTION. I THINK I COULDN'T SEE ME FITTING INTO THE EVERYDAY WORLD ANY LONGER. I FOUND MYSELF DOING ELECTRICAL WORK DAY IN/DAY OUT AND REALIZED I WOULD HAVE TO DO THIS THE REST OF MY LIFE AND IT SPOOKED ME. I DON'T KNOW IF THERE'S SOME ALTERNATIVE OUT THERE, BUT I SPEND MOST OF MY TIME WONDERING WHAT IT MIGHT BE. I SUPPOSE THERE'S ALWAYS CRIME, BUT THAT'S NOT GOOD WHEN YOU'RE OLDER. THERE'S DRUGS, BUT YOU KNOW, I'VE NEVER SEEN ANYBODY WHO'S BEEN IMPROVED BY DRUGS. LIFE SEEMS BOTH TOO LONG AND TOO SHORT. THIS BEING SAID, I HAD A GOOD DAY TODAY. THECLOUDS WERE PRETTY AND I BOUGHT A SACK OF CLOTHES AT THE GOODWILL STORE FOR FIVE BUCKS. PAMMIE WAS ON THE COVER OF ELLE. PLEASE WRITE IF YOU CAN. CARE OF THE POST OFFICE, LAS VEGAS. YOUR FRIEND, ALBERT LINUS.

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