Sidney Sheldon - If Tomorrow Comes

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Best known today for his exciting blockbuster novels, Sidney Sheldon is the author of The Best Laid Plans, Nothing Lasts Forever, The Stars Shine Down, The Doomsday Conspiracy, Memories of Midnight, The Sands of Time, Windmills of the Gods, If Tomorrow Comes, Master of the Game, Rage of Angels, Bloodline, A Stranger in the Mirror, and The Other Side of Midnight. Almost all have been number-one international bestsellers. His first book, The Naked Face, was acclaimed by the New York Times as "the best first mystery of the year" and received an Edgar Award. Most of his novels have become major feature films or TV miniseries, and there are more than 275 million copies of his books in print throughout the world. Before he became a novelist, Sidney Sheldon had already won a Tony Award for Broadway's Redhead and an Academy Award for The Bachelor and the Bobby Soxer. He has written the screenplays for twenty-three motion pictures, including Easter Parade (with Judy Garland) and Annie Get Your Gun. In addition, he penned six other Broadway hits and created three long-running television series, including Hart to Hart and I Dream of Jeannie, which he also produced. A writer who has delighted millions with his award-winning plays, movies, novels, and television shows, Sidney Sheldon reigns as one of the most popular storytellers of all time.

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Anthony Orsatti was a king who ran his fiefdom with bribes, guns, and blackmail. He ruled New Orleans, and it paid him obeisance in the form of untold riches. The capos of the other Families across the country respected him and constantly sought his advice.

At the moment, Anthony Orsatti was in a benevolent mood. He had had breakfast with his mistress, whom he kept in an apartment building he owned in Lake Vista. He visited her three times a week, and this morning's visit had been particularly satisfactory. She did things to him in bed that other women never dreamed of, and Orsatti sincerely believed it was because she loved him so much. His organization was running smoothly. There were no problems, because Anthony Orsatti knew how to solve difficulties before they became problems. He had once explained his philosophy to Joe Romano: “Never let a little problem become a big problem, Joe, or it grows like a fuckin' snowball. You got a precinct captain who thinks he oughta get a bigger cut — you melt him, see? No more snowball. You get some hotshot from Chicago who asks permission to open up his own little operation here in New Orleans? You know that pretty soon that 'little' operation is gonna turn into a big operation and start cuttin' into your profits. So you say yes, and then when he gets here, you melt the son of a bitch. No more snowball. Get the picture?”

Joe Romano got the picture.

Anthony Orsatti loved Romano. He was like a son to him. Orsatti had picked him up when Romano was a punk kid rolling drunks in alleys. He himself had trained Romano, and now the kid could tap-dance his way around with the best of them. He was fast, he was smart, and he was honest. In ten years Romano had risen to the rank of Anthony Orsatti's chief lieutenant. He supervised all the Family's operations and reported only to Orsatti.

Lucy, Orsatti's private secretary, knocked and came into the office. She was twenty-four years old, a college graduate, with a face and figure that had won several local beauty contests. Orsatti enjoyed having beautiful young women around him.

He looked at the clock on his desk. It was 10:45. He had told Lucy he did not want any interruptions before noon. He scowled at her. “What?”

“I'm sorry to bother you, Mr. Orsatti. There's a Miss Gigi Dupres on the phone. She sounds hysterical, but she won't tell me what she wants. She insists on speaking with you personally. I thought it might be important.”

Orsatti sat there, running the name through the computer in his brain. Gigi Dupres? One of the broads he had up in his suite his last time in Vegas? Gigi Dupres? Not that he could remember, and he prided himself on a mind that forgot nothing. Out of curiosity, Orsatti picked up the phone and waved a dismissal at Lucy.

“Yeah? Who's this?”

“Is thees Mr. Anthony Orsatti?” She had a French accent.

“So?”

“Oh, thank God I get hold of you, Meester Orsatti!”

Lucy was right. The dame was hysterical. Anthony Orsatti was not interested. He started to hang up, when her voice went on.

“You must stop him, please!”

“Lady, I don't know who you're talkin' about, and I'm a busy —”

“My Joe. Joe Romano. He promised to take me with him, comprenez-vous?”

“Hey, you got a beef with Joe, take it up with him. I ain't his nursemaid.”

“He lie to me! I just found out he is leave for Brazil without me. Half of that three hundred thousand dollars is mine.”

Anthony Orsatti suddenly found he was interested, after all. “What three hundred thousand you talkin' about?”

“The money Joe is hiding in his checking account. The money he — how you say? — skimmed.”

Anthony Orsatti was very interested.

“Please tell Joe he must take me to Brazil with him. Please! Weel you do thees?”

“Yeah;” Anthony Orsatti promised. “I'll take care of it.”

Joe Romano's office was modern, all white and chrome, done by one of New Orleans's most fashionable decorators. The only touches of color were the three expensive French Impressionist paintings on the walls. Romano prided himself on his good taste. He had fought his way up from the slums of New Orleans, and on the way he had educated himself. He had an eye for paintings and an ear for music. When he dined out, he had long, knowledgeable discussions with the sommelier about wines. Yes, Joe Romano had every reason to be proud. While his contemporaries had survived by using their fists, he had succeeded by using his brains. If it was true that Anthony Orsatti owned New Orleans, it was also true that it was Joe Romano who ran it for him.

His secretary walked into his office. “Mr. Romano, there's a messenger here with an airplane ticket for Rio de Janeiro. Shall I write out a check? It's COD.”

“Rio de Janeiro?” Romano shook his head. “Tell him there's some mistake.”

The uniformed messenger was in the doorway. “I was told to deliver this to Joseph Romano at this address.”

“Well, you were told wrong. What is this, some kind of a new airline promotion gimmick?”

“No, sir. I —”

“Let me see that.” Romano took the ticket from the messenger's hand and looked at it. “Friday. Why would I be going to Rio on Friday?”

“That's a good question,” Anthony Orsatti said. He was standing behind the messenger. “Why would you, Joe?”

“It's some kind of dumb mistake, Tony.” Romano handed the ticket back to the messenger. “Take this back where it came from and —”

“Not so fast.” Anthony Orsatti took the ticket and examined it. “It says here one first-class ticket, aisle seat, smoking, to Rio de Janeiro for Friday. One way.”

Joe Romano laughed. “Someone made a mistake.” He turned to his secretary. “Madge, call the travel agency and tell them they goofed. Some poor slob is going to be missing his plane ticket.”

Joleen, the assistant secretary, walked in. “Excuse me, Mr. Romano. The luggage has arrived. Do you want me to sign for it?”

Joe Romano stared at her. “What luggage? I didn't order any luggage.”

“Have them bring it in,” Anthony Orsatti commanded.

“Jesus!” Joe Romano said. “Has everyone gone nuts?”

A messenger walked in carrying three Vuitton suitcases.

“What's all this? I never ordered those.”

The messenger checked his delivery slip. “It says Mr. Joseph Romano, Two-seventeen Poydras Street, Suite four-zero-eight?”

Joe Romano was losing his temper. “I don't care what the fuck it says. I didn't order them. Now get them out of here.”

Orsatti was examining the luggage. “They have your initials on them, Joe.”

“What? Oh. Wait a minute! It's probably some kind of present.”

“Is it your birthday?”

“No. But you know how broads are, Tony. They're always givin' you gifts.”

“Have you got somethin' going in Brazil?” Anthony Orsatti inquired.

“Brazil?” Joe Romano laughed. “This must be someone's idea of a joke, Tony.”

Orsatti smiled gently, then turned to the secretaries and the two messengers. “Out.”

When the door was closed behind them, Anthony Orsatti spoke. “How much money you got in your bank account, Joe?”

Joe Romano looked at him, puzzled. “I don't know. Fifteen hundred, I guess, maybe a couple of grand. Why?”

“Just for fun, why don't you call your bank and check it out?”

“What for? I —”

“Check it out, Joe.”

“Sure. If it'll make you happy.” He buzzed his secretary. “Get me the head bookkeeper over at First Merchants.”

A minute later she was on the line.

“Hello, honey. Joseph Romano. Would you give me the current balance in my checking account? My birth date is October fourteenth.”

Anthony Orsatti picked up the extension phone. A few moments later the bookkeeper was back on the line.

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