Sidney Sheldon - If Tomorrow Comes

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Best known today for his exciting blockbuster novels, Sidney Sheldon is the author of The Best Laid Plans, Nothing Lasts Forever, The Stars Shine Down, The Doomsday Conspiracy, Memories of Midnight, The Sands of Time, Windmills of the Gods, If Tomorrow Comes, Master of the Game, Rage of Angels, Bloodline, A Stranger in the Mirror, and The Other Side of Midnight. Almost all have been number-one international bestsellers. His first book, The Naked Face, was acclaimed by the New York Times as "the best first mystery of the year" and received an Edgar Award. Most of his novels have become major feature films or TV miniseries, and there are more than 275 million copies of his books in print throughout the world. Before he became a novelist, Sidney Sheldon had already won a Tony Award for Broadway's Redhead and an Academy Award for The Bachelor and the Bobby Soxer. He has written the screenplays for twenty-three motion pictures, including Easter Parade (with Judy Garland) and Annie Get Your Gun. In addition, he penned six other Broadway hits and created three long-running television series, including Hart to Hart and I Dream of Jeannie, which he also produced. A writer who has delighted millions with his award-winning plays, movies, novels, and television shows, Sidney Sheldon reigns as one of the most popular storytellers of all time.

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A guard called out to her, “Hey, you! Time's up. Get out.”

Tracy stepped out of the shower; and another prisoner took her place. Tracy was handed a thin, worn towel and half dried her body.

When the last of the prisoners had showered, they were marched to a large supply room where there were shelves of clothes guarded by a Latino inmate who sized up each prisoner and handed out gray uniforms. Tracy and the others were issued two uniform dresses, two pairs of panties, two brassieres, two pairs of shoes, two nightgowns, a sanitary belt, a hairbrush, and a laundry bag. The matrons stood watching while the prisoners dressed. When they had finished, they were herded to a room where a trusty operated a large portrait camera set on a tripod.

“Stand over there against the wall.”

Tracy moved over to the wall.

“Full face.”

She stared into the camera. Click.

“Turn your head to the right.”

She obeyed. Click.

“Left.” Click. “Over to the table.”

The table had fingerprint equipment on it. Tracy's fingers were rolled across an inky pad, then pressed onto a white card.

“Left hand. Right hand. Wipe your hands with that rag. You're finished.”

She's right, Tracy thought numbly. I'm finished. I'm a number. Nameless, faceless.

A guard pointed to Tracy. “Whitney? Warden wants to see you. Follow me.”

Tracy's heart suddenly soared. Charles had done something after all! Of course he had not abandoned her, any more than she ever could have abandoned him. It was the sudden shock that had made him behave the way he had. He had had time to think it over now and to realize he still loved her. He had talked to the warden and explained the terrible mistake that had been made. She was going to be set free.

She was marched down a different corridor, through two sets of heavily barred doors manned by male and female guards. As Tracy was admitted through the second door, she was almost knocked down by a prisoner. She was a giant, the biggest woman Tracy had ever seen — well over six feet tall, she must have weighed three hundred pounds. She had a flat, pockmarked face, with feral yellow eyes. She grabbed Tracy s arm to steady her and pressed her arm against Tracy's breasts.

“Hey!” the woman said to the guard. “We got a new fish. How 'bout you put her in with me?” She had a heavy Swedish accent.

“Sorry. She's already been assigned, Bertha.”

The amazon stroked Tracy's face. Tracy jerked away, and the grant woman laughed. “It's okay, littbarn. Big Bertha will see you later. We got plenty of time. You ain't goin' nowhere.”

They reached the warden's office. Tracy was faint with anticipation. Would Charles be there? Or would he have sent his attorney?

The warden's secretary nodded to the guard, “He's expecting her. Wait here.”

Warden George Brannigan was seated at a scarred desk, studying some papers in front of him. He was in his mid-forties, a thin, careworn-Looking man, with a sensitive face and deep-set hazel eyes.

Warden Brannigan had been in charge of the Southern Louisiana Penitentiary for Women for five years. He had arrived with the background of a modern penologist and the zeal of an idealist, determined to make sweeping reforms in the prison. But it had defeated him, as it had defeated others before him.

The prison originally had been built to accommodate two inmates to a cell, and now each cell held as many as four to six prisoners. He knew that the same situation applied everywhere. The country's prisons were all overcrowded and understaffed. Thousands of criminals were penned up day and night with nothing to do but nurse their hatred and plot their vengeance. It was a stupid, brutal system, but it was all there was.

He buzzed his secretary. “All right. Send her in.”

The guard opened the door to the inner office, and Tracy stepped inside.

Warden Brannigan looked up at the woman standing before him. Dressed in the drab prison uniform, her face bruised with fatigue, Tracy Whitney still looked beautiful. She had a lovely, candid face, and Warden Brannigan wondered how long it would remain that way. He was particularly interested in this prisoner because he had read about her case in the newspapers and had studied her record. She was a first offender, had not killed anyone, and fifteen years was an inordinately harsh sentence. The fact that Joseph Romano was her accuser made her conviction all the more suspect. But the warden was simply the custodian of bodies. He could not buck the system. He was the system.

“Please have a seat,” he said.

Tracy was glad to sit down. Her knees were weak. He was going to tell her now about Charles, and how soon she would be released.

“I've been looking over your record,” the warden began.

Charles would have asked him to do that.

“I see you're going to be with us a long time. Your sentence is fifteen years.”

It took a moment for his words to sink in. Something was dreadfully wrong. “Didn't — didn't you speak to — to Charles?” In her nervousness she was stammering.

He looked at her blankly. “Charles?”

And she knew. Her stomach turned to water. “Please,” she said. “Please listen to me. I'm innocent. I don't belong here.”

How many times had he heard that? A hundred? A thousand? I'm innocent.

He said, “The courts have found you guilty. The best advice I can give you is to try to do easy time. Once you accept the terms of your imprisonment, it will be a lot easier for you. There are no clocks in prison, only calendars.”

I can't be locked up here for fifteen years, Tracy thought in despair. I want to die. Please, God, let me die. But I can't die, can I? I would be killing my baby. It's your baby, too, Charles. Why aren't you here helping me? That was the moment she began to hate him.

“If you have any special problems,”, Warden Brannigan said, “I mean, if I can help you in any way, I want you to come see me.” Even as he spoke, he knew how hollow his words were. She was young and beautiful and fresh. The bull-dykes in the prison would fall on her like animals. There was not even a safe cell to which he could assign her. Nearly every cell was controlled by a stud. Warden Brannigan had heard rumors of rapes in the showers, in the toilets, and in the corridors at night. But they were only rumors, because the victims were always silent afterward. Or dead.

Warden Brannigan said gently, “With good behavior, you might be released in twelve or —”

“No!” It was a cry of black despair, of desperation. Tracy felt the walls of the office closing in on her. She was on her feet, screaming. The guard came hurrying in and grabbed Tracy's arms.

“Easy,” Warden Brannigan commanded him.

He sat there, helpless, and watched as Tracy was led away.

She was taken down a series of corridors past cells filled with inmates of every description. They were black and white and brown and yellow. They stared at Tracy as she passed and called out to her in a dozen accents. Their cries made no sense to Tracy.

“Fish night…”

“French mate…”

“Fresh mite…”

“Flesh meet…”

It was not until Tracy reached her cell block that she realized what the women were chanting: “Fresh meat.”

Chapter 06

There were sixty women in Cell Block C, four to a cell. Faces peered out from behind bars as Tracy was marched down the long, smelly corridor, and the expressions varied from indifference to lust to hatred. She was walking underwater in some strange, unknown land, an alien in a slowly unfolding dream. Her throat was raw from the screaming inside her trapped body. The summons to the warden's office had been her last faint hope. Now there was nothing. Nothing except the mind-numbing prospect of being caged in this purgatory for the next fifteen years.

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