Douglas Coupland - Miss Wyoming

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Miss Wyoming: краткое содержание, описание и аннотация

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The eponymous heroine of Miss Wyoming is one Susan Colgate, a teen beauty queen and low-rent soap actress. Dragooned into show business by her demonically pushy, hillbilly mother, Susan has hit rock bottom by the time Douglas Coupland's seventh book begins. But when she finds herself the sole survivor of an airplane crash, this "low-grade onboard celebrity" takes the opportunity to start all over again:
She felt like a ghost. She tried to find her bodily remains there in the wreckage and was unable to do so.... Then she was lost in a crowd of local onlookers and trucks, parping sirens and ambulances. She picked her way out of the melee and found a newly paved suburban road that she followed away from the wreck into the folds of a housing development. She had survived, and now she needed sanctuary and silence.
She's not, of course, the only Hollywood burnout who'd like to vanish into thin air. Her opposite number, a producer of big-budget, no-brainer action flicks named John Johnson, stages a similar disappearing act. After a near-death experience, in the course of which he is treated to a vision of Susan's face, he roams the western badlands. And even after his return to L.A., Johnson is determined to unravel the mystery of this woman's fate.
Throughout, Coupland displays his usual gift for capturing the absurdities of modern existence. The distinctive minutiae of our age--junk mail and fast food, sitcoms and Singapore slings, and the "shop fronts bigger and brighter and more powerful than they needed to be"--come to vivid, funny life in this author's hands. And while Susan and John occupy center stage, Coupland is just as generous with his peripheral characters. A scriptwriter and his supernaturally intelligent girlfriend, a recluse who spends his evening generating Internet rumours--all manage to be blessed and cursed, numbed by their pointless existences but full of humanity when put to the test. Picture Joseph Heller and Kurt Vonnegut collaborating on a Tinseltown version of Zen and the Art of Motorcycle Maintenance and you come halfway to grasping Coupland's brand of thoughtful, supremely funny storytelling.

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«Forget it.»

«No. I feel terrible for being so mean when you're so sick.» Her eyes became frantic. «I know — I've got some wonderful welcome-back pussy for you — twins!»

«I don't want twins, Mel. Shit, I don't want anybody. Or anything.»

«How about a bit of toot, John?» Melody removed a pink plastic Hello Kitty heart-shaped box from her fetal calf leather handbag. «Straight from Miss Bolivia's falsies. Yummie, yummie.» She held out the box to John, and he slapped it with a wave that was just forceful enough to read as purposeful. The box fell onto the floor and exploded.

«John! That was really stupid.»

«Mel, please. I don't feel so good. I want to be alone.»

«Oh cute — like a Simon and Garfunkel song. You remember who your friends are. And remember — twins! From Florida no less.»

John stared at her.

«I'm going to leave now, John, before you go and say something else stupid. I'll tell Nurse Ratchet outside that you're awake. Au revoir, Johnniepoo.»

Chapter Four

Susan's earliest memory was powerful and clear. She was four and a half, and she was in the elevator of the Benson Hotel, Portland, Oregon, wearing a beaded strapless evening gown paid for with the proceeds of rabbits her mother Marilyn sold from hutches adjoining the double-wide trailer back in McMinnville.

Marilyn had toiled for umpteen hours on each of the gown's beaded filaments, in between furtive glances at walls papered with gown photos ripped from ladies' magazines and specialized pageantry publications. Marilyn had also recently purchased a glue gun and she had had great plans for fastening sparkly objects to belts and accessories.

Susan's face was heavily pancaked in a manner calculated to add fifteen years to her age. She was wearing a diagonal rayon sash across her chest readingPETITE MISS MULTNOMAH COUNTY — FIRST RUNNER-UP, and her face was so moist from tears it felt like an unsqueezed dish sponge. She remembered pushing a button for each of the floors. The doors opened sixteen times from penthouse to basement, each time revealing the absence of Marilyn.

Earlier, just before Susan had gone onstage, Marilyn had clasped her shoulders, looked her dead in the eyes and said, «Only the prettiest and the best-behaved girl gets to win, and if you don't win, I'm not going to be here waiting for you afterward. Do you understand this? Is this clear?» Susan had nodded and gone onstage with the fluid military precision drummed into her on a mock catwalk Marilyn had chalked onto the concrete at the cul-de-sac's end back in McMinnville. And yet she hadn't won, and had no idea what mistake had caused her to lose.

Once the elevator reached the lowest level, Susan pushed all the buttons on the pad again, and rose upward. When the doors on the main floor opened, she saw dozens of the mother-daughter molecules specific to pageantry, milling their way out the front door. Marilyn was speaking to the concierge. She looked at Susan exiting the elevator and, cool-as-you-will, said, «Oh my, a runner- up. » As Susan came closer she added, «I have a daughter, yes, but she's a winner, and you couldn't possibly be her because your sash saysFIRST RUNNER-UP , which means the same thing as losing.»

Susan burst into tears.

«Oh, shut up,» said Marilyn, and she gave her daughter a handkerchief. «You'll stain the dress. Come on. Let's walk to the car.»

Susan followed, brimming with the shameful gratitude of a puppy in training. The night was cool, on the brink of discomfort.

«Oh Sus an,» began Marilyn, «You know how long we worked on this one. It's been weeks since I've touched a bingo card with Elaine or even watched TV. I think of the time I spend trying to make you the winningest little girl in Oregon and I start to feeling like those inmates in orange jumpsuits picking up litter on the sides of the Interstate.»

Bums heckled them as they walked through the town center. Marilyn looked their way and said: «They can't pave this city fast enough. Put a ten-lane freeway right through these old heaps, call it a mall, and gas those wretched winos.»

Susan sniffled and her heels clicked on the sidewalk like a sous-chef's cutting knife on a board.

«Don't you have anything to say?» asked Marilyn. «You're so quiet, like a Barbie doll, except Barbie wouldn't have muffed her lighting cue on the “Spirit of Recycling” dance routine.» Marilyn breathed a sigh like a deflating parade balloon. She lit a cigarette. «You could at least show a bit more spunk with me — fight back — a little bit of give-and-take.»

But Susan remained silent. Susan was going to be Barbie. She was going to be more Barbie than Barbie, and in having made this decision, she unwittingly followed Marilyn's dancing lead.

They reached the car, the sunroofed Corvair Susan considered the one truly glamorous aspect of her family's life. It appeared that Marilyn was not going to assist her, so as she got in, she carefully lifted and folded her dress so as not to damage it when shutting the door.

Marilyn started the car, and they pulled out of the downtown core. «Okay then, Susan. Your ramp walking was pretty good. A good stride. And the makeup worked well under that lighting. A bit too tarty, maybe, but good.»

«Mom?»

«Yes?»

«What's “tarty”?»

Marilyn deemed it inappropriate to discuss tartiness with her four-and-a-half-year-old. She ignored the question. «Next time you're going to have to approach the fore-catwalk more naturally, and I truly think those bangs of yours are going to have to grow out some.» She looked over at her daughter. «Susan, your eyes look like two cherry pits spit onto the floor,» but Susan was drifting off to sleep. A gentle rain was falling and the wipers were slapping. «I was never able to enter pageants myself, Susan. I could only dream of them. The excitement. The dresses. The winning. I was stuck out in the boondocks with my wretched family.» She pulled onto the highway back to McMinnville. «I never had what you have now — a mother who cares for you and who wants you to win. And certainly not what you're going to have — a big success in life — and trust me, you're going to have it. Me, I'll never be the prettiest or the purest or the best, but you — you will. »

Susan, sleepy, hoped Marilyn's good mood would stretch all the way home.

«I shouldn't bitch. I did end up getting your father — your stepfather — but he's as good as a real father.» Her voice relaxed. «Don the Swan.» She looked kindly over at Susan. «Baby, you'll win next time, won't you, sweetie?»

Susan looked up at her mother, rain splashing on the windshield and her small mouth emitted a calm, clear, and hopefully Barbie-like «Yes.»

Chapter Five

«Suzie, do be a love and whack this evil little Kinder Egg into the Grand Canyon for me.» Chris handed Susan a 5-iron. It was near dawn and she, Chris, two band members and an arty black-and-white photographer named Rudy were sitting atop the tour bus in lawn chairs, sipping Benedictine and taking turns trying on silvery-orange nipple tassels that Chris, back in Las Vegas and crashingly drunk, had purchased from an off-duty lap dancer for $500.

«Okay, guv,» said Susan, «but we'll never know what the little toy was inside the egg.»

«That's the point, you evil, evil girl,» replied Chris. «Is the eggy-weggy properly teed up?»

«Chris, your London vocabulary is really driving me crazy.»

«Be that as it may, I repeat, is the eggy-weggy properly teed up?»

Susan checked the foil wrapped chocolate egg perched on a Marlboro box. «Ready for action.»

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