Douglas Coupland - Miss Wyoming

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Miss Wyoming: краткое содержание, описание и аннотация

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The eponymous heroine of Miss Wyoming is one Susan Colgate, a teen beauty queen and low-rent soap actress. Dragooned into show business by her demonically pushy, hillbilly mother, Susan has hit rock bottom by the time Douglas Coupland's seventh book begins. But when she finds herself the sole survivor of an airplane crash, this "low-grade onboard celebrity" takes the opportunity to start all over again:
She felt like a ghost. She tried to find her bodily remains there in the wreckage and was unable to do so.... Then she was lost in a crowd of local onlookers and trucks, parping sirens and ambulances. She picked her way out of the melee and found a newly paved suburban road that she followed away from the wreck into the folds of a housing development. She had survived, and now she needed sanctuary and silence.
She's not, of course, the only Hollywood burnout who'd like to vanish into thin air. Her opposite number, a producer of big-budget, no-brainer action flicks named John Johnson, stages a similar disappearing act. After a near-death experience, in the course of which he is treated to a vision of Susan's face, he roams the western badlands. And even after his return to L.A., Johnson is determined to unravel the mystery of this woman's fate.
Throughout, Coupland displays his usual gift for capturing the absurdities of modern existence. The distinctive minutiae of our age--junk mail and fast food, sitcoms and Singapore slings, and the "shop fronts bigger and brighter and more powerful than they needed to be"--come to vivid, funny life in this author's hands. And while Susan and John occupy center stage, Coupland is just as generous with his peripheral characters. A scriptwriter and his supernaturally intelligent girlfriend, a recluse who spends his evening generating Internet rumours--all manage to be blessed and cursed, numbed by their pointless existences but full of humanity when put to the test. Picture Joseph Heller and Kurt Vonnegut collaborating on a Tinseltown version of Zen and the Art of Motorcycle Maintenance and you come halfway to grasping Coupland's brand of thoughtful, supremely funny storytelling.

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Marilyn grabbed the crop's end and yanked it away from Susan. She looked to be rabid and scrambled up over the 2-X-6 trusses and onto the stage. Susan turned to her audience. She was raging. «Ladies and gentlemen, let's have a big hand for» — she paused as Marilyn raised herself awkwardly, like a horse from thick mud — «my overenthusiastic mother.»

The audience smelled blood and clapped with gusto as Marilyn cuffed Susan on the neck. Three hooligans over by the Sock Shoppe shouted meows, at which point Susan went momentarily deaf from Marilyn's blow. Time stopped for her. She was lifted up and out of herself, and she felt aware for the first time that her mother didn't own her the way she owned the Corvair or the fridge. In fact, Susan realized Marilyn had no more ownership of her than she did of the Space Needle or Mount Hood. Marilyn's connection was sentimental if Susan chose it to be that way, or business, which made some sense, but no longer was Marilyn able to treat Susan like a slammed car door every time she lost control.

Marilyn looked in Susan's eyes, realized she'd blown it and would never regain her advantage. This sent her into a larger swivet, but its ferocity now didn't faze Susan. She now knew the deal.

Marilyn lunged at her daughter, enraged, but Susan looked back at her and with a gentle smile said, «Sorry, Mom, you're thirty seconds too late. You're not going to get me — not this time.»

Marilyn's arms went around Susan's chest, half as if to strangle her, half for support. The clapping stopped and Trish ran over. «Mrs. Colgate, please. »

«You backstabbing little whore,» she shouted at Trish.

«Mom!»

«She doesn't mean it,» Trish said, trying to wedge Marilyn and Susan apart. «We've got to get her off the stage.»

Mall security arrived. Susan and Trish stood locked in place as two beefy men used all their might to keep Marilyn away from Susan.

«Come with us, ma'am.»

«No.»

Susan said pragmatically, «Guys, let's get her into an office or something. She's jagging on diet pills. She needs a cool dark place.»

«Traitor,» Marilyn hissed.

Susan grabbed her mother's handbag. She and Trish followed Marilyn into an office, where Susan made her mother swallow some downers. She phoned Don to tell him they'd be late. Trish left at Susan's asking, and Susan drove her mother home to McMinnville. Dinner was take-out Chinese, and they all went to bed early.

The next day was sunny and unseasonably hot for April, and Susan sat on the back lawn, suntanning her face between the two inner faces of a Bee Gees double album covered in aluminum foil. Marilyn beetled about between the car and the yard, planting multiple flats of petunias, daisies and white alyssum. This struck Susan as odd, but not unusual. The previous year, Don's workers' comp kicked in and the family had upgraded from a trailer to a house, albeit a small, weed-cloaked and rain-rotted house. But living in a genuine house seemed to satisfy Marilyn, who didn't give much thought to interior design, exclaiming only how thrilled she was not to have to disguise axles with rhododendron shrubs.

Susan continued sunning herself, and in midafternoon she came in for iced tea and found Marilyn holding Don's hunting knife, a big honker from one of Karlsruhe's most sadistic factories. She was using it to carve notches into the wood of the door frame between the kitchen and the TV room — dozens of slits at various intervals ranging from thigh height up to her shoulders.

Susan said nothing.

Marilyn took a Bic pen and a pencil and began writing names and dates beside the slits «Brian 12/16/78, Caitlin 5/3/79, Allison 7/14/80,» and so forth.

Don came in from the front hallway, his hands black with SeaDoo crankcase oil. «Mare,» he said, «whatthe fuck are you doing to the door frame?»

«Raising the price of the house, honey.»

Don and Susan exchanged looks.

«Don't think I can't see the two of you exchanging concerned looks.» Before her the mythical young Brian had broken the five-foot mark.

Don reached for his hunting knife, saying, «Gimme that.»

But Marilyn flinched away, then swiveled around like a Shark versus a Jet. «Like fuck I will.» Susan and Don were stunned. «We're leaving this little sugar shack, kids, but before we do, I have to raise its value.» She continued carving slits. «Studies have shown that the price of any home can be raised by a consistent ten percent or more by simply planting about a hundred dollars' worth of annual flowers.» Allison reached four feet eight. «Flowers make a home feel lived in. Loved. So do growth charts. Growth charts indicate happiness, pride, devotion and stick-to-itiveness. Adds 5K to the asking price.»

«And where might we be moving?» asked Don.

«Wyoming, you cretin. Cheyenne, Wyoming.»

«Oh, Mom — not that again.»

«Yes, that, again. Houses are cheaper there. We'll have a guest bedroom and three bathrooms. And you, sweetie, can represent an entire state in the nationals. Only a handful of people live there. The competition's nil. Fifty-one gorgeous contestants and only one will win. Who will replace Susan Colgate as the next Miss USA? »

«We're not moving nowhere,» Don said.

«We're not moving any where, honey, and yes we are. This house is in my name, so off we go.»

«She's loony today,» Don said to Susan. «Leave her be.»

Susan went back to her tanning, and assumed the mania would pass. Later on, up in her room, she heard the normal clinks and clatters of dinner preparation below. Marilyn called Susan and Don to the table, and the tone of the night seemed altogether normal. Too normal. At that point, their ears roared and the house shook like a car driving over a speed bump. Susan's water glass tipped over and a framed photo fell from a wall. The three stood up — all was silent save for a faint hiss coming from the kitchen.

They walked through the newly scratched door frame to see a manhole-sized gape through the ceiling, and another one directly beneath it in the floor between the stove and the fridge. Don looked down: «Jesus H. Christ — it's a meteorite.»

Susan and Marilyn peered down at the blue-brown boulder that lay on the cracked concrete beside the deep freeze containing Don's venison from the previous fall. Don raced down the stairs, looked at the boulder and then looked up, speechless. The two women ran down to join him.

«It's a miracle,» said Marilyn. «We've been spared. It's a sign from the Lord above that we are on the correct path, an omen to fill us with respect.» She fell to her knees and prayed as she had once before when visiting her kin back in the mountains. Susan looked more closely at the boulder. «Hey — it's melting, or something.»

«Holy shit,» said Don, «it's shit. »

It was a frozen ball of shit, accidentally discharged from the hull of an Philippine Airlines flight from Chicago to Manila, which paid for the new house in Cheyenne. Don called it «the shitsicle.» The airline settled swiftly and quietly. Within six weeks they were living in Cheyenne.

Chapter Nineteen

The police finished scrutinizing the Susan Colgate shrine in the car's back seat and left the property. John spent the remainder of the day spacing out in front of the shrine and phoning Susan's answering machine, hanging up on the beep each time. He tried sleeping but instead had choppy naps, like pieced-together cutting room floor scraps punctuated with frequent eye openings and anxious pangs. In the late afternoon he gave up, took a shower, drank an algae shake, had a quick chat with Nylla, who was just returning from her exercise class, then drove the car down to West Side Video. Ryan was with a customer.

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