Douglas Coupland - Miss Wyoming

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Miss Wyoming: краткое содержание, описание и аннотация

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The eponymous heroine of Miss Wyoming is one Susan Colgate, a teen beauty queen and low-rent soap actress. Dragooned into show business by her demonically pushy, hillbilly mother, Susan has hit rock bottom by the time Douglas Coupland's seventh book begins. But when she finds herself the sole survivor of an airplane crash, this "low-grade onboard celebrity" takes the opportunity to start all over again:
She felt like a ghost. She tried to find her bodily remains there in the wreckage and was unable to do so.... Then she was lost in a crowd of local onlookers and trucks, parping sirens and ambulances. She picked her way out of the melee and found a newly paved suburban road that she followed away from the wreck into the folds of a housing development. She had survived, and now she needed sanctuary and silence.
She's not, of course, the only Hollywood burnout who'd like to vanish into thin air. Her opposite number, a producer of big-budget, no-brainer action flicks named John Johnson, stages a similar disappearing act. After a near-death experience, in the course of which he is treated to a vision of Susan's face, he roams the western badlands. And even after his return to L.A., Johnson is determined to unravel the mystery of this woman's fate.
Throughout, Coupland displays his usual gift for capturing the absurdities of modern existence. The distinctive minutiae of our age--junk mail and fast food, sitcoms and Singapore slings, and the "shop fronts bigger and brighter and more powerful than they needed to be"--come to vivid, funny life in this author's hands. And while Susan and John occupy center stage, Coupland is just as generous with his peripheral characters. A scriptwriter and his supernaturally intelligent girlfriend, a recluse who spends his evening generating Internet rumours--all manage to be blessed and cursed, numbed by their pointless existences but full of humanity when put to the test. Picture Joseph Heller and Kurt Vonnegut collaborating on a Tinseltown version of Zen and the Art of Motorcycle Maintenance and you come halfway to grasping Coupland's brand of thoughtful, supremely funny storytelling.

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John didn't think it abnormal that his mother spent her days neither learning skills to make her employable nor making thrusts at wisdom. Rather, Doris preferred spending her time pursuing rich men, which she had been raised to do, with the uncritical instinct of terns who migrate from continent to continent each year. John found this fascinating.

«Mom, why do you always go everywhere in a plane?»

«What do you mean, darling?»

«Like today. You went up the Hudson Valley and you could easily have taken a car, but you flew.»

Doris preferred flying — even to nearby locales like the Hudson Valley or the Hamptons. «Darling, if there's one thing a man will never admit to a woman, it's that he is unwilling to pay for a plane ticket or charter a craft for the day. A man would sooner eat ketchup soup for a month than to not hire a helicopter to hop to Connecticut with a lady. Easiest just to order the plane and then tell him to pay once you're at the other end.» This was not a cynical statement from Doris. She had been taught this on her mother's knee.

Relatives were somewhat kinder to John than they were to Doris, as families often prefer to skip generations when it comes to conferring affections, and John was a handsome, affable, if quiet, young boy. Spending so much time in bed, he soaked in abnormally large amounts of daytime TV programming — far more than the occasional episode of Love of Life or The Young and the Restless watched by the typical American teenager. John absorbed everything. TV loaned him a vocabulary and a tinge of sophistication lacking in others his own age. Relatives brought him presents and slipped him envelopes of money. John appeared grateful for these gifts in their presence, and, once they left, promptly gave the cash to Doris. She stashed it away in her mad-money Vuitton valise, up above her collection of Op and Pop outfits that began to infiltrate her sensibility across the decades.

Doris liked arty men. She liked men who lived inside paintings. And these men tended to like Doris at first, when they thought she could buy their way out of paintings, but it usually took about one season before they discerned she wasn't in the Maria Agnelli league and elegantly dumped her. Doris was aware of this cycle, but it failed to harden her in the same way that the serial tribulations of soap opera characters left them similarly undented.

With John, Doris was quite talkative about her family, its source of wealth and its role in the overall scheme of the world. John would squint and try to envision the Lodge Corporation, and he would briefly gather the impression of a massive diseased creature — a sperm whale in which all cells were infected and doomed.

«Darling, all aspects of the Lodge corporation are malignant. Lodge food products are unnutritious and rot quickly. Children raised on Lodge baby formula quickly sicken and die. Lodge electronics fizzle, pop and quickly expire like thrushes hitting the front picture window. Untold thousands of Lodge factory workers routinely become emphysemic by breathing the solvents used in the making of Lodge footwear which, I might add, invariably render their wearers unstylish, lame and beset by fungus infections. Lodge service divisions give sloppy parodies of service at hyperinflated prices needed to pay for Lodge's vast overhead of union bribes, drugs, lynx fur coats and Bahamian holidays for executive wives. Lodge is a goiter on society, draining and taking, pustulant and mute.»

John would egg her on: «What kinds of things does Lodge make, Ma?»

«What doesn't Lodge make is the better question, darling. Lodge will make anything. Nothing is sacred: children's cigarettes, Holocaust boxcars, dairy products that are born timeexpired, Vatican City parking spots — just call Lodge. Each time somebody in America cries or dies, Lodge nabs its shaved penny from somewhere in the proceedings. Well, darling, that's Lodge. »

When he was fourteen, John developed breathing problems, and spent, with minor exceptions, a year in bed while his lungs and bronchial tubes healed. He watched TV, read, chatted with Doris — he had no friends and his numerous cousins were conspicuously kept away from him. Tutors came in and kept him primed with the basics. He wasn't dumb and he wasn't a genius. He liked his world, and he didn't mind its limitations.

John did wonder, though, how he could make up for the lost time in his life. Assuming he recovered, how might he catch up with all the other children who had been out in the everyday world — chasing balls? throwing sticks? shoplifting? John's notions of normal childhood behavior were sketchy. And he worried about Doris, who came close, but didn't «snag herself a may-un. » Would she ever be happy? What could he do to bring love into her life? TV had taught him that love was pretty much a cure for all ills.

Doris put a good face on it all. John was the constant in her life, the one thing family could neither take away nor reduce. From her perspective, the more time John spent watching TV in the apartment away from hooligans, third rails and strange men in raincoats, the better.

The year he spent in bed was certainly the longest of his life. When he was older and met other people who had accomplished great things during their stints on earth, he found that invariably, somewhere in their early youth, they had felt the experience of death or incapacity burned into them so deeply that ever afterward they gambled with all their chips, said fuck it, went for broke in the sound knowledge that wasting life is probably the biggest sin of all. John's illness made him value extremeness.

As John was on the mend from his sick year, Uncle Raitt tried to corner the U.S. silver market and bankrupted the family in a scandal that spanned forty-six states, most of Europe and parts of Asia and even, in some complex unprecedented way, Antarctica. Overnight, Doris and John were homeless. A week later Raitt hanged himself from a chandelier in Delaware. Doris felt mainly relief; she no longer had to play the family game.

Hours before the phone was disconnected, Doris made some calls. With her money stash she bought two Amtrak tickets to Los Angeles. A car picked them up at the station and drove them to Beverly Hills, where they were put up in the guesthouse of Angus McClintock, Ivan's father, a film producer who had come close to marrying Doris but didn't quite make the leap. Although there was no ring, they'd remained friendly and intimate through the years, and thus mother and son found refuge, far away from anything smacking of Delaware and lost angry families falling from the sky like a flock of burning birds.

Angus showed them around his guesthouse, a four-bedroom Spanish Mission lair, and as he handed Doris the keys, something strange happened. It was the end of the day and the sun was low on the hill. John's skin color turned a Kruggerrand gold not available in Manhattan, and the sight of him as a gilded young prince took Doris by surprise. Without thinking she said, «You know, John, I don't think you're going to be sick anymore. It's over now.»

«You think so?»

«That's right — all over. You're in the land of gold.»

«But it could come back at any moment.»

«No. It's all gone now.» Doris looked at John and then to Angus, then prayed to the effect of, Lord, stick by me on this one.

They entered their new home.

Chapter Nine

As Susan walked away from her temporary hideout in the Galvins' house — clad in Karen Galvin's wig and sports gear — she was without credit cards, cash, a driver's license or any other link to the national economy. She touched her clean dry face, the face her mother had berated for its blank slate quality: («Susan, without makeup your face looks like a sheet of typewriter paper. Next week we're getting that eyeliner tattooed, sweetie, and that's that»). Susan had once told her friends that being famous was like being Krazy Glued into a Bob Mackie gown, with an Emmy permanently grafted onto her right hand. But without makeup, she looked unconnected to that image. This fuzziness of identity might prove a small blessing in her new life, as it would allow her to roam freely.

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