Andrew Davidson - The Gargoyle

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The Gargoyle: краткое содержание, описание и аннотация

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The narrator of THE GARGOYLE is a very contemporary cynic, physically beautiful and sexually adept, who dwells in the moral vacuum that is modern life. As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide - for he is now a monster in appearance as well as in soul.
A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and tells him that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life - and finally in love. He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she only has twenty-seven sculptures left to complete - and her time on earth will be finished.
Already an international literary sensation, THE GARGOYLE is an
for our time. It will have you believing in the impossible.

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II.

Light spread across the insides of my eyelids and I awoke to the snake slowly swimming up my spinal cord, swallowing it with her disjointed jaw. There was the flick flick flick of her tongue as she hissed, I AM COMING AND THERE IS NOTHING YOU CAN DO ABOUT IT. The voice was feminine-this is how I knew it was a she-and her tongue tickled each vertebra as she searched her way towards the top of my spine. When she reached it, she licked at the undersocket of my skull, and then twisted a few times to let me know that she’d nestled in. Her scales chafed my internal organs and my liver was bruised by her casually wandering tail.

I was lying upon an air flotation bed that reduced friction and facilitated healing; my bandages lightly fluttered in the upward draft. On each side of the bed was a railing, painted white like bleached bones, so that I could not fall, or force myself, out. I soon named this bed the skeleton’s belly and I lay in the wind that rushed through its rib cage, while its very bones prevented me from wandering off to find a new graveyard.

I was off the ventilator but there were still enough tubes sticking out of me that I looked like a pincushion doll. The tubes twisted in circles around, around, around, and I thought of Minos presiding at the entrance to Hell, directing sinners to their final destinations by curling his tail around their bodies. For every coil of the tail, that’s one ring deeper into Hell. So I counted my lovely tubes, in simple curiosity: how deep was the grim sorter of the dark and the foul going to send me?

· · ·

The nurse seemed happy to find me awake. “Dr. Edwards modified your drugs to bring you out of your coma. I’ll get her now.”

I tried to speak, but it felt as though someone had inserted a Coke bottle in my throat and stomped; I had crushed glass where my vocal cords had been. The nurse shushed me and answered the questions that she knew I’d be asking if I were able. I was in a hospital, a burn unit, she said. There had been an accident. I was very lucky. The doctors had worked hard. Et cetera, et cetera, et cetera. I was finally able to rasp, “How-long?”

“Almost two months.” She granted me a pity smile and turned on her heel to get the doctor.

I examined the skeleton’s ribs. There were a few places where the shiny white paint had been peeled back by restless fingers. These patches had been painted over, of course, but the minor excavations were still visible. Down through the layers of paint, my thoughts wandered. How often do they paint these beds? For every patient? For every six, every dozen? How many before me have lain here?

I wanted to cry but my tear ducts had been burned shut.

· · ·

There was not much to do but drift in and out of consciousness. The morphine dripped and the snake inhabited each inch of my spine, continuing to flick at the base of my skull with her wicked tongue. Lick and kiss, drip drip drip dropped the drugs, hiss hiss hiss spoke the snake. The sibilant sermons of the snake as she discoursed upon the disposition of my sinner’s soul seemed ceaseless. There was clack and clatter of footfalls in the hall, a thousand people coming to pay their respects to the dying. Rooms reverberated with the drone of soap operas. Anxious families whispered about worst-case scenarios.

I couldn’t quite grasp the enormity of my situation and wondered about things like when I might be able to get back to my film work, or how much this little trip to the hospital would cost me. I hadn’t yet grasped that I might never return to work, and that this trip would cost me everything. It was only over the following weeks, as the doctors explained the grisly particulars of what had happened to my body, and what would continue to happen, that I came to understand.

My body’s swelling had decreased and my head had shrunk to almost human proportions. My face felt vile under the fingertips of my unburned hand. My legs were raised and taped to supports, and I was swaddled in thick dressings that restricted movement so that I would not tear at my grafts. I looked at my wrecked right leg and saw an amazing set of pins stabbing into my flesh. Burn victims cannot have casts made of fiberglass-too irritating by far-so mechanical spiders were growing out of me.

There were three primary nurses in the burn ward: Connie, Maddy, and Beth. They provided not only physical ministrations but also keep-your-chin-up speeches, telling me that they believed in me, so I had to believe in myself too. I’m sure that Connie believed the rubbish that was exiting her mouth, but I sensed that Maddy and Beth were closer to grocery clerks parroting “Have a nice day.” Each worked an eight-hour shift; altogether they made a day.

Beth worked the afternoons and was responsible for my daily massage, pulling gently on my joints and rubbing my muscles. Even these modest manipulations brought intense pain, all the way through the morphine. “If we don’t do this, the skin will tighten and you won’t be able to move your joints at all. We’ve been doing this all through your coma.” Her explanation did not make it hurt any less. “Contracture is a huge problem. If you could see your remaining toes, you’d see the splints on them. Can you push against my hand?”

I tried to push but couldn’t tell if I succeeded or not; the sensation-actually, the lack of it-was simply too confusing. I could no longer tell where my body ended.

Dr. Nan Edwards, my main physician and the head of the burn ward, explained that she had been operating regularly during my coma, cutting off damaged skin and wrapping me in various replacements. In addition to homografts (the skin from human cadavers) I’d had autografts, skin from undamaged areas of my body, and porcine heterografts, skin from pigs. One cannot help but wonder whether Jews or Muslims would receive the same treatment.

“It was really touch-and-go because your lungs were so badly injured. We had to keep raising the level of oxygen in your respirator, which is never a good sign,” Dr. Edwards said. “But you pulled through. You must have something pretty good ahead.”

What an idiot. I hadn’t fought for my life, I hadn’t realized that I was in a coma, and I certainly hadn’t struggled to come out of it. Never once in my time in the blackness had it registered that I needed to return to the world.

Dr. Edwards said, “If not for the advances in burn treatment made during the Vietnam War…” Her voice trailed off, as if it were better for me to fill in the blanks and realize what a lucky age I was living in.

How I wished that my voice worked. I would have told her that I wished this had happened in the fourteenth century, when there would have been no hope for me.

· · ·

I began my career as a porno actor specializing in heterosexual sex with multiple female partners in a short period of time, without ever losing my erection. But please don’t think of me as one-dimensional; as an artist, I was always looking for a new challenge. With conscientious practice, I increased my portfolio to include cunnilingus, anilingus, threesomes, foursomes, moresomes. Homosexuality was not for me, although I always rather admired the men who could drill both ways. I wasn’t particularly interested in SM, even though I did make some films with light bondage motifs. I was not disposed towards any film promoting pedophiliac leanings. Ghastly stuff, although I must admit that Humbert Humbert makes me giggle. Scatology was strictly out, as nowhere in my psyche do I harbor the desire to shit on someone and even less do I have the inclination to be shat upon. And if I am a snob for not participating in films that involve sex with animals, then so be it: I am a snob.

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