Andrew Davidson - The Gargoyle

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The Gargoyle: краткое содержание, описание и аннотация

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The narrator of THE GARGOYLE is a very contemporary cynic, physically beautiful and sexually adept, who dwells in the moral vacuum that is modern life. As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide - for he is now a monster in appearance as well as in soul.
A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and tells him that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life - and finally in love. He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she only has twenty-seven sculptures left to complete - and her time on earth will be finished.
Already an international literary sensation, THE GARGOYLE is an
for our time. It will have you believing in the impossible.

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“That may be, but you need to focus on your recovery, and not deal with…” Nan took a moment to compose a politic phrasing. “…Other issues that won’t help you get better.”

She was very quick, I suggested, to tell me what I needed.

“I’ve been doing this a long time and I’ve seen what extra stress can do to a patient.”

I asked whether her concern arose because my visitor was an occasional psychiatric patient at the hospital, and Nan affirmed the fact did not play in Marianne Engel’s favor. However, she was also quick to add that this would not, or could not, be used to keep Marianne Engel away; as she had been judged competent to live in society, thus she was also competent to visit a hospital. Still, I could see that Nan might use her influence to make it as difficult as possible.

“I’ll tell you what,” I proposed, “if you allow her to keep coming, I’ll work harder with Sayuri.”

“You should be doing that anyway.”

“But I’m not,” I said, “and you should take what you can get.”

Nan must have judged that she would not be getting a better deal than the one I was offering, because she accepted. However, she could not stop herself from adding, “I don’t have to like it.”

“No, you don’t,” I said. “You just have to leave her alone.”

· · ·

It was not long after the meeting with Dr. Edwards that Connie arrived with an orderly to take me to a private room, away from the other burn patients. I asked her what was going on-surely this was a mistake. No, she assured me, I was supposed to get my own room, on Dr. Edwards’ orders, although she didn’t know why. She told me that I should just enjoy the privacy while it lasted because if it was a mistake, it would be sorted out soon enough. Rather than taking me out of the skeleton bed, they simply wheeled the whole contraption down the hall and into a smaller, but beautifully empty, room.

Empty, that is, until Sayuri arrived to demonstrate an exercise that she wanted me to start doing daily. “Dr. Edwards tells me that you are excited about working harder,” she said as she laid a board lengthwise on my bed, tilted up and away from me. This board had a groove cut into it, into which she placed a two-pound silver ball. I was to push the ball up the board until it reached the top, and then gently support it as it rolled back down to the bottom. Repeat.

I used to haul hundreds of pounds of camera equipment around bedrooms on every movie shoot, and now I was relegated to pushing a ball up a wooden plank. Worse yet, even this simple task took all my concentration. I could see my bandaged face reflected in the curved silver, and the farther away I would push the ball, the farther away my reflection would move. Sayuri commended me for each success. “Perfect!” When we were finished, she effortlessly whisked away the ball as if it was-well, as if it was a two-pound ball. This tiny Japanese woman pissed me off by being stronger than I, and then pissed me off further by bowing slightly when she left my room.

· · ·

When Dr. Edwards next came to my bedside, I asked about the private room. How, I quizzed, could I possibly rate such an extravagance? It was not as though I was being rewarded for good behavior, or for the hard work that I had just started and needed to continue.

Nan was running a study that she hoped to publish, she claimed, about the effects of private versus shared rooms in the treatment of burn patients. She was hoping that my case might provide some insight into patients who are switched during the process, and it was a happy accident that a room had become available. I asked if this meant I might be switched back into the shared ward at some point, and she said that she wasn’t sure yet.

I assured her I would happily be her isolated little guinea pig for as long as she wanted, but added: “Are you sure there’s no more to the story?”

She considered, and decided to speak a further truth-one that I had already guessed: “It is all well and good that you’ll continue to accept visits from Ms. Engel, but I see no reason to subject the other patients to her as well.”

I said that I respected her concern for others, and she nodded. When it was clear that neither of us had anything more to say, she nodded a second time and promptly left the room.

Visits with Marianne Engel were more enjoyable now that it was just the two of us, with no plastic curtain necessary, and since the doctors had stopped trying to force her to wear protective gowns. In part, her regular wardrobe was accepted because I was becoming healthier and the need for gowns was not as great, but, perhaps more important, it was because the medical staff had tired of having arguments with her. Marianne Engel was a visitor of whom they didn’t altogether approve but for whose visits I had fought, so I suppose they decided that any risk was mine to take.

Now that we had more privacy, my talks with Marianne Engel grew more varied: how to cook vegetarian lasagna; what carnival games are played in Hamburg; the beautiful melancholy of Marcello’s Oboe Concerto in D Minor; the settlement habits of West Coast Indians; why people sing in rock bands; the merits of Canadian literature as contrasted with Russian literature; how harsh winter climates shape personality; the history of European prostitution; why men are fascinated by the concept of “Heavyweight Champion of the World!” the conversations that might occur between a Jehovah’s Witness and an archaeologist; and how long chewing gum remains fresh in the mouth. My years of library visits served me well.

I asked about her Three Masters, and teasingly inquired whether such protectors were common for medieval nuns. She seriously answered that they were not but that, in fact, Heinrich Seuse also had Three Masters whose consent he needed to gain (with the same Latin prayer that she used) when he wished to speak.

My response was the obvious one: “Are yours and his the same?”

“No.” Seuse’s first master was St. Dominic, founder of the Dominicans, who would grant permission to speak only if the time and place were proper. The second master, St. Arsenius, would allow a conversation only if it did not promote attachment to material things. The third, St. Bernard of Clairvaux, would allow Seuse to speak only if doing so would not cause him to become disturbed emotionally.

“And your masters?”

She answered that hers were Meister Eckhart, a prominent theologian who was active during the time of Sister Marianne’s youth; Mechthild von Magdeburg, the spiritual leader of the Beguines, the order that had established Engelthal; and Father Sunder, of whom she had already spoken.

When our conversation finally came around to my career in pornography, it hardly seemed like an exotic topic at all; it was just one more subject in a long conversation that seemed to include everything. Still, she was curious about the work and asked many questions that I answered as well as I could. When I finished, I asked whether it bothered her, what I had done for a career.

“Not at all,” she answered, and reminded me that even St. Augustine had lived a life of pleasure before famously imploring the Lord to “make me chaste-but not yet.”

The difference, I pointed out, was that I was not going to find religion as a result of my past. Marianne Engel shrugged noncommittally. I couldn’t tell whether she thought that I was wrong and I would find God, or if she didn’t care. But the turn in our conversation had also brought forth the subject of chastity and I asked, tentatively, whether she knew what had happened to my penis in the fire.

“I have been informed by the medical staff,” she answered, “that it was lost.”

So she knew, but what did she think? “And…?”

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