Andrew Davidson - The Gargoyle

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The Gargoyle: краткое содержание, описание и аннотация

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The narrator of THE GARGOYLE is a very contemporary cynic, physically beautiful and sexually adept, who dwells in the moral vacuum that is modern life. As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide - for he is now a monster in appearance as well as in soul.
A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and tells him that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life - and finally in love. He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she only has twenty-seven sculptures left to complete - and her time on earth will be finished.
Already an international literary sensation, THE GARGOYLE is an
for our time. It will have you believing in the impossible.

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I find it interesting that Seuse had his “illumination” at age eighteen, just when schizophrenia most commonly manifests. If you were a schizophrenic, you could do worse than religious life in fourteenth-century Germany. In the Age of Mysticism, your visions would not be feared but revered. If you beat yourself senseless, you were not self-destructive but emulating Christ. If you heard voices, you had direct communication with God.

But for all this, there is one event in the life of Heinrich Seuse that I find particularly interesting, although it is something I have never been able to verify in my library research.

Marianne Engel insisted that, once upon a time, she met him.

· · ·

When I woke again, Marianne Engel was gone, but she had left behind a gift on the nightstand, a small stone gargoyle.

I turned the little fiend over in my hands. About six inches high, the gargoyle looked like a semi-human dumpling, cooked the color of a melancholic rain cloud. His potbelly drooped on crossed legs, his elbows were propped on his knees, and his chin rested upon three-fingered hands. His back sprouted short thick wings, presumably for show rather than flight. A blocky head was perched on his slumped shoulders like a boulder waiting to be pushed from the top of a cliff. He had enormous eyes that loomed underneath a Neanderthal brow, and a mouthful of uneven teeth. The gargoyle seemed to be trying hard to scowl, but he couldn’t quite pull it off. His expression was sweet and sad and somehow all too human, like that of a forlorn man who has spent his entire life dragging himself from one tiny accident to another until the cumulative effect has crushed him under the weight of words he can no longer speak.

My physical condition improved markedly in the days after the surgery. The garbage scow that is my stomach learned to float again, although it could no longer carry as full a load as it once did. My right leg, with its mangled knee and blasted hip, was also beginning to mend, and the doctors promised that they would soon remove the mechanical spider cast. Each day, I seemed to lie in the skeleton bed a little less awkwardly.

Nan poked me and wrote little messages to herself on my chart. She always remained professional, but I found myself calling her Nan more often than Dr. Edwards. I don’t know if she disliked this familiarity but she never asked me to stop. I suppose this emboldened me and in a moment of curiosity I asked her whether she was married. She hesitated and thought about answering, but in the end decided against it.

· · ·

The seat beside the skeleton bed remained empty, save for the visits from the nurses and Nan. One Marianneless day became two Marianneless days, two became three, five Marianneless days, until they formed a Marianneless week. I wanted to ask her about the little gargoyle, why she had given it to me, what it meant.

I was reading a lot, mostly lawyer mysteries that I didn’t actually enjoy. I needed something to replace them, so I requested of Nan that she loan me some textbooks on abnormal psychology. “You must have something on schizophrenia, manic depression, bipolar disorder, anything like that?”

“It’s not my area of expertise,” she replied. “Besides, you should be reading about burns.”

Nan had already brought a number of books on burn recovery that sat untouched on my bedside table. I was not reading them simply because they were what I should be reading. We made a deal: for every psychology book she brought, I’d read one of the burn books. Nan considered this a victory and insisted that I read one of her books first.

After I had, Gregor arrived at my room, his corduroy thighs rubbing together, with a psychology text in his hands. He handed it over and said that Dr. Edwards had asked him to deliver it, from the private collection in his office.

“The place isn’t driving you nuts, is it?” The way he chuckled to himself, I wondered if he’d been thinking that up all the way from the psychiatric ward. When I asked him whether psychiatrists were really supposed to refer to patients as nuts, he dabbed a bead of sweat from his brow with a tartan handkerchief, and didn’t answer. Instead, he asked why I was so interested in schizophrenia and manic depression.

“None of your business,” I said.

Gregor opened his mouth as if to say something more, but instead he just smiled and tapped my little gargoyle once on the head. “I like this,” he said, before padding his way out of my room in his tasseled loafers.

· · ·

The following day, a very small Asian woman, who upon first glance looked more like a doll than a real person, entered my room.

Please don’t jump to the conclusion that I’m attempting to further the stereotype that all Asian women resemble china dolls. That’s not the kind of doll I have in mind. This woman had a broad face, a flat nose, and a most amazing smile. (I’ve always hated people who can smile widely without looking stupid.) Her cheeks were like ripe apples, which, when taken with the striped shirt and denim overalls under her gown, created an overall effect of an Oriental Raggedy Ann.

“Hi! My name is Sayuri Mizumoto. I’m pleased to meet you.” She thrust her hand into mine for a hearty shake. And while I might not write that every time she spoke, she did so with a large grin, please take it as a given from this point forward.

“What kind of name is Sayuri?”

“A beautiful one,” she answered with a touch of Australian in her accent. “Now sit up.”

I asked why she expected me to do what she told me.

“Because I’m your new physical therapist and now you’re going to sit up.”

“You don’t even know-”

“I’ve spoken with Dr. Edwards, and you can do it!” There was a strange combination of cheer and proclamation in the way that she told me I could do it ! She placed her hands underneath my back and widened her stance to help me. She warned me that I would probably feel a little dizzy when the blood rushed to my head, and I protested that I wasn’t sure this was such a good idea.

“Sure it is,” she cheered. “Three, two, one, go!”

Up I went; she was pretty strong for a doll. For a moment I was fine, her hands steadying me. Then the vertigo hit and the room began to turn in strange circles. Sayuri moved a hand to the back of my neck to keep my head from lolling around. “You’re doing great ! Steady.”

When she lowered me back down, she commented, “That wasn’t so bad, was it?”

“It was fucking awful.”

“Shock!” She lifted her hand to her open mouth in mock horror. “You really are like they said. Didn’t anyone ever tell you that the mouth is the front gate of all misfortune?”

· · ·

When I opened my eyes after an afternoon nap, Marianne Engel was standing above me, the curtains shut. On my bedside chair hung one of the visitor’s gowns; she had worn it into the room, I discovered later, to appease the nurse who had caught her sneaking in, and then promptly removed it. So she was in her street clothing: a billowy white shirt tucked into her faded jeans with a belt of small silver disks. Her hair hung loose over her shoulders, down her back. Her face was calm and her eyes were bright-green, definitely green. An embroidered dragon lived on her right pant leg.

Finally I knew that I’d been correct in guessing that Marianne Engel’s figure was pleasing. The dragon seemed to think so also, for it crawled upwards from ankle to hip, twisting around and caressing her thigh. Each scale was a colored sequin; the ruby eyes were bulbous fake jewels. The tongue twisted outwards in playful licks across her buttocks. The claws, black stitches, dug into the delicious meat of her leg. “I like your pants,” I said. “Where have you been?”

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