Kelly Link - Stranger Things Happen

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Stranger Things Happen: краткое содержание, описание и аннотация

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The 11 fantasies in this first collection from rising star Link are so quirky and exuberantly imagined that one is easily distracted from their surprisingly serious underpinnings of private pain and emotional estrangement. In "Water Off a Black Dog's Back," a na‹ve young man who has never known personal loss finds that the only way he can curry favor with his lover's physically afflicted family is to suffer a bizarre amputation. The protagonist in "Travels with the Snow Queen" reconsiders her fairy-tale romance when she deconstructs the clich‚s of traditional fairy tales and realizes that their heroines inevitably sacrifice and suffer much more than their heroes do. Link favors impersonal and potentially off-putting postmodern narrative approaches, but draws readers to the emotional core of her stories through vulnerable but brave characters who cope gamely with all the strangeness the world can throw their way. In the book's most effective tale, "Vanishing Act," a young girl's efforts to magically reunite herself with her distant family by withdrawing from the world around her poignantly calls attention to the spiritual vacancies and absence of affection in the family she stays with. "The Specialist's Hat" features twin sisters whose morbid obsessions seems due as much to their father's parental neglect as their mother's death. Although a few of the selections seem little more than awkward freshman exercises in the absurd, the best shed a warm, weird light on their worlds, illuminating fresh perspectives and fantastic possibilities.

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"Come back and talk to me," Louise says, patting the air. "Say thank you, Anna."

Anna doesn't say anything. She walks before them, slowly so that they have to walk slowly as well.

"So what should I do?" Louise says.

"About the ghost? I don't know. Is he cute? Maybe he'll creep in bed with you. Maybe he's your demon lover."

"Oh please," Louise says. "Yuck."

Louise says, "Sorry. You should call your mother."

"When I had the problem with the ladybugs," Louise says, "she said they would go away if I sang them that nursery rhyme. Ladybug, ladybug, fly away home."

"Well," Louise says, "they did go away, didn't they?"

"Not until I went away first," Louise says.

"Maybe it's someone who used to live in the house before you moved in. Maybe he's buried under the floor of your bedroom or in the wall or something."

"Just like the possum," Louise says. "Maybe it's Santa Claus."

Louise's mother lives in a retirement community two states away. Louise cleaned out her mother's basement and garage, put her mother's furniture in storage, sold her mother's house. Her mother wanted this. She gave Louise the money from the sale of the house so that Louise could buy her own house. But she won't come visit Louise in her new house. She won't let Louise send her on a package vacation. Sometimes she pretends not to recognize Louise when Louise calls. Or maybe she really doesn't recognize her. Maybe this is why Louise's clients travel. Settle down in one place and you get lazy. You don't bother to remember things like taking baths, or your daughter's name.

When you travel, everything's always new. If you don't speak the language, it isn't a big deal. Nobody expects you to understand everything they say. You can wear the same clothes every day and the other travelers will be impressed with your careful packing. When you wake up and you're not sure where you are. There's a perfectly good reason for that.

"Hello, Mom," Louise says when her mother picks up the phone.

"Who is this?" her mother says.

"Louise," Louise says.

"Oh yes," her mother says. "Louise, how nice to speak to you."

There is an awkward pause and then her mother says, "If you're calling because it's your birthday, I'm sorry. I forgot."

"It isn't my birthday," Louise says. "Mom, remember the ladybugs?"

"Oh yes," her mother says. "You sent pictures. They were lovely."

"I have a ghost," Louise says, "and I was hoping that you would know how to get rid of it."

"A ghost!" her mother says. "It isn't your father, is it?"

"No!" Louise says. "This ghost doesn't have any clothes on, Mom. It's naked and I saw it for a minute and then it disappeared and then I saw it again in my bathtub. Well, sort of."

"Are you sure it's a ghost?" her mother says.

"Yes, positive." Louise says.

"And it isn't your father?"

"No, it's not Dad. It doesn't look like anyone I've ever seen before."

Her mother says, "Lucy – you don't know her – Mrs. Peterson's husband died two nights ago. Is it a short fat man with an ugly moustache? Dark-complected?"

"It isn't Mr. Peterson," Louise says.

"Have you asked what it wants?"

"Mom, I don't care what it wants," Louise says. "I just want it to go away."

"Well," her mother says. "Try hot water and salt. Scrub all the floors. You should polish them with lemon oil afterwards so they don't get streaky. Wash the windows too. Wash all the bed linens and beat all the rugs. And put the sheets back on the bed inside out. And turn all your clothes on the hangers inside out. Clean the bathroom."

"Inside out," Louise says.

"Inside out," her mother says. "Confuses them."

"I think it's pretty confused already. About clothes, anyway. Are you sure this works?"

"Positive," her mother says. "We're always having supernatural infestations around here. Sometimes it gets hard to tell who's alive and who's dead. If cleaning the house doesn't work, try hanging garlic up on strings. Ghosts hate garlic. Or they like it. It's either one or the other, love it, hate it. So what else is happening? When are you coming to visit?"

"I had lunch today with Louise," Louise says.

"Aren't you too old to have an imaginary friend?" her mother says.

"Mom, you know Louise. Remember? Girl Scouts? College? She has the little girl, Anna? Louise?"

"Of course I remember Louise," her mother says. "My own daughter. You're a very rude person." She hangs up.

Salt, Louise thinks. Salt and hot water. She should write these things down. Maybe she could send her mother a tape recorder. She sits down on the kitchen floor and cries. That's one kind of salt water. Then she scrubs floors, beats rugs, washes her sheets and her blankets. She washes her clothes and hangs them back up, inside out. While she works, the ghost lies half under the bed, feet and genitalia pointed at her accusingly. She scrubs around it. Him. It.

She is being squeamish, Louise thinks. Afraid to touch it. And that makes her angry, so she picks up her broom. Pokes at the fleshy thighs, and the ghost hisses under the bed like an angry cat. She jumps back and then it isn't there anymore. But she sleeps on the living room sofa. She keeps all the lights on in all the rooms of the house.

"Well?" Louise says.

"It isn't gone," Louise says. She's just come home from work. "I just don't know where it is. Maybe it's up in the attic. It might be standing behind me, for all I know, while I'm talking to you on the phone and every time I turn around, it vanishes. Jumps back in the mirror or wherever it is that it goes. You may hear me scream. By the time you get here, it will be too late."

"Sweetie," Louise says. "I'm sure it can't hurt you."

"It hissed at me," Louise says.

"Did it just hiss, or did you do something first?" Louise says. "Kettles hiss. It just means the water's boiling."

"What about snakes?" Louise says. "I'm thinking it's more like a snake than a pot of tea."

"You could ask a priest to exorcise it. If you were Catholic. Or you could go to the library. They might have a book. Exorcism for dummies. Can you come to the symphony tonight? I have extra tickets."

"You've always got extra tickets," Louise says.

"Yes, but it will be good for you," Louise says. "Besides I haven't seen you for two days."

"Can't do it tonight," Louise says. "What about tomorrow night?"

"Well, okay," Louise says. "Have you tried reading the Bible to it?"

"What part of the Bible would I read?"

"How about the begetting part? That's official sounding," Louise says.

"What if it thinks I'm flirting? The guy at the gas station today said I should spit on the floor when I see it and say, 'In the name of God, what do you want?'"

"Have you tried that?"

"I don't know about spitting on the floor," Louise says. "I just cleaned it. What if it wants something gross, like my eyes? What if it wants me to kill someone?"

"Well," Louise says, "that would depend on who it wanted you to kill."

Louise goes to dinner with her married lover. After dinner, they will go to a motel and fuck. Then he'll take a shower and go home, and she'll spend the night at the motel. This is a Louise- style economy. It makes Louise feel slightly more virtuous. The ghost will have the house to himself. Louise doesn't talk to Louise about her lover. He belongs to her, and to his wife, of course. There isn't enough left over to share. She met him at work. Before him she had another lover, another married man. She would like to believe that this is a charming quirk, like being bowlegged or sleeping with cellists. But perhaps it's a character defect instead, like being tone deaf or refusing to eat food that isn't green.

Here is what Louise would tell Louise, if she told her. I'm just borrowing him – I don't want him to leave his wife. I'm glad he's married. Let someone else take care of him. It's the way he smells – the way married men smell. I can smell when a happily married man comes into a room, and they can smell me too, I think. So can the wives – that's why he has to take a shower when he leaves me.

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