Kelly Link - Stranger Things Happen

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Stranger Things Happen: краткое содержание, описание и аннотация

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The 11 fantasies in this first collection from rising star Link are so quirky and exuberantly imagined that one is easily distracted from their surprisingly serious underpinnings of private pain and emotional estrangement. In "Water Off a Black Dog's Back," a na‹ve young man who has never known personal loss finds that the only way he can curry favor with his lover's physically afflicted family is to suffer a bizarre amputation. The protagonist in "Travels with the Snow Queen" reconsiders her fairy-tale romance when she deconstructs the clich‚s of traditional fairy tales and realizes that their heroines inevitably sacrifice and suffer much more than their heroes do. Link favors impersonal and potentially off-putting postmodern narrative approaches, but draws readers to the emotional core of her stories through vulnerable but brave characters who cope gamely with all the strangeness the world can throw their way. In the book's most effective tale, "Vanishing Act," a young girl's efforts to magically reunite herself with her distant family by withdrawing from the world around her poignantly calls attention to the spiritual vacancies and absence of affection in the family she stays with. "The Specialist's Hat" features twin sisters whose morbid obsessions seems due as much to their father's parental neglect as their mother's death. Although a few of the selections seem little more than awkward freshman exercises in the absurd, the best shed a warm, weird light on their worlds, illuminating fresh perspectives and fantastic possibilities.

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The dictator's wife says, "Every time my husband had someone killed, I went to that person's family and asked for a pair of their shoes. Sometimes there wasn't anyone to ask. My husband was a very suspicious man."

Now and then her right hand disappears up under her wig as if she's looking for something up there. "A family sits down to breakfast. The wife might say something about the weather. Someone might happen to walk by and hear the wife say something about the weather. Then soldiers would come along, and the soldiers would take them, husband, wife, children, away. They would be given shovels. They would dig an enormous hole, there would be other people digging other holes. Then the soldiers would line them up, fathers, mothers, children, and shoot them.

"In this country you think talking about the weather is safe but it isn't. Neither is breakfast. I gave soldiers bribes. They brought me the shoes of the people they shot. Eventually there were so many pits full of dead people in our country that you couldn't lay out a vegetable garden without digging someone up. It was a small country but dead people take up a lot of space. I had special closets made for all the shoes.

"Sometimes I dream about those dead people. They never say anything. They just stand there barefoot and look at me."

Under the covers, the dictator's wife looks like an arrangement of cups and bones, knives and sticks. The visitor can't tell if she's wearing shoes or not. Visitors don't like to think of the dictator's wife's shoes, shiny and black as coffins, hiding under the sheets. The visitor might not want to think of the dictator's wife's cold bare feet either. And that bed – who knows what's under it? Dead people, lined up in pairs like bedroom slippers.

The dictator's wife says, "When I married him I was fifteen."

The dictator's wife says:

I was considered to be the most beautiful girl in the country (remember, it was not a big country). My pictures were in all the papers. My parents wanted me to marry an older man who had a large estate. This man had bad teeth but his eyes were kind. I thought he would make a good husband, so I said yes. My dress was so beautiful. Nuns made the lace. The train was twelve feet long and I had two dozen girls from good families to hold it in the air behind me as we walked up the aisle. The dressmaker said that I looked like a movie star or a saint.

On my wedding day, the dictator saw me riding in my father's car. He followed me to the church and he offered me a choice.

The dictator said that he had fallen in love with me. He said that I could marry him instead or else he would have my fiancЋ shot.

The dictator had not been in power for very long. There had been rumors. No one believed them. My fiancЋ said that the dictator should go outside with him and they would talk like men, or else they could fight. But the dictator nodded to one of his soldiers and they dragged my fiancЋ outside and they shot him.

Then the dictator said that I could marry him or he would shoot my father. My father was an influential man. I think he believed that the dictator wouldn't dare shoot him. But they took him outside and they shot him just outside the church door, although I was begging them not to.

Then my mother said that he would have to shoot her as well because she didn't plan on living any longer. She was shaking. The dictator looked very disappointed. She was not being reasonable. She looked at me as they led her out, but she didn't say anything. One shoe fell off. They didn't stop to let her pick it up.

I had twin brothers, a year older than me. When the soldiers took my mother, my brothers ran after them. The soldiers shot them as they ran through the door. I thought that next the dictator would have me taken outside, but my sister Effie began to sob. All the bridesmaids were crying as well. Effie said that she didn't want to die and that she didn't want me to die either. She was very young. So I said I would marry the dictator.

The soldiers escorted us outside. At the door, the dictator bent over. He picked up my mother's shoe and gave it to me, as if it were a love token. A souvenir.

The next day Effie and I buried my parents and my brothers and my fiance. We washed their bodies and we dressed them. We put them in good sturdy coffins and buried them, but we buried them barefoot. I took my parents' shoes and my fiancЋ's shoes to the dictator's house for my trousseau, but I gave Effie to an aunt to look after.

Underneath the messy wig, the face of the dictator's wife looks like the face of an evil old man and – just for a minute – the visitor may think that it isn't the dictator's wife at all, lying there in the old woman's bed, but the dictator himself, disguised in an old dirty wig.

"I was too beautiful," the dictator's wife says. "I killed a lot of men. The dictator killed anyone – men, women – who stared at me too long. He killed women because he heard someone say that they were more beautiful than his wife. He killed my hairdresser because I told my hairdresser to cut off all my hair. I didn't want people to stare at me. I thought if I had no hair, no one would stare at me because I was beautiful."

The dictator's wife says, "My hair never grew back. I wore dead women's hair, made into wigs by dead wigmakers. I had closets full of dead people's shoes. I went and sat in my closets sometimes. I tried on shoes."

She says, "I used to think all the time about killing him. But it was difficult. There were children who sat at the table with us and tasted his food. Every night before I went to bed, his soldiers searched me. He slept in a bulletproof vest. He had a charm made for him by witches. I was young. I was afraid of him.

"I never slept alone with him – I thought for a long time that that was how a marriage was, a man and his wife in a room with a bodyguard to watch what they did. When the dictator fell asleep, the bodyguard stayed awake. He stood beside the bed to watch me. It used to make me feel safe. I didn't really want to be in a room alone with the dictator.

"I don't know why he killed people. He had bad dreams. A fortune-teller used to come to the dictator's house to explain his dreams to him. They would be alone for hours. Then I would go in, to tell her my dreams. He would stand just outside the room listening to my dreams. I could smell him standing there.

"I never dreamed about the dictator. I had the most wonderful dreams. I was married. My husband was kind and handsome. We lived in a little house. We fought about little things. What we would name our children. Whose turn it was to make dinner. Whether I was as beautiful as a movie star.

"Once we had an argument and I threw the kettle at him. I missed. I burned my hand. After that, whenever I was dreaming, I had a scar on my hand. A burn. In dreams my husband used to kiss it."

The dictator's wife says, "The fortune-teller never said anything when I told her my dreams. But she got skinnier and skinnier. I think it was a bad diet, the dictator's dreams and his wife's dreams, like eating stones.

"I dreamed I got fat from having children. Every night my dream was like the most wonderful story that I was telling to myself. I would fall asleep in the same bed as the dictator. The guard would be looking down at us, and all night I would dream about my house and my husband and my children.

"Here's the weird thing," the dictator's wife says. "In my dream, all our children were shoes. I only ever gave birth to shoes."

The visitor may agree that this is strange. In dreams the visitor's children are always younger than they really are. You can pick them up in one hand, all of them, like pebbles. In the rain, or in bathwater, they become transparent, only their outlines faintly visible.

"My life was weird," the dictator's wife says. "Why wouldn't my dreams be? But I loved those children. They were good children. They cried sometimes at night, just like real babies. Sometimes they cried so hard I woke up. I would wake up and not know where I was, until I looked up and saw the dictator's bodyguard looking back down at me. Then I could go back to sleep."

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