George Saunders - In Persuasion Nation

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In Persuasion Nation: краткое содержание, описание и аннотация

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George Saunders has earned enthusiastic acclaim and a devoted cult-following with his first two story collections and the recent novella The Brief and Frightening Reign of Phil. With his new book, In Persuasion Nation, Saunders ups the ante in every way, and is poised to break out to a wide new audience.
The stories In Persuasion Nation are easily his best work yet. "The Red Bow,"about a town consumed by pet-killing hysteria, won a 2004 National Magazine Award and "Bohemians," the story of two supposed Eastern European widows trying to fit in in suburban USA, is included in The Best American Short Stories 2005. His new book includes both unpublished work, and stories that first appeared in The New Yorker, Harper's, and Esquire. The stories in this volume work together as a whole whose impact far exceeds the simple sum of its parts. Fans of Saunders know and love him for his sharp and hilarious satirical eye. But In Persuasion Nation also includes more personal and poignant pieces that reveal a new kind of emotional conviction in Saunders's writing.
Saunders's work in the last six years has come to be recognized as one of the strongest-and most consoling-cries in the wilderness of the millennium's political and cultural malaise. In Persuasion Nation's sophistication and populism should establish Saunders once and for all as this generation's literary voice of wisdom and humor in a time when we need it most.

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"What I learned?" says Doris. "Is you never know when someone precious to you may be snatched away."

"And therefore," says Chief Wayne, "we must show our love every day, in every way."

"That is so true," says Doris.

"Don't you think that's true, Brad?" says Chief Wayne.

"I guess so," says Brad, whose hands are shaking.

"You guess so?" says Chief Wayne. "Oh that's rich! You guess we must show our love every day, in every way?"

"As if there could be any argument about that whatsoever!" says Doris.

"Oh Brad," says Chief Wayne, with an affectionate shake of his headdress.

"Oh Brad," says Doris. "The people we know and love are all that matter in this crazy world. Someday you'll understand that."

"The people we love-and the dogs we love!" says Chief Wayne.

"If you look deep in your heart, Brad," says Doris, "I just know that's what you feel."

What Brad feels is, he's trying his best here. Trying his best to stay cheerful and positive. About a month ago, Doris passed him a note regarding possible cancellation. It's coming, the note said. Our asses are grass, unless. Big changes req'd. Trust me on this. Grave crisis, no lie, love, ME.

How did Doris know about the impending possible cancellation? When he asked, she wouldn't say. She only shook her head fiercely, as if to indicate: We're not going to discuss this any further, we're just going to fix the problem.

So whenever something's changed around here, he's tried to stay upbeat. When they got Buddy he didn't question why Buddy was a puppet-dog and not a real dog. When Chief Wayne started coming around claiming to be his oldest friend in the world, he didn't question why a Native American had red hair. When their backyard started morphing, he didn't ask how it was physically possible.

Then things started getting dumber. Plus meaner. Now it's basically all mean talk and jokes about poop and butts. He and Doris used to talk about real issues, about them, their relationship, their future hopes and plans. Once she lost her engagement ring and bought a fake so he wouldn't notice. Once he became jealous when the butcher started giving her excellent cuts of meat.

And now violence. Poor Buddy. They've never had violence before. Once a tree branch conked Brad in the head. Once he fell off a chair and landed on a knitting needle.

But a murder/castration?

No, never, this is entirely unprecedented.

"Brad, hello?" says Doris. "Have you had a stroke? Is that why you're staring off into space as if taking a dump?"

"Did you take such a difficult dump it gave you a stroke?" says Chief Wayne.

Both Doris and Chief Wayne put on their faces the expression of someone taking a difficult dump, then having a stroke. Then we see from the way they start laughing warmly, smiling affectionately at Brad, and from the happy swell of the music, that they haven't really had strokes while taking dumps, they're just trying to keep things light, and also, that it's time for a commercial.

Back at the Carrigans', Brad has placed Buddy and his genitals on a card table, along with a photo of Buddy and some of his favorite squeakie toys.

"Would anyone like to say a few words about Buddy?" Brad says.

"Poor Buddy," says Chief Wayne. "Always shooting his mouth off. I'm sure that's what happened to him. He shot his mouth off to the wrong person, who then killed and castrated him."

"Not that you're saying he deserved it," says Doris.

"I'm not saying he deserved it exactly," says Chief Wayne. "But if a person is going to have so many negative opinions, and share them with the world, eventually somebody's going to get tired of it."

"Would anyone like to say a few, other, words about Buddy?" says Brad. " Doris?"

"Hey, wait a minute," says Doris, glancing up at the TV "Isn't this FinalTwist ?"

"Oh, I love FinalTwist ," says Chief Wayne.

"Guys?" says Brad. "Aren't we remembering Buddy?"

"Brad, for heaven's sake," says Doris. "Calm down and watch some FinalTwist with us."

"Buddy's not exactly going anywhere, Bradster," says Chief Wayne.

Also new. Previously they never watched other shows on their show. Plus they have so many TVs now, two per room, plus a backyard TV, plus one at either end of the garage, so that, wherever they go, some portion of another show is always showing.

On FinalTwist, five college friends take a sixth to an expensive Italian restaurant, supposedly to introduce him to a hot girl, actually to break the news that his mother is dead. This is the InitialTwist. During dessert they are told that, in fact, all of their mothers are dead. This is the SecondTwist. The ThirdTwist is, not only are all their mothers dead, the show paid to have them killed, and the fourth and FinalTwist is, the kids have just eaten their own grilled mothers.

"What a riot," says Doris.

" Doris, come on," says Brad. "These are real people, people with thoughts and hopes and dreams."

"Well, nobody got hurt," says Chief Wayne.

"Except those kids who unknowingly ate their own mothers," says Brad.

"Well, they signed the releases," says Chief Wayne.

"Releases or not, Wayne, come on," says Brad. "They killed people. They tricked people into eating their own mothers."

"I don't know that I'm all that interested in the moral ins and outs of it," says Chief Wayne. "I guess I'm just saying I enjoyed it."

"It's interesting, that's the thing," says Doris. "The expectations, the reversals, the timeless human emotions."

"Who wouldn't want to watch that?" says Chief Wayne.

"Interesting is good, Brad," says Doris. "Surprising is good."

Just then Buddy hops sheepishly off the card table, bearing his own genitals in his mouth.

"Buddy, you're alive!" says Doris.

"But I see you're still castrated?" says Chief Wayne.

"Yes, well," says Buddy, blushing.

"Maybe you could tell us who did it, Buddy," says Doris.

"Oh Doris," says Buddy, and starts to cry. "I did it myself."

"You castrated yourself?" says Doris.

"I guess you could say it was a cry for help," says Buddy.

"I'll say," says Chief Wayne.

"I just get so tired of everyone constantly making jokes about the fact that I need a certain kind of 'assistance' in order to move," Buddy says.

"You mean a hand up your keister?" says Doris.

"A fist up your poop chute?" says Chief Wayne.

"A paw up your exit ramp?" says Doris.

"You're still doing it!" barks Buddy, and runs out the dog door.

"Somebody's grumpy," says Doris.

"He'll be a lot less grumpy once we get those genitals of his sewed back on," says Chief Wayne.

Chief Wayne steps outside.

"Uh-oh, guys!" he says. "Looks like, in addition to a persnickety dog, you've got yourself another little problem. Your darn backyard has morphed again!"

Then we hear the familiar music that indicates the back yard has morphed again, and see that the familiar Carrigan back yard is now a vast field of charred human remains.

"Carrigan, I've about had it with this nonsense!" shouts their neighbor, Mr. Winston. "Last week my grumpy boss, Mr. Taylor, came for dinner, and right in the middle of dessert your yard morphed into ancient Egypt, and a crocodile came over and ate Mr. Taylor's toupee!"

"And when my elderly parents came to visit?" says Mrs. Winston. "Your yard morphed into some sort of nineteenth-century brothel, and a prostitute insulted my mother over the fence!"

"Oh come on, Brad," says Doris. "Let's go find Buddy."

Brad, Doris, and Chief Wayne set out across the yard.

"Jeez, where is that crazy dog?" says Chief Wayne.

"Look for the one thing not smoldering in this vast expanse of carnage," says Doris, stepping gingerly over several charred corpses in the former horseshoe pit.

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