Barbara Kingsolver - Animal Dreams

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Animal Dreams: краткое содержание, описание и аннотация

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"Animals dream about the things they do in the day time just like people do. If you want sweet dreams, you've got to live a sweet life." So says Loyd Peregrina, a handsome Apache trainman and latter-day philosopher. But when Codi Noline returns to her hometown, Loyd's advice is painfully out of her reach. Dreamless and at the end of her rope, Codi comes back to Grace, Arizona to confront her past and face her ailing, distant father. What the finds is a town threatened by a silent environmental catastrophe, some startling clues to her own identity, and a man whose view of the world could change the course of her life. Blending flashbacks, dreams, and Native American legends, Animal Dreams is a suspenseful love story and a moving exploration of life's largest commitments. With this work, the acclaimed author of The Bean Trees and Homeland and Other Stories sustains her familiar voice while giving readers her most remarkable book yet.
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“Kingsolver is giving a new voice to our literature. Animal Dreams solidly establishes Kingsolver as someone who will give her public more than one great book.”-Los Angeles Times Book Review
“An emotional masterpiece…A novel in which humor, passion, and superb prose conspire to seize a reader by the heart and by the soul.”-New York Daily News
“A well-nigh perfect novel, masterfully written, brimming with insight, humor, and compassion. Kingsolver’s clear, purposeful prose spins the narrative like a spider’s web, its interconnected strands gossamer-thin but tensile, strong. This richly satisfying novel should firmly establish Kingsolver among the pantheon of talented writers.”-Publishers Weekly
“One of the year’s best works of fiction.”-Detroit News and Free Press
“A glorious tapestry… Animal Dreams is rich fodder for our own sweet, satisfying dreams.”-Denver Post
“A fascinating world of myth, memory, and dreams. Following Codi Noline home is definitely a worthwhile journey.”-Dallas Morning News
“Barbara Kingsolver gives us the gift of a trip to forgiveness and love through lovingly sensual detail, characters we all know and yet wish we knew better, through evocations of an Arizona landscape both nurturing and mysterious.”-Minneapolis Star Tribune
“Kingsolver achieves a fully realized and profoundly moral vision, one that is rooted in the land and our relationship to it.”-San Francisco Chronicle
“You’ll treasure Animal Dreams. A beautiful, memorable novel full of scenes and images that linger in the mind.”-TONY HILLERMAN, author of Talking God and Thief of Time
“Barbara Kingsolver demonstrates a special gift for the vivid evocation of landscape and of her characters’ state of mind.”-New York Times Book Review
“A novel full of aching sadness-as well as joy, humor, insight, and wonderful writing.”-Arizona Daily Star
“Animal Dreams literally bursts with life. Its description of how one woman finds her way back from the edge of despair seems absolutely perfect… Animal Dreams leaves the reader filled with wonder and hope.”-Houston Post

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Several peacocks had gathered in the trees behind our heads, keeping their distance, but curious, probably hoping for food. A peacock wouldn’t know the difference between a picnic and a funeral. The outward signs were similar.

“Do you think we should sing?” I asked.

“Yes,” said Emelina. “We ought to sing.”

“What?” I couldn’t think of any particular song that Hallie liked, except some silly things from our teenage years. “Mother and Child Reunion” and “Maggie May.” I thought of Hallie moonwalking to “Thriller,” and then I thought abstractly about never seeing her again, what that really meant. In the back of my mind I was still wondering when she would come home. I couldn’t concentrate. Someone suggested “Let the Circle Be Unbroken,” so we sang that, and then we sang “De Colores” because everybody knew it. Norma Galvez’s husband Cassandro played the guitar.

Then it was quiet again. People shifted slightly on their feet, the same motion repeated many times throughout the crowd, like the dancers at Santa Rosalia. Except unconscious, and unrehearsed. I pulled some letters out of my pocket and read parts of them that Emelina had helped me pick out. I read what Hallie said about not wanting to save the world, that you didn’t choose your road for the reward at the end, but for the way it felt as you went along. And I read some things she’d said about nations forgetting. Refusing to sell tractor parts, then wondering why people would turn to Yugoslavia for tractors. I was aware that my reading might seem a little rambling, but I felt there was some logic to it, and people were tolerant. Truly, I think they would have listened to me all day. It occurred to me that such patience might be the better part of love.

I read a quote she’d written me that seemed important, a thing said by Father Fernando Cardenal, who was in charge of the literacy crusade: “You learn to read so you can identify the reality in which you live, so that you can become a protagonist of history rather than a spectator.” I waited a minute, while a peacock screamed. Then I read some words of Hallie’s: “The very least you can do in your life is to figure out what you hope for. And the most…”

Another peacock suddenly howled nearby. I saw Emelina’s twins craning their necks, trying to spot it. I went on:

“And the most you can do is live inside that hope. What I want is so simple I almost can’t say it: elementary kindness. Enough to eat, enough to go around. The possibility that kids might one day grow up to be neither the destroyers nor the destroyed.”

I finished by reading the letter from Sister Sabina Martin. She said thousands of people joined us in mourning Hallie. “I know that doesn’t make your grief any smaller,” she wrote. “But I believe it makes Hallie’s presence larger. Certainly, she won’t be forgotten.”

Several peafowl had hopped to the ground and were making insistent, guttural noises, impatient for food. I saw Glen and Curtis sneak off into the trees in pursuit of a peacock they’d never catch.

“This is what I brought.” I knelt by the afghan and set down a pair of Hallie’s small black shoes, about second-grade size. They could have been mine, it was impossible to tell, but I said they were Hallie’s. I put them in the center of the red-and-black crocheted blanket. “I brought these because they just reminded me of growing up with Hallie. We had to wear these ugly shoes. It was just one of the important things we did together. I don’t know. We felt kind of alone sometimes.” I stood up and looked at the trees through the curtain of water in my eyes.

Viola laid down some marigolds. She had on her polyester, the funeral dress for all seasons, and she was perspiring; broad damp spots underlined her bosom. “Whenever I think of you kids I think of the cempazuchiles and being up at the graveyard for All Souls’. You were always a very big help.”

I looked at Viola. She stared back, rubbing the bridge of her nose. There was the faintest light of a smile.

Several women had things they claimed we’d left in their houses when we played there as children: a doll with unpleasant glass eyes and a gruesomely pockmarked head where its hair had come out; a largish plastic horse; a metal hen that, when you pushed her down on her feet, made a metallic cluck and laid a small marble egg. Also a pink sweater, size 6X. Mrs. Nuñez swore it was Hallie’s. “It was behind the refrigerator. I didn’t find it till last year when the refrigerator give out and we had to call the man to move it out and get us a new one in there. The dust, I hate to tell you! And there was this little sweater of Halimeda Noline’s. She used to set up there on top of the refrigerator, because I told her she couldn’t drink beer till she was as tall as her daddy.”

This was the truth, dead center. I remembered her up there huddled among the Mason jars and bright cracker boxes. I stared at the freshly laundered pink sweater lying with outstretched arms and thought about how small Hallie had been at one time. Miss Colder and Miss Dann were just then displaying an ancient-looking picture book, but there was a roaring in my ears and I lost track of what they were saying. I believe it was the physical manifestation of unbearable grief. But you learn in these situations that all griefs are bearable. Loyd was standing on one side of me, and Emelina on the other, and whenever I thought I might fall or just cease to exist, the pressure of their shoulders held me there.

I could hear people’s words, but my vision was jarred by showers of blue sparks. Or the world went out of focus. And at other times I could see but couldn’t hear. Doña Althea clumped forward with her cane and set down a miniature, perfectly made peacock piñata. It perched there on the pile of childhood things, its small eyes glittering and its tail feathers perfectly trimmed. It was an exquisite piece of art that could have made it into Mr. Rideheart’s gallery, but it was for Hallie. I tried to listen to what she was saying. She said, “I made one like this for both of you girls, for your cumpleaños when you were ten.”

To my surprise, this was also true. I remembered every toy, every birthday party, each one of these fifty mothers who’d been standing at the edges of my childhood, ready to make whatever contribution was needed at the time.

“Gracias, Abuelita,” I said softly to Doña Althea as she clumped away.

She didn’t look at me, but she heard me say it and she didn’t deny that she was my relative. Her small head crowned with its great white braid nodded a little. No hugs or confessions of love. We were all a little stiff, I understood that. Family constellations are fixed things. They don’t change just because you’ve learned the names of the stars.

Uda Dell went last. “I brought this bouquet of zinnias because every spring Hallie helped me dig my zinnia bed.” She laid down the homely, particolored bouquet, and added, “I crocheted that afghan, too.”

“You did?”

She looked at me, surprised. “Right after your mommy died. Well, I don’t guess you’d remember.”

“This blanket got us through a lot of tough times,” I said. I was feeling a little more steady on my feet. I folded in the corners and drew it all up into a bundle against my chest. About everything Hallie and I had ever done was with us there in the Domingos orchard. Everything we’d been I was now.

“Thank you,” I said, to everybody.

I turned my back and headed alone with my bundle up the Old Pony Road to Doc Homer’s house.

HOMERO

27 Human Remains

There are women in every room of this house, he thinks: Mrs. Quintana upstairs, and now there is Codi, standing in the kitchen with her baby. Her arms and chest clutch the black wool bundle and it weighs her down like something old, made of stone. The weight makes him want to turn away. He thinks, This is the fossil record of our lives.

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