Barbara Kingsolver - Animal Dreams

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Animal Dreams: краткое содержание, описание и аннотация

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"Animals dream about the things they do in the day time just like people do. If you want sweet dreams, you've got to live a sweet life." So says Loyd Peregrina, a handsome Apache trainman and latter-day philosopher. But when Codi Noline returns to her hometown, Loyd's advice is painfully out of her reach. Dreamless and at the end of her rope, Codi comes back to Grace, Arizona to confront her past and face her ailing, distant father. What the finds is a town threatened by a silent environmental catastrophe, some startling clues to her own identity, and a man whose view of the world could change the course of her life. Blending flashbacks, dreams, and Native American legends, Animal Dreams is a suspenseful love story and a moving exploration of life's largest commitments. With this work, the acclaimed author of The Bean Trees and Homeland and Other Stories sustains her familiar voice while giving readers her most remarkable book yet.
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“Kingsolver is giving a new voice to our literature. Animal Dreams solidly establishes Kingsolver as someone who will give her public more than one great book.”-Los Angeles Times Book Review
“An emotional masterpiece…A novel in which humor, passion, and superb prose conspire to seize a reader by the heart and by the soul.”-New York Daily News
“A well-nigh perfect novel, masterfully written, brimming with insight, humor, and compassion. Kingsolver’s clear, purposeful prose spins the narrative like a spider’s web, its interconnected strands gossamer-thin but tensile, strong. This richly satisfying novel should firmly establish Kingsolver among the pantheon of talented writers.”-Publishers Weekly
“One of the year’s best works of fiction.”-Detroit News and Free Press
“A glorious tapestry… Animal Dreams is rich fodder for our own sweet, satisfying dreams.”-Denver Post
“A fascinating world of myth, memory, and dreams. Following Codi Noline home is definitely a worthwhile journey.”-Dallas Morning News
“Barbara Kingsolver gives us the gift of a trip to forgiveness and love through lovingly sensual detail, characters we all know and yet wish we knew better, through evocations of an Arizona landscape both nurturing and mysterious.”-Minneapolis Star Tribune
“Kingsolver achieves a fully realized and profoundly moral vision, one that is rooted in the land and our relationship to it.”-San Francisco Chronicle
“You’ll treasure Animal Dreams. A beautiful, memorable novel full of scenes and images that linger in the mind.”-TONY HILLERMAN, author of Talking God and Thief of Time
“Barbara Kingsolver demonstrates a special gift for the vivid evocation of landscape and of her characters’ state of mind.”-New York Times Book Review
“A novel full of aching sadness-as well as joy, humor, insight, and wonderful writing.”-Arizona Daily Star
“Animal Dreams literally bursts with life. Its description of how one woman finds her way back from the edge of despair seems absolutely perfect… Animal Dreams leaves the reader filled with wonder and hope.”-Houston Post

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“Who’s the striped guy?” I asked Loyd.

“Koshari,” he said. “A kachina. He has to do with fertility. His home’s in the East.”

This struck me as humorous. “The East, as in New York? Area Code 212?”

“The East as in where the sun rises.”

“That’s all part of his job description?”

“All the kachinas have whole histories and families and live in one of the important places.”

“I thought a kachina was a little doll.”

“That’s right.”

“And also a person dressed up?”

“Yep. And a spirit.”

“A spirit with a family and a mailing address.”

“That’s right. When the person dresses up a certain way, the spirit comes into him. And into the doll, if it’s made right.”

“Okay,” I said.

“What?”

“Nothing, just okay. I understand.”

He smiled at me sideways. “You think it sounds voodoo?”

“All right, I’m narrow-minded. It sounds kind of voodoo.”

We both paid attention to the dancers for a while. I needed to keep a little distance from Loyd.

“Anglos put little dolls of Santa Claus around their houses at Christmas,” Loyd said without looking at me.

“Yeah, but it’s just a little doll.”

“And does it have a wife?”

“Yes,” I conceded. “A wife and elves. And they live at the North Pole.”

“And sometimes one guy will dress up like Santa Claus. And everybody acts a certain way when he comes around. All happy and generous.”

I’d never been put in a position to defend Santa Claus. I’d never even believed in Santa Claus. “That’s just because he stands for the spirit of Christmas,” I said.

“Exactly.” Loyd seemed very pleased with himself.

One of the hunters had drawn his bow and shot an invisible arrow into a deer. It gave an anguished shiver, and then the other hunters lifted its limp carcass onto their shoulders.

“I’ve seen Jesus kachinas too,” Loyd said. “I’ve seen them hanging all over people’s houses in Grace.”

Now there was a thought to ponder.

Koshari must also have been the spirit of nuisance, or a good belly laugh. The other deer dancers still followed the maiden, ignoring the hunters and their own fallen brother, but Koshari clowned and cut between them, getting in their way and generally interfering with their solemnity. But when one of the youngest dancers lost his antlers, Koshari picked up the headdress and carefully reattached it by its buckskin laces. The boy kept dancing, eyes front, paying no attention to the hobgoblin who was putting his costume back together.

At some later point, I noticed, Koshari had acquired a new-looking straw cowboy hat, which he cocked ridiculously on one of his horns. I had a feeling it wasn’t the Navajo he was aping here. He walked duck-footed with a John Wayne swagger and was using a length of two-by-four as a gun. He knelt and fired repeatedly at the dancing deer, grandly falling over backward each time. Later he stalked them, trailing his gun in the snow and tripping over it with admirably practiced body comedy.

The deer eventually retreated to the cliff, and the plaza filled with two lines of new dancers-a row of black-clad women and a row of men in white kilts-whose bodies beat a loud rhythm as they walked. Their chests were crisscrossed with lines of seashell bells. The two rows of dancers faced one another and stamped their feet, shaking the bells, crowding the air above the plaza with a loud, hollow clicking like summer insects. The men wore crowns of eagle feathers and the women wore spectacular wooden headdresses painted with stylized clouds and slanting blue lines of rain and green blades of corn. This was the corn dance, officially a summer prayer but danced at every important occasion, Loyd said, because you couldn’t pray it often enough.

“Most of the dances have to do with rain,” he said. “Here, that’s what everything hangs on.”

Santa Claus kachinas and the beauty of the spectacle notwithstanding, I still felt outside of it. “So you make this deal with the gods. You do these dances and they’ll send rain and good crops and the whole works? And nothing bad will ever happen. Right.” Prayer had always struck me as more or less a glorified attempt at a business transaction. A rain dance even more so.

I thought I might finally have offended Loyd past the point of no return, like stealing the lobster from frozen foods that time, to get myself fired. But Loyd was just thinking. After a minute he said, “No, it’s not like that. It’s not making a deal, bad things can still happen, but you want to try not to cause them to happen. It has to do with keeping things in balance.”

“In balance.”

“Really, it’s like the spirits have made a deal with us.”

“And what is the deal?” I asked.

“We’re on our own. The spirits have been good enough to let us live here and use the utilities, and we’re saying: We know how nice you’re being. We appreciate the rain, we appreciate the sun, we appreciate the deer we took. Sorry if we messed up anything. You’ve gone to a lot of trouble, and we’ll try to be good guests.”

“Like a note you’d send somebody after you stayed in their house?”

“Exactly like that. ‘Thanks for letting me sleep on your couch. I took some beer out of the refrigerator, and I broke a coffee cup. Sorry, I hope it wasn’t your favorite one.’”

I laughed because I understood “in balance.” I would have called it “keeping the peace,” or maybe “remembering your place,” but I liked it. “It’s a good idea,” I said. “Especially since we’re still here sleeping on God’s couch. We’re permanent houseguests.”

“Yep, we are. Better remember how to put everything back how we found it.”

It was a new angle on religion, for me. I felt a little embarrassed for my blunt interrogation. And the more I thought about it, even more embarrassed for my bluntly utilitarian culture. “The way they tell it to us Anglos, God put the earth here for us to use, westward-ho. Like a special little playground.”

Loyd said, “Well, that explains a lot.”

It explained a hell of a lot. I said quietly, because the dancers’ bells were quieting down, “But where do you go when you’ve pissed in every corner of your playground?” I looked down at Koshari, who had ditched his cowboy hat and gun and seemed to be negotiating with Jack.

I remembered Loyd one time saying he’d die for the land. And I’d thought he meant patriotism. I’d had no idea. I wondered what he saw when he looked at the Black Mountain mine: the pile of dead tailings, a mountain cannibalizing its own guts and soon to destroy the living trees and home lives of Grace. It was such an American story, it was hardly even interesting. After showing me his secret hot springs, Loyd had told me the Jemez Mountains were being mined savagely for pumice, the odd Styrofoam-like gravel I’d thrown into the air in handfuls. Pumice was required for the manufacture of so-called distressed denim jeans.

To people who think of themselves as God’s houseguests, American enterprise must seem arrogant beyond belief. Or stupid. A nation of amnesiacs, proceeding as if there were no other day but today. Assuming the land could also forget what had been done to it.

Our Koshari friend had somehow bought off Jack and taken away the ladder that was Loyd’s and my only way down. He was standing down there clowning now, pantomiming a smooching couple and talking at great length, playing to the crowd, which was laughing. At one point they all applauded. Loyd was plainly embarrassed.

“What’s he saying?” I asked.

“I’ll tell you in a minute.”

When Koshari had gone to another part of the plaza and people had stopped staring, I pressed Loyd again.

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