Barbara Kingsolver - Animal Dreams

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Animal Dreams: краткое содержание, описание и аннотация

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"Animals dream about the things they do in the day time just like people do. If you want sweet dreams, you've got to live a sweet life." So says Loyd Peregrina, a handsome Apache trainman and latter-day philosopher. But when Codi Noline returns to her hometown, Loyd's advice is painfully out of her reach. Dreamless and at the end of her rope, Codi comes back to Grace, Arizona to confront her past and face her ailing, distant father. What the finds is a town threatened by a silent environmental catastrophe, some startling clues to her own identity, and a man whose view of the world could change the course of her life. Blending flashbacks, dreams, and Native American legends, Animal Dreams is a suspenseful love story and a moving exploration of life's largest commitments. With this work, the acclaimed author of The Bean Trees and Homeland and Other Stories sustains her familiar voice while giving readers her most remarkable book yet.
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“Kingsolver is giving a new voice to our literature. Animal Dreams solidly establishes Kingsolver as someone who will give her public more than one great book.”-Los Angeles Times Book Review
“An emotional masterpiece…A novel in which humor, passion, and superb prose conspire to seize a reader by the heart and by the soul.”-New York Daily News
“A well-nigh perfect novel, masterfully written, brimming with insight, humor, and compassion. Kingsolver’s clear, purposeful prose spins the narrative like a spider’s web, its interconnected strands gossamer-thin but tensile, strong. This richly satisfying novel should firmly establish Kingsolver among the pantheon of talented writers.”-Publishers Weekly
“One of the year’s best works of fiction.”-Detroit News and Free Press
“A glorious tapestry… Animal Dreams is rich fodder for our own sweet, satisfying dreams.”-Denver Post
“A fascinating world of myth, memory, and dreams. Following Codi Noline home is definitely a worthwhile journey.”-Dallas Morning News
“Barbara Kingsolver gives us the gift of a trip to forgiveness and love through lovingly sensual detail, characters we all know and yet wish we knew better, through evocations of an Arizona landscape both nurturing and mysterious.”-Minneapolis Star Tribune
“Kingsolver achieves a fully realized and profoundly moral vision, one that is rooted in the land and our relationship to it.”-San Francisco Chronicle
“You’ll treasure Animal Dreams. A beautiful, memorable novel full of scenes and images that linger in the mind.”-TONY HILLERMAN, author of Talking God and Thief of Time
“Barbara Kingsolver demonstrates a special gift for the vivid evocation of landscape and of her characters’ state of mind.”-New York Times Book Review
“A novel full of aching sadness-as well as joy, humor, insight, and wonderful writing.”-Arizona Daily Star
“Animal Dreams literally bursts with life. Its description of how one woman finds her way back from the edge of despair seems absolutely perfect… Animal Dreams leaves the reader filled with wonder and hope.”-Houston Post

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“Collie’s a cock mechanic,” Loyd said. “We go back a ways.”

I laughed. “You give them tune-ups before the fight?”

“No, after,” Collie said. “I sew them up. So they live to fight another day.”

“Oh. I thought it was to the death.” I dragged a finger across my throat.

Collie smiled. “Out of every fight, one of them dies and one lives.” He turned to Loyd. “How come the girls always forget about the one that lives?”

“Everybody loves a hero, I guess.” Loyd winked at me.

“Nothing heroic about a dead bird,” I pointed out.

The arena centered on a raked floor of reddish-brown dirt. Loyd maneuvered me through the men squatting and arguing at its perimeter to a dilapidated flank of wooden chairs where he deposited me. I felt nervous about being left alone, though the atmosphere was as innocuous as a picnic, minus women and food.

“I’ll be back,” he said, and vanished.

The place was thick with roosters but didn’t smell like poultry, only of clean, sharp dust. I suppose the birds didn’t stay around long enough to establish that kind of presence. Some men took seats near me, jarring me slightly; the chairs were all nailed together in long rows, the type used for parades. I spotted Loyd through the crowd. Everybody wanted to talk to him, cutting in like suitors at a dance. He was quite at home here, and relaxed: an important man who’s beyond self-importance.

He returned to me just as a short, dark man in deeply worn plaid pants was marking out a chalk square in the dirt of the center pit. Betting flared around the fringes. An old man stabbed the stump of a missing forefinger at the crowd and shouted, angrily, “Seventy! Somebody call seventy!”

Loyd took my hand. “This is a gaff tournament,” he explained quietly. “That means the birds have a little steel spur on the back of each leg. In the knife fights they get blades.”

“So you have gaff birds and knife birds,” I said. I’d been turning over this question since our trip to Kinishba.

“Right. They fight different. A knife fight is a cutting fight and it goes a lot faster. You never really get to see what a bird could do. The really game birds are gaff birds.”

“I’ll take your word for it,” I said.

The first two fighters, men named Gustavo and Scratch, spoke to the man in plaid pants, who seemed in charge. Scratch appeared to have only one functional eye. Loyd said they were two of the best cockfighters on the reservation. The first position was an honor.

“The roosters don’t look honored,” I said. Actually they looked neither pleased nor displeased, but stalked in circles, accustomed to life on one square yard of turf. Their tail feathers ticked like weeds and one of them crowed nonstop, as if impatient. But impatience implies consciousness of time and a chicken is existential. I know that much about birds.

“How come you’re not down there playing with your friends?” I asked Loyd.

“I’ve got people to train the birds, bring the birds, weigh in, all that. I handle. You’ll see.”

“Train the birds? How do you teach a bird to fight?”

“You don’t, it’s all instinct and breeding. You just train them not to freak out when they get in a crowd.”

“I see. So you don’t train, you handle,” I said. “A handling man.”

He pinched my thigh gently along the inside seam of my jeans. I’d been handled by Loyd quite a few times since Kinishba. The crowd quieted. Scratch and Gustavo squared off in the center of the pit, their charges cradled at thigh level, and they thrust their birds toward each other three times in a rhythm that was frankly sexual. Each time the men’s hips rocked forward, the cocks dutifully bit each other’s faces. Apparently the point was to contrive a fighting mood. Two minutes ago these birds were strutting around their own closed circuits, and if they looked away from each other even now they’d probably lose their train of thought and start scratching the dust for cracked corn.

But now they were primed, like cocked pistols. Their handlers set them down on opposite chalk lines and they shook themselves and inflated their pale ruffs. When the plaid-pants referee gave the word, the men let go. The birds ran at each other and jumped up, spurs aimed for the other bird’s breast. They hopped over one another, fluttering their short wings, pecking each other’s heads and drawing blood. After about thirty seconds the birds’ spurs tangled and they lay helpless, literally locked in combat.

“Handle that!” the referee shouted.

The handlers moved in to pull them apart. They faced the birds off, waited for the count, and let them go at each other once more. Within another minute Scratch and Gustavo had to intervene again, this time because one bird had his spurs irretrievably embedded in the breast meat of his opponent. The handlers gently pulled them apart and started them again.

It takes a very long time for one bird or the other to die. Presumably they were dying of internal wounds and hemorrhage. Punctured lungs, for example, and literally bleeding hearts. Eventually they began to bleed from the mouths. At that point I could finally tell Scratch’s bird from Gustavo’s because it lay down in the dirt and wouldn’t get up. Scratch had to place it on its feet and push it back in the direction of combat.

“Why don’t they just declare the winner?” I whispered.

“There’s rules.”

It was a ridiculous answer, but correct. A death was required. It took thirty or forty minutes, and I guess the birds were showing their mettle, but it was hard to watch. The cocks were both exhausted and near death, no longer even faintly beautiful. Their blond breasts and ruffs were spotted with blood, stringy as unwashed hair. Collie Bluestone would have his work cut out for him here.

There seemed to be elaborate rules about how to keep things going after this point, when both birds really just wanted to sit with their beaks in the dirt. If one lay still, the other had no incentive to fight. I’ve studied a lot of biology; I quickly figured out that this industry was built around a bird’s natural impulse for territorial defense, and that’s where it broke down. No animal has reason to fight its own kind to the death. A rooster will defend his ground, but once that’s established, he’s done. After that he tends to walk around ignoring the bizarre surroundings and all the people who have next month’s rent riding on him and he’ll just act like a chicken-the animal that he is. The handlers had to keep taking the birds firmly in hand, squaring them off and trying to force the fight.

“This is making me sick,” I told Loyd.

He looked at me with such surprise it angered me. Nobody could look at this picture and fail to see cruelty.

“I’ve seen little boys do this same exact thing,” I said. “Take some pitiful animal and tease it and drag it back by the legs over and over again, trying to make it fight.”

“The knife fights go a lot faster,” he said.

“But you don’t like knife fights. You like this. That’s what you said.”

He didn’t answer. To avoid the birds I looked at the crowd, whose faces betrayed neither pain nor blood thirst but passive interest. It could have been any show at all, not two animals obliged to kill each other; it could have been TV. They were mostly old men in feed caps, or black felt cowboy hats if they were Apaches. I spotted a few families now, but knew if you asked these women about cockfighting they’d use the word we . “Oh, we love it,” they’d say in cigarette-husky voices, meaning he does. A teenager in a black tank top, a greenish tattoo flowering across her broad back, hoisted a toddler onto her shoulder. She lit a cigarette and paid scant attention to the action in the pit, but her child took it in like a sponge.

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