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Joyce Oates: The Gravedigger’s Daughter

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Joyce Oates The Gravedigger’s Daughter

The Gravedigger’s Daughter: краткое содержание, описание и аннотация

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In 1936 the Schwarts, an immigrant family desperate to escape Nazi Germany, settle in a small town in upstate New York, where the father, a former high school teacher, is demeaned by the only job he can get: gravedigger and cemetery caretaker. After local prejudice and the family's own emotional frailty result in unspeakable tragedy, the gravedigger's daughter, Rebecca, begins her astonishing pilgrimage into America, an odyssey of erotic risk and imaginative daring, ingenious self-invention, and, in the end, a bittersweet-but very "American"-triumph. "You are born here, they will not hurt you"-so the gravedigger has predicted for his daughter, which will turn out to be true. In The Gravedigger's Daughter, Oates has created a masterpiece of domestic yet mythic realism, at once emotionally engaging and intellectually provocative: an intimately observed testimony to the resilience of the individual to set beside such predecessors as The Falls, Blonde, and We Were the Mulvaneys.

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But this, too, was inaccurate. The man who was Dr. Hendricks’s son had asked if Rebecca was Hazel Jones. There was a significant difference.

“Asked if that was your name? Why’d anybody ask such a question?”

Edna Meltzer screwed up her broad fattish face, and laughed.

It was the response to anything out-of-the-ordinary by local standards: a derisive laugh.

Niley ran outside, letting the screen door slam. Rebecca would have followed him except Mrs. Meltzer touched her arm, to speak with her in a lowered voice. The younger woman felt a pang of revulsion for that touch, and for the forced intimacy between them. “Is Tignor expected home sometime soon, Rebecca? It’s been a while.”

Rebecca felt her face throb with heat.

“Has it!”

But Mrs. Meltzer persisted. “I think it has, yes. Weeks. And the child-”

Rebecca said, in her bright, blithe way, to forestall such intimacy, “My husband is a businessman, Edna. He travels, he’s on the road. He owns property .”

Rebecca pushed out the screen door blindly, and let it fall back. There was Niley running in the grass, flailing his hands and screeching in childish excitement. How healthy the little boy was, how like a self-possessed little animal! Rebecca resented this woman speaking to her, the child’s mother, in such a tone. Inside the kitchen Mrs. Meltzer was saying, in her patient, prodding, maddening voice, “Niley keeps asking about ”Daddy,“ and I don’t know what to tell him.”

“That’s right, Edna,” Rebecca said coldly. “You don’t know. Good night.”

Back in their place, a small two-storey farmhouse Tignor rented for them at the end of a dirt lane off the Poor Farm Road, Rebecca printed out the new word for Niley: T E T A N U S .

Even before she removed her sweaty clothes and washed the grime of Niagara Tubing off her body, and out of her matted hair, she looked up the word in her dictionary. A battered old Webster’s it was, from the time when she’d lived in Milburn and gone to the grammar school there; she’d won it in a spelling bee, sponsored by a local newspaper. Niley was fascinated by the bookplate inside:

SPELLING CHAMPION MILBURN DISRICT #3

*** 1946 ***

REBECCA ESHTER SCHWART

For in that place and in that time she’d been her parents’ daughter, bearing the name her father had taken in the New World: Schwart.

(Rebecca had not wanted to correct the misspelling of “Esther.” She had not wanted to defile the handsome printed bookplate.)

From the time Niley was two, Rebecca began to look up words in the dictionary to spell out for him. She herself had not been encouraged to spell, to read, even to think until she’d been much older, but she did not intend to emulate her parents in the raising of her child. First, Rebecca carefully printed the word onto a sheet of stiff paper. Then Niley tried to imitate her. Gripping a crayon in his stubby child-fingers, and moving it with a fierce and unswerving concentration across the paper. Rebecca was struck by the child’s deep mortification when his laboriously printed word failed to resemble Mommy’s; as Niley was deeply mortified by other mishaps of his-spilling food, wetting his bed. Sometimes he burst into tears, and sometimes he was furious, kicking and whining. With his baby fists he struck out at Mommy. He struck his own face.

Rebecca quickly embraced him at such times. Held him tight!

She loved him passionately, as she loved his father. Yet she feared for him, he was developing something of his father’s temper. But he was avid to learn, and in that way different from Tignor. In the past several months he’d astonished her, he’d become so captivated by alphabet letters and the way they connected into “words” and were meant to represent “things.”

She’d been poorly educated herself. She’d never graduated from high school, her life had been interrupted. Sometimes she felt faint with shame, to think of all that she did not know and could not know and could not even fathom not-knowing for the very scope of her ignorance was beyond her ability to imagine. She saw herself stuck in a bog, quicksand to the ankles, to the knees.

This earth is a shit hole. Ignorance! - stupidity! - cruelty! - confusion! And madness over all, be sure .

Rebecca shuddered, remembering. His voice. The levity of his bitterness.

“Mom- my ? Look.”

Niley had printed, with excruciating slowness, T E T A N U S on a sheet of paper. He squinted up at her, anxious. He looked nothing like his father, certainly nothing like Rebecca’s father. He had fine, fair-brown hair; his skin was fair as well, susceptible to rashes; his features were rather small, pinched. His eyes were like Rebecca’s, deep-set and intense.

As usual Niley had slanted his letters oddly downward so that he ran out of space, the final letters had had to be crowded together- NUS . Rebecca smiled, Niley was so funny. As an infant he’d reminded her of a little monkey, wizen-faced, intense.

Running out of space on the sheet of paper might set off a temper tantrum, though. Rebecca quickly took away the paper, and provided another.

“O.K., sweetie! Let’s both do ”tetanus’ again.“

Eagerly Niley took up the red crayon. This time, he would do better.

Rebecca vowed: she would not make mistakes with her son at this time in his life. So young, before he began school. When a child is at the mercy of his parents almost exclusively. That was why Rebecca looked up words in the dictionary. And she had high school textbooks, too. To get things right. To get those things right that you could, amid so much that you could not.

3

A voice in Rebecca’s ear harsh and urgent: “Jesus, watch out!”

She woke from her trance. She laughed nervously. Her right hand, bulky in the safety glove, had been trailing dangerously near the stamping machine.

She thanked whoever it was. Her face flushed with embarrassment, indignation. God damn it had been like this most of the morning: her mind trailing off, losing her concentration. Taking risks, like she’d just begun the job and didn’t know by now how dangerous it could be.

Clamoring machines. Airless air. Heat tasting of singed rubber. Sweat inside her work clothes. And mixed with the noise was a new urgent sound she could not decode, was it hopeful, was it seductive, was it mocking. HAZEL JONES HAZEL JONES HAZEL JONES.

The foreman came by. Not to speak with Rebecca but to let her see him: his presence. Son of a bitch, she saw.

No one at Niagara Tubing knew much about her. Even Rita, who was her friend. They might have known that she was married, and some of them might have known to whom she was married, the name Niles Tignor was known in some quarters in Chautauqua Falls. All they knew of Rebecca was that she kept to herself. She had a stubborn manner, a certain stiff-backed dignity. She wouldn’t take bullshit from anybody.

Even when she was tired to the point of dazedness. Unsteady on her feet and needing to use the lavatory, to splash tepid water on her face. It wasn’t just the few women workers who became light-headed at Niagara Tubing but men, too. Veterans of many years on the line.

The first week she’d begun in the assembly room, Rebecca had been nauseated by the smell, the rapid pace, the noise. Noise-noise-noise. At such a decibel, noise isn’t just sound but something physical, visceral, like electric current pumping through your body. It frightens you, it winds you tight, and tighter. Your heart is racing to keep pace. Your brain is racing but going nowhere. You can’t keep a coherent thought. Thoughts spill like beads from a broken string…

She’d been terrified, she might go crazy. Her brain would break into pieces. You had to shout to be heard, shout in somebody’s ear and people shouted in your ear, in your face. It was the raw, pulsing, primal life. There were no personalities here, no subtleties of the soul. The delicate soul of the child, like Niley, would be destroyed here. In the machines, in the hellhole of the factory, there was a strange primal life that mimicked the pulse-beat of natural life. And the living heart, the living brain, were overcome by this mock-life. The machines had their rhythm, their beat-beat-beat. Their noises overlapped with the noises of other machines and obliterated all natural sound. The machines had no words, only just noise. And this noise overwhelmed. There was a chaos inside it, though there was the mechanical repetition, a mock-orderliness, rhythm. There was the mimicry of a natural pulse-beat. And some of the machines, the more complicated, mimicked a crude sort of human thought.

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