Dennis Lehane (Editor) - Boston Noir

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Brand-new stories by: Dennis Lehane, Stewart O'Nan, Patricia Powell, John Dufresne, Lynne Heitman, Don Lee, Russ Aborn, Itabari Njeri, Jim Fusilli, Brendan DuBois, and Dana Cameron.
Dennis Lehane (Mystic River , The Given Day) has proven himself to be a master of both crime fiction and literary fiction. Here, he extends his literary prowess to that of master curator. In keeping with the Akashic Noir series tradition, each story in Boston Noir is set in a different neighborhood of the city-the impressively diverse collection extends from Roxbury to Cambridge, from Southie to the Boston Harbor, and all stops in between.
Lehane’s own contribution-the longest story in the volume-is set in his beloved home neighborhood of Dorchester and showcases his phenomenal ability to grip the heart, soul, and throat of the reader.
In 2003, Lehane’s novel Mystic River was adapted into film and quickly garnered six Academy Award nominations (with Sean Penn and Tim Robbins each winning Academy Awards). Boston Noir launches in November 2009 just as Shutter Island, the film based on Lehane’s best-selling 2003 novel of the same title, hits the big screen.

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At first, Anna saw nothing but the boards of the pier itself. She climbed down the ladder to the water’s edge, hooked one of the dinghies by its rope, and pulled it close. She boarded, cast off, and rowed, following the length of the pier. Though she preferred to be secret, there was no need to muffle the oarlocks; the waterfront’s activity died down at night, but it was never completely silent along the water. Sweat trickled down her back even as thin ice crackled on the floor of the boat beneath her feet.

The half hour rang out, echoed by church bells across Boston and Charlestown, and Anna shivered in spite of her warm exercise.

Three-quarters of the way down the pier, Anna saw a glimpse of white on the water. She uncovered her lantern and held it up.

Among the pilings, beneath the pier, all manner of lost and discarded things floated, bobbing idly on top of the waves: broken crate wood, a dead seagull, an unmoored float. There was something else.

A body.

Even without seeing his face, she knew it was Thomas, his fair hair floating like kelp, the shirt she herself had patched billowing around him like sea foam. A wave broke against the piling of the pier and one of his hands was thrust momentarily to the surface, puffy and raw: the fish and harbor creatures had already been to feast.

Anna stared awhile, and then maneuvered the boat around. She rowed quietly back to the ladder, tied up the dinghy, and headed home.

She brought the bottle of rum to her room, drank until the cold was chased away and she could feel her fingers again. Then she drank a good deal more. She changed back into her own clothing and, keeping her father’s advice in mind, opened her Bible. In an old habit, she let it fall open where it would, closing her eyes and placing a finger on the text. The candle burned low while she read, waiting for someone to come and tell her Thomas Hoyt was dead.

Hook Miller came to the burial on Copp’s Hill. As he made his way up to where Anna stood, the crowd of neighbors-there were nearly fifty of them, for nothing beat a good funeral-doffed their hats out of respect to his standing. Miller’s clothes were showy but ill-suited to him, Anna knew, and he pretended concern that was as foreign to him as a clean handkerchief. He even waited decently before he approached her, and those nearby heard a generous offer of aid to the widow, so that she could retreat to a quieter life elsewhere.

The offering price was still an affront. When she shook her head, he nodded sadly, said he’d be back when she was more composed. She knew it wasn’t solicitousness but the eyes of the neighborhood that made him so nice. The next time Miller approached her, it would be in private. There would be no refusing that offer.

When Seaver came in for his drink later, she avoided his glance. She’d already made up her mind.

The next morning, she sent a note to Hook Miller. No reason to be seen going to him, when there was nothing more natural than for him to come to the tavern. And if his visit stood out among others, why, she was a propertied widow now, who had to keep an eye to the future.

He didn’t bother knocking, came in as if he already owned the place, and barred the door behind him. She was standing behind a chair, waiting, a bottle of wine on the table, squat-bodied and long-necked, along with two of her best glasses, polished to gleaming. One was half-filled, half-drunk. The fire was low, and there were only two candles lit.

He bowed and sat without being asked. His breath was thick with harsh New England rum. “Well?”

“I can’t sell the place. I’d be left with nothing.”

Miller was silent at first, but his eyes narrowed. “And?”

Anna straightened. “Marry me. That way…the place will be yours, and I’ll be…looked after.”

“You didn’t sign it over to Thomas.”

“Thomas Hoyt was as thick as two short planks. I couldn’t trust him to find his arse with both hands.”

Thomas’s absence now was not discussed.

Miller pondered. “If I do, you’ll sign the Queen’s Arms over to me.”

“The day we wed.” Her father had given her the hope and the means, but then slowly, painfully, she’d discovered she couldn’t keep the place alone. She swallowed. “I can’t do this by myself.”

“And what benefit to me to marry you?”

Her hours of thought had prepared the answer. “You’ll get a property you’ve always wanted, and with it, an eye and an ear to everything that happens all along the waterfront. More than that: respectability. This whole neighborhood is getting nothing but richer, and you’d be in the middle of it. What better way to advance than through deals with the merchant nobs themselves? To say nothing of window dressing for your other…affairs.”

Miller laughed, then stopped, considered what she was saying. “Sharp. And a clever wife to entertain my new friends? It makes sense.”

“Those merchants, they’re no more than a step above hustling themselves. We can be of use to each other,” she said carefully. She’d almost said need , but that would have been fatal. “Wine?”

He looked at her, looked at the bottle, the one empty glass. “Thanks.”

She poured, the ruby liquid turning blood-black in the green-tinged glasses, against the dark of the room.

He stared at the glass, his brow furrowing. “I’ve more of a mind for beer, if you don’t mind.”

She looked disappointed, but didn’t press him. “You’ll have to get a head for wine if you expect to move up in the world.” She rose and slid a pewter mug from a peg on the wall, then filled it from the large barrel behind her bar.

Miller smiled, thanked her. She raised her glass to him, sipped. He saluted and drank too.

It was then he noticed the large Bible on the table next to them. He reached over, flipped through carelessly.

“Too much theater for one about to be so soon remarried, don’t you think?” He flicked through the pages, as if looking for something he could make use of. “Devotion doesn’t play. Not around here, anyway.”

Anna suppressed her feelings at seeing him handle the book so roughly. She shut it firmly, moved it away. “My father said it was the only book besides my ledger to heed.”

Miller shrugged. Piety was unexpected, especially after her reaction-or lack thereof-to her husband’s murder, but who could pretend to understand a woman? Her reaction aroused him, however. Any resistance did. “Let me see what I’ll be getting myself into. Lift your skirts.”

Anna had known it would come to this; still, she hesitated. Only a moment. But before Hook had to say another word, she bunched up the silk, slippery in her sweaty palms, and raised her skirts to her thighs. Miller reached out, grabbed the ribbon of her garter, and pulled. It slithered out of its knot, draped itself over his fist. He leaned forward, slid a finger over the top of her stocking, then collapsed onto the table. His head hit hard, and he didn’t say another word.

Repulsed, Anna unhooked his finger from her stocking, let his hand fall heavily, smack against the chair leg. She straightened her stocking, retied her garter, then picked up the heavy Bible. She hesitated, gulping air, then, remembering her father’s words and the fourth chapter of Judges, nodded.

I must be better than this. I must manage.

She reached into the cracked binding of the Bible and withdrew a long steel needle. Its point picked up the light from the candle and glittered. Her breath held, she stood over the unconscious man, then, aiming carefully, she drove it deep into his ear.

Shortly, with a grunt, a shudder, a sigh, Miller stopped breathing.

She had been afraid she’d been too stingy, miscalculated the dose, unseen in the bottom of the pewter mug, not wanting to warn him with the smell of belladonna or have it spill as it waited on the peg. Her father had been frailer, older, and when she could stand his rasping, rattling breathing no longer, could wait no longer to begin her own plans for the Queen’s Arms, she had mixed a smaller amount into his beer. No matter: either the poison or the needle had done its work on Hook Miller.

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