Steve Martin - The Pleasure of My Company

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In a recent interview with Steve Martin on NPR's Fresh Air, host Terri Gross asked her guest: "Do you remember the point in your career, when people started to realize that you are smart?" The host was referring, of course, to Martin's zany comedic roles that qualify him as a loveable nut. After all, it is tough to equate "King Tut" from Saturday Night Live, as an author of fairly serious repute. Martin, in reality, is an immensely talented writer; his "Shouts and Murmurs" and other brief pieces in the New Yorker were enjoyable and set his writing reputation even before his first novella, Shopgirl was released. His latest, another slim volume, The Pleasure of my Company, emphasizes Martin's status as a promising and talented writer.
Martin's protagonist is a thirty-something single guy, Daniel Pecan Cambridge, whose life is constrained by his obsessive-compulsive behavior. Daniel informs us that his middle name originates from the pecan plantation his "granny" owns in Southern Texas, but we realize it is a fitting name for a "nut." Daniel is a cute one though, even despite his many quirks. His biggest obstacle, one that prevents him from venturing out on long walks anywhere, is his fear of curbs. To avoid them, he searches for opposing "scooped out driveways" in his California town, and draws mental maps that will take him successfully to his favorite hideout-the local Rite Aid. The Rite Aid with its clean lines and atmosphere is like heaven to Daniel and he never tires of walking the aisles, checking out supplies and the cute pharmacist, Zandy. "The Rite Aid is splendidly antiseptic," explains Daniel, "I'll bet the floors are hosed down every night with isopropyl alcohol. The Rite Aid is the axle around which my squeaky world turns, and I find myself there two or three days a week seeking out the rare household item such as cheesecloth." Among Daniel's other obsessions are ensuring that the total wattage of all the bulbs in a house equal 1125 and periodically having to touch all four corners of copiers at the local Kinko's.
No wonder then that Daniel finds his love life a bit constrained. He keeps himself happy by eyeing Elizabeth, the real-estate agent who often works across the street, by mixing drinks for his upstairs neighbor, Phillipa, and with his weekly visits by his caseworker, Clarissa. Of course, there is Zandy at Rite Aid. All along, Daniel supports himself on generous gift checks sent him by his grandmother in Texas.
Daniel is anything but an average guy but amazingly he wins the "Average American" contest sponsored by a frozen pie company. Daniel is such pleasant company, because for the most part, his outlook on life is always sunny and bright. For a brief moment, when he meets the other finalists of the essay competition, he is sad. "We weren't the elite of anything," he notes, "we weren't the handsome ones with self-portraits hanging over their fireplaces or the swish moderns who were out speaking slang at a posh hotel bar. We were all lonely hearts who deemed that writing our essays might help us get a little attention." However, this sinking feeling is only temporary and Daniel reminds himself that he only wrote the essay at the Rite Aid to have a "few extra Zandy-filled minutes."
It is hard not to make comparisons between Daniel and the autistic protagonist Christopher of Mark Haddon's The Curious Incident of the Dog in the Night Time. Like Christopher, Daniel has some curious insights about the world around him and these casual observations woven into the text make for delightful reading. Referring to his caseworker, Clarissa, Daniel observes: "She's probably reporting on me to a professor or writing about me in a journal. I like to think of her scrawling my name in pencil at the end of our sessions-I mean visits-but really, I'm probably a keyboard macro by now. She types D and hits control/spacebar and Daniel Pecan Cambridge appears. When she looks at me in the face on Tuesdays and Fridays she probably thinks of me not as Daniel Pecan Cambridge but as D-control/spacebar."
Towards the end of The Pleasure of my Company, the story moves along quickly. Daniel becomes involved with Clarissa in a way and they travel to Texas, both for their individual private reasons. By novel's end, Daniel has conquered his fear of curbs and Clarissa has accommodated his obsession with bulb wattage.
The Pleasure of My Company is a delightful novel as warm as the California sun. Martin has managed to capture in Daniel, the essence of a likeable zany man. Daniel's eventual success at having a happy life despite his many handicaps, is uplifting because it reminds us that life is not all bad all the time. It is always fun to root for the underdog and have him win. It might take some doing but Martin shows us that there are indeed "takers for the quiet heart."

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I hope the Mensa people never see this essay, not because it reeks of my manipulation of a poor company just trying to sell pies, but because, during the twenty-four hours it took me to write it, I believed so fervently in its every word.

*

Tuesdays and Fridays are big days for me. At least at 2 P.M. At 2 P.M. Clarissa comes. She talks to me for exactly forty-five minutes, but she’s not a full shrink; she’s a student shrink. So officially she’s a visitor and her eyes are green. She brings a little gift bag each time, sometimes with packaged muffins, or phone cards, all of which I assume are donated. She asks me how I am, and she always remembers something from last time that she can follow up on this time. If I told her that I planned to call my mother with the new phone card, she remembers to ask how the call went. Problematic for me, because when I say I’m going to call my mother I am lying, as my mother has been dead-is it six years now? Problematic for her, because Clarissa knows my mother is dead and feels she has to humor me. I know I’m lying and not fooling her, and she thinks I’m crazy and fooling myself. I like this little fib because it connects us at a much deeper level than hello.

Clarissa makes several other stops on Tuesdays and Fridays to other psychiatric charity cases, which I’m sure have earned her several school credits. I was, it seems, one of the low men on the totem pole of insanity and therefore the recipient of treatment from a beginner. This I have scoped out one data bit at a time. When someone doesn’t want to give you information about themselves, the only way to acquire it is by reverse inquiry. Ask the questions you don’t want answered and start paring away to the truth. My conclusion about her was hard to reach because she’s at least thirty-three. And still a student? Where were the missing years?

She’s probably reporting on me to a professor or writing about me in a journal. I like to think of her scrawling my name in pencil at the end of our sessions-I mean visits-but really, I’m probably a keyboard macro by now. She types D and hits control/spacebar and Daniel Pecan Cambridge appears. When she looks me in the face on Tuesdays and Fridays she probably thinks of me not as Daniel Pecan Cambridge but as D-control/spacebar. I, however, think of her only as Clarissa because her movements, gestures, and expressions translate only into the single word of her name.

Last Tuesday: Clarissa arrived in her frisky lip-gloss pink Dodge Neon. She parked on the street, and lucky for both of us, there’s a two-hour parking zone extending for several blocks in front of my apartment. So of course she’s never gotten a ticket. From my window I saw her waiting by her car talking on the cell phone; I watched her halt mid-street for a car to pass, and I saw its hotshot driver craning his neck to see her in his rearview mirror. She was wearing a knee-length skirt that moved like a bell when she walked. Clarissa has a student quality that I suspect she’ll have her whole life. She’s definitely the cutest girl in class, and any romantically inclined guy looking for an experiment in cleanliness would zero in on her. Her hair is auburn-do we still use that word?-it looks dark blonde in the Santa Monica sun, but it flickers between red and brown once she’s in the apartment. And as Clarissa’s hair color is on a sliding scale depending on light and time of day, so is her beauty, which slides on a gradient between normal and ethereal.

She was already focused on me and she set her things down without even looking where she was dumping them. “Sorry I’m late,” she said. I said, “You’re not.”

“Well, almost,” she added.

I didn’t say anything about her apologizing for being almost late. I couldn’t quite wrap my head around the concept even. If you’re almost late, it means you’re not late, so what are we talking about?

The thing I like about Clarissa is that she starts talking immediately, which gives me the opportunity to watch her without saying anything.

“You won’t believe what happened to me. Yesterday I had a return flight from San Francisco. I really wanted to leave at eight but could only get the reduced fare on the five o’clock. I get to the airport and the five o’clock is canceled, and they’ve put us on the eight o’clock flight and charged us the full fare! But now my car’s parked at Burbank and the eight o’clock goes to LAX, so now I have to pay for a taxi to get me to my car. AND I lost three extra hours in San Francisco.”

It seems as though little ills like this are always befalling Clarissa, which makes her seem younger than she actually is. Once she lost her passport right before a trip to Mexico. Once her cell phone battery went dead at the same time as her car battery. But if Clarissa is hapless, it is not the definition of her. Because I see something that describes her more clearly. It occurs in the pauses in her speech when her eyes fix on an air spot roughly waist-high and she seems to be in a trance. And then suddenly it’s as if her mind races, trying to catch up to real time, and she continues right where she left off.

If you saw her in these moments, you might think she was collecting her thoughts in order to go forward. But I see it another way: Her mind is being overwhelmed by two processes that must simultaneously proceed at full steam. One is to deal with and live in the present world. The other is to re-experience and mourn something that happened long ago. It is as though her lightness pulls her toward heaven, but the extra gravity around her keeps her earthbound.

Or is it that I think too much?

*

My redress with the Mensa people is going well. Here’s the progress so far: I am thinking of writing a letter asking them to rescore my test. My potential inquiry could be embarrassing for them. They would be compelled to look harder at my results and install me as a full Mensa member, with apologia, if there is such a category. Right now, there’s not much more I can do other than wait for me to write the letter.

I don’t know if I want to approach Elizabeth the Realtor until the Mensa thing is worked out. My membership would be nice to drop over drinks on our third date. If I get the feeling there might not be a third date, I have no qualms about moving it up to our second date, or even blurting it out on our first date right after “hello.” I am thinking about her because I spotted her twice today, once going and once coming. The apartments across the street are not easy to rent, lucky for me, and therefore numerous showings are required in order to find the one customer who is willing to pay top dollar for the mediocre. When she pulled up in front of the Rose Crest, every one of my senses went on alert. I slid open the window, and I swear the scent of lilac or lavender wafted toward me even though she was at least a hundred feet away. The aroma was so heavy I tasted it on my tongue. I gripped the windowsill, burying my fingers in the aluminum groove. I saw her angle herself out of her diesel Mercedes with the practiced perfection of a beauty queen. I heard her shoes hit the asphalt with a clap.

She went into the building, never moving her cell phone from her ear, and twenty minutes later I saw a couple in their thirties, Porsche-equipped, pull up and park half in the red zone. Oh, I can read them like a book: too much money in the Porsche, not enough left over for the rent. This is a young hotshot three years into his first good job, and the one thing he wants is a Porsche. Sort of the boyhood dream thing. Finally he gets the car and has a strong attachment to it. The wife came later, but dang, he still loves his Porsche. So they think they have plenty of money for rent until they start checking into prices and find that their affordable number of bedrooms has shrunk by 1.5.

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