Anne Tyler - Noah's Compass

“Look. Mrs. Twill.”

“Bootsie.”

“I was unconscious,” Liam said. “Your son knocked me unconscious; are you hearing me? I don’t have the slightest idea what thoughts he may have had because I was out cold. I don’t even know what he looked like. I don’t even remember hearing him break in. I’ve completely lost all memory of it.”

“Okay, fine, but it might come back to you, maybe. I mean if you were to see him. So here’s what we could do: I could take you to visit him. Or bring him to your place, if you want. Sure! Whatever’s most convenient for you; you get to call the shots, absolutely. And he could tell you how he was overcome with remorse and such, which would be interesting for you to hear; you haven’t heard his side of it. And then meanwhile you would be looking at him and you might think, Hey! Now I remember! Seeing him would, like, bring it all back to your mind, you know?”

Liam did know. It was the sort of scenario he had fantasized when he had been so distressed about his amnesia. But at some point, he seemed to have stopped caring about that; he couldn’t say just when. If the memory of his attack were handed to him today, he would just ask, Is that it?

Where’s the rest? Where’s everything else I’ve forgotten: my childhood and my youth, my first marriage and my second marriage and the growing up of my daughters?

Why, he’d had amnesia all along.

“And here’s another thing,” Mrs. Twill was saying. “If you were just to look into his face, then even if it didn’t remind you, you’d understand what a nice kid he is. Just a kid! Real shy and clumsy, always nicks himself shaving. That would tell you about his character. It might even help you get over this. I mean, I know you must feel spooked these days. I bet every time a floorboard creaks, your heart beats faster, am I right?”

She was wrong. Every time a floorboard creaked, he just cleared his throat or rattled his newspaper-covered the sound up in some way, as he had always covered suspicious sounds up even before the break-in.

All along, it seemed, he had experienced only the most glancing relationship with his own life. He had dodged the tough issues, avoided the conflicts, gracefully skirted adventure.

He let Mrs. Twill leave her telephone number because that was the easiest way to get rid of her, and then he showed her out.

When he sat back down in his armchair (unpleasantly warm now from Mrs. Twill’s bony rear end), he found he had lost the thread of his thoughts. He felt restless and distracted. He wondered if he should take a walk. Or go grocery shopping, maybe? He was nearly out of orange juice. He rehearsed the preparations in his mind: make a list, collect his recyclable bags…

He saw Mrs. Twill as she had looked when he’d opened the door-her who-cares posture, her garish lipstick, her unfamiliar, unwelcome, un-Eunice face.

“Oh, Liam,” he heard Eunice say again. O Liam, he saw in her round schoolgirl script, for she had a habit of spelling oh without the h, which had lent her little smiley-face notes an unexpectedly poetic tone. (O I wish Mr. C. didn’t have that budget meeting tomorrow…)

Sometimes, without his say-so, the most specific memories of Eunice would suddenly swim up. Her refusal to drive on major highways, for instance, because she feared what she called the “peer pressure” of the drivers behind her on entrance ramps. Her tendency to talk about any subject that was on her mind, regardless of her audience, so that she was perfectly capable of asking the mailman what gift she should bring to a baby shower. And the way she had of biting her lower lip when she was concentrating on something-her two small, pearly front teeth recalling the teeth of an old-fashioned bisque doll that one of his daughters had owned.

Or the harder memories, from after he’d learned she was married. “But what about our only life?” he heard her say, and it was almost a melody, a plaintive little clear-voiced song hanging in the air of the room.

Why was it that he had known so many sad women?

His mother, to begin with-abandoned by her husband, perennially in poor health, no solace remaining to her but her children, as she was forever pointing out to them. “I f you two left me, I don’t know how I’d bear it,” she said. And then what did Liam do? He left her. He accepted a partial scholarship to a college in the Midwest, although the University of Maryland had offered a scholarship too, and a full one at that. How could he? all her church friends asked. Thank the good Lord for Julia; daughters were always a comfort; but wouldn’t you think Liam could stay in the same geographical area, at least? When his mother was so alone, so unfortunate, such a victim of circumstance! A saint, in fact. (As she said so often: “I just seem to put myself last, even though everyone tells me I shouldn’t. I know they must be right, but I’m just made that way, I guess.”)

Liam offered no defense. There really wasn’t any defense. He reminded himself, very sensibly, that somebody would always be saying something disapproving. No point letting it get to him.

Funny, it used to be so simple to sum his mother up, but now that he looked back he seemed to be ambushed by complexities. He saw again the frightened look in her eyes when she was going through her last illness, and her tiny, curled hands. It struck him that life in general was heartbreaking-a word he didn’t toss off lightly.

His girlfriends had been sad types as well, not that he had consciously chosen them for their sadness. Sooner or later, it seemed, every girl he dated ended up revealing some secret sorrow-an alcoholic father or a mentally ill mother or, at the very least, an outcast childhood.

Well, who knows. It could be that the whole world was that way.

Millie, though: Millie was his golden girl. She was tall and slender, with a veil of straight blond hair and a beautiful pale face. Her eyes were deep-set and startlingly light in color, the lids luminous as eggshells, and she had a floating, sashaying style of walking.

Millie, he thought now, forgive me. I’d forgotten how much I loved you.

His first glimpse of her had been at a friend’s apartment. She was playing the cello in an impromptu, very inept and cobbled-together string quartet, which was making her laugh. She laughed with her hair tossed back, her body loose and relaxed, her knees spread open to accommodate her instrument. This was misleading, as it turned out. Millie was not an open-kneed kind of person. She wasn’t even a cellist; she was a harpist. Liam learned later that she’d gone a few months earlier to pick up a skirt from the cleaner’s, but the cleaner had closed for lunch hour and so she’d stepped into the music store next door and bought herself a cello instead. That was Millie for you: whimsical. Fey. A sort of water maiden. Liam had fallen head over heels. He had pursued her single-mindedly until she agreed to marry him, less than six months after they met.

Had he been too insistent? Had she harbored some misgivings? He hadn’t thought so at the time, but now he was less sure. At the start of their marriage, he had believed she was content. (Though always, now that he looked back, rather muted, a bit remote.) It was true she was not an enjoyer . She seemed to find sex something of a trial, and she deplored the excessive notice that other people-even Liam, back then-paid to food and drink. In fact she soon became a strict vegetarian, which made her even more pallid and translucent-looking.

But the major change dated from her pregnancy. This was an unplanned pregnancy, admittedly, but not the end of the world. They were both in agreement on that. When she started sleeping too much and grew even more disconnected from everyday life, well, it was only to be expected, wasn’t that so? But then she didn’t change back again after the baby was born.