Jodie Picoult - My Sister's Keeper

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New York Times Anna is not sick, but she might as well be. By age thirteen, she has undergone countless surgeries, transfusions, and shots so that her older sister, Kate, can somehow fight the leukemia that has plagued her since childhood. The product of preimplantation genetic diagnosis, Anna was conceived as a bone marrow match for Kate — a life and a role that she has never challenged...until now. Like most teenagers, Anna is beginning to question who she truly is. But unlike most teenagers, she has always been defined in terms of her sister — and so Anna makes a decision that for most would be unthinkable, a decision that will tear her family apart and have perhaps fatal consequences for the sister she loves.
My Sister's Keeper
My Sister's Keeper
The Richard and Judy Best Read of the Year (nominee)
Sainsbury's Popular Fiction Award (nominee)

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And me, well, I began to hate myself. It was, of course, all my fault. If Anna had never filed that lawsuit, if she hadn't been at the courthouse signing papers with her attorney, she never would have been at that particular intersection at that particular moment. She would be here, and I would be the one coming back to haunt her.

For a long time, I was sick. The transplant nearly failed, and then, inexplicably, I began the long steep climb upward. It has been eight years since my last relapse, something not even Dr. Chance can understand. He thinks it is a combination of the ATRA and the arsenic therapysome contributing delayed effectbut I know better. It is that someone had to go, and Anna took my place.

Grief is a curious thing, when it happens unexpectedly. It is a Band-Aid being ripped away, taking the top layer off a family. And the underbelly of a household is never pretty, ours no exception. There were times I stayed in my room for days on end with headphones on, if only so that I would not have to listen to my mother cry. There were the weeks that my father worked round-the-clock shifts, so that he wouldn't have to come home to a house that felt too big for us.

Then one morning, my mother realized that we had eaten everything in the house, down to the last shrunken raisin and graham cracker crumb, and she went to the grocery store. My father paid a bill or two. I sat down to watch TV and watched an old I Love Lucy and started to laugh.

Immediately, I felt like I had defiled a shrine. I clapped my hand over my mouth, embarrassed. It was Jesse, sitting beside me on the couch, who said, "She would have thought it was funny, too."

See, as much as you want to hold on to the bitter sore memory that someone has left this world, you are still in it. And the very act of living is a tide: at first it seems to make no difference at all, and then one day you look down and see how much pain has eroded.

I wonder how much she keeps tabs on us. If she knows that for a long time, we were close to Campbell and Julia, even went to their wedding. If she understands that the reason we don't see them anymore is because it just plain hurt too much, because even when we didn't talk about Anna, she lingered in the spaces between the words, like the smell of something burning.

I wonder if she was at Jesse's graduation from the police academy, if she knows that he won a citation from the mayor last year for his role in a drug bust. I wonder if she knew that Daddy fell deep into a bottle after she left, and had to claw his way out. I wonder if she knows that, now, I teach children how to dance. That every time I see two little girls at the barre, sinking into plies, I think of us.

She still takes me by surprise. Like nearly a year after her death, when my mother came home with a roll of film she'd just developed of my high school graduation. We sat down at the kitchen table together, shoulder to shoulder, trying not to mention as we looked at all our double-wide grins that there was someone missing from the photo.

And then, as if we'd conjured her, the last picture was of Anna. It had been that long since we'd used the camera, plain and simple. She was on a beach towel, holding out one hand toward the photographer, trying to get whoever it was to stop taking her picture.

My mother and I sat at the kitchen table staring at Anna until the sun set, until we had memorized everything from the color of her pony tail holder to the pattern of fringe on her bikini. Until we couldn't be sure we were seeing her clearly anymore.

My mother let me have that picture of Anna. But I didn't frame it; I put it into an envelope and sealed it and stuffed it far back into a corner drawer of a filing cabinet. It's there, just in case one of these days I start to lose her.

There might be a morning when I wake up and her face isn't the first thing I see. Or a lazy August afternoon when I can't quite recall anymore where the freckles were on her right shoulder. Maybe one of these days, I will not be able to listen to the sound of snow falling and hear her footsteps.

When I start to feel this way I go into the bathroom and I lift up my shirt and touch the white lines of my scar. I remember how, at first, I thought the stitches seemed to spell out her name. I think about her kidney working inside me and her blood running through my veins. I take her with me, wherever I go.

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