Селеста Инг - Little Fires Everywhere

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Little Fires Everywhere: краткое содержание, описание и аннотация

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From the bestselling author of Everything I Never Told You, a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their lives.
In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned – from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.
Enter Mia Warren – an enigmatic artist and single mother – who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past and a disregard for the status quo that threatens to upend this carefully ordered community.When old family friends of the Richardsons attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town—and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia's past. But her obsession will come at unexpected and devastating costs. Little Fires Everywhere explores the weight of secrets, the nature of art and identity, and the ferocious pull of motherhood – and the danger of believing that following the rules can avert disaster.

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“And now we’d better pack,” she said. It was three thirty. School was out, Pearl thought as she began to roll up her clothing. Moody would just be getting home. Trip would have given up on her by now—or would he be waiting for her still? When she didn’t show up, would he come looking for her? She hadn’t yet told her mother about Trip; she wasn’t sure, yet, if she ever would.

There was a knock at the side door. To Pearl, it was as if she’d summoned Trip with her mind, and she turned to Mia, wide-eyed.

“I’ll go and see who it is,” Mia said. “You stay up here. Keep packing.” If it was Mrs. Richardson, she thought—but no, it was Izzy, standing bewildered in the driveway.

“Why is the door locked?” she said. For months she’d been coming to help Mia every afternoon, and the side door had never before been locked. It had been open to her—to all the Richardson children, it occurred to her now—at any moment of the day, no matter what her trouble.

“I was—I was taking care of something.” Mia had forgotten all about Izzy, and she tried to think of a plausible excuse.

“Is Bebe still here?” This was the only thing Izzy could think of that might make Mia shut her out and send her away.

“No, she’s gone home. I just—I was busy.”

“Okay.” Izzy took a half step back from the doorway, and the storm door, which she’d been holding open with her foot, gave a faint shriek. “Well, is Pearl here? I—I wanted to tell her something.” She had been trying to catch Pearl all day; in fact, she had tried to call Pearl the previous night—but had gotten only a busy signal: Mia, while comforting Bebe, had taken the phone off the hook, and had forgotten to put it back on. She’d tried over and over, until past midnight, deciding at last that she’d find Pearl at school in the morning. Pearl, she felt, ought to know what Moody had said about her, that her mother knew about Trip. But she didn’t know which routes Pearl might take from class to class—would she take the main stairwell, with its crush of students, or the back one that led down to the English wing? Would she eat in the cafeteria, or in the Egress downstairs, or perhaps out on the lawn somewhere? Each time she guessed wrong, and Izzy was frustrated at missing Pearl again and again, even more frustrated at how poorly she seemed to know Pearl. Right after school, she promised herself, she would find Pearl and tell her everything.

Now, face-to-face with Mia, she could tell something was wrong, but wasn’t sure what. Did Mia already know? Was Pearl in trouble? Was Mia, for some reason, angry at her, too?

Mia looked down at Izzy’s anxious face and could not tell whether lying or telling the truth would hurt her more. She decided to do neither.

“I’ll tell her you came by, okay?” she said.

“Okay,” Izzy said again. With one hand on the doorknob she peeked up at Mia through her hair. Had she done something wrong, she wondered. Had she made Mia angry? Izzy, Lexie had always said, had no poker face, and it was true: Izzy never bothered to hide her feelings, didn’t even know how. She looked so young at that moment, so confused and vulnerable and lonely, and this, more than anything, made Mia feel she’d failed her.

“Remember what I said the other day?” she said. “About the prairie fires? About how sometimes you need to scorch everything to the ground and start over?” Izzy nodded. “Well,” Mia said. A long moment unraveled between them. She could not think of a way to say good-bye. “Just remember that,” she finished. “Sometimes you need to start over from scratch. Can you understand that?” Izzy wasn’t sure she did, but she nodded again.

“See you tomorrow?” she said, and Mia’s heart cracked. Instead of answering, she pulled Izzy into her arms and kissed her on the top of her head, the same place where she often kissed Pearl. “See you soon,” she said.

Pearl heard the door close, but it was a few minutes before Mia came back upstairs, her feet slow and heavy on the steps.

“Who was it?” she asked, though she had a good idea by now.

“Izzy,” Mia said, “but she’s gone,” and she turned into her bedroom to pack.

They had done this so many times before: two glasses stacked, their handful of silverware corralled inside, glasses nested into bowls, bowls nested into pot, pot nested into frying pan, the whole thing wrapped in a paper grocery sack and cushioned with whatever food would keep—a sleeve of crackers, a jar of peanut butter, half a loaf of bread. Another bag held shampoo, a bar of soap, a tube of toothpaste. Mia wedged their duffel bags into the footwells and laid a stack of blankets on top. Her cameras and her supplies went into the trunk, along with the dishes and toiletries. Everything else—the gateleg table they’d painted blue, the mismatched chairs, Pearl’s bed and Mia’s mattress and the tussock of pillows they’d called a couch—would be left behind.

It was almost dark by the time they’d finished, and Pearl kept thinking about Trip and Lexie and Moody and Izzy. They would be home now, in their beautiful house. Trip would be wondering why she hadn’t come to meet him. She would never get to see him again, she thought, and her throat burned. Lexie would be perched at the counter, twirling a lock of hair around her finger, wondering where she was. And Moody—they would never have the chance to make up.

“It isn’t fair,” she said as her mother put the last of their things in a paper grocery bag.

“No,” Mia agreed. “It’s not.” Pearl waited for a parental platitude to follow: Life isn’t fair, or Fair doesn’t always mean right. Instead Mia held her close for a moment, kissed her on the side of the head, then handed her the grocery sack. “Go put this in the car.”

When Pearl returned, she found her mother in the kitchen setting a plain manila envelope on the kitchen counter.

“What’s that?” Pearl asked, interested in spite of herself.

“Something for the Richardsons,” Mia said. “A good-bye, I guess.”

“A letter? Can I read it?”

“No. Some photographs.”

“You’re just leaving them here?” Pearl had never known her mother to leave any of her work behind. When they left an apartment, they took everything that was truly theirs with them—and Mia’s photos were the most important. Once, when they hadn’t had enough space in the trunk of the Rabbit, Mia had jettisoned half of her clothing to make room.

“They’re not mine.” Mia took her keys from the counter.

“Who else’s could they be?” Pearl insisted.

“Some pictures,” Mia said, “belong to the person who took them. And some belong to the person inside them. Are you ready?” She flicked off the lights.

картинка 45

Across town, Bebe sat on the curb in the shadow of a parked BMW and watched the McCulloughs’ house across the street. She had been sitting there for some time, and now it was seven thirty, and inside, her daughter must be having her bath. Linda McCullough, she knew, liked to keep to a schedule. “I always find that regular habits make for a calmer life,” she had told Bebe more than once, especially on the days Bebe was late for her visitation. As if, Bebe thought, as if she were just offering her own opinion on the subject, free of judgment, as if she were expressing a preference for apples over pears.

The light in the upstairs bathroom clicked on, and Bebe pictured it: May Ling holding on to the white porcelain edge of the bathtub, one hand stretching to touch the water as it tumbled from the faucet. The street was quiet now, lights glowing softly in the living rooms, an occasional blue flicker from a TV, but when she closed her eyes she could almost hear her daughter laughing as a spray of droplets flecked her face. May Ling had always loved water; even in those hungry days, she had calmed when Bebe had lowered her into the kitchen sink for a bath, and when Bebe had lost the energy even for this—afraid the baby would wriggle from her hands, afraid she might simply lie down on the scuffed linoleum and let the child slip beneath the surface—May Ling had screamed all the more. Mrs. McCullough, she was sure, must have an array of bath products at her disposal: all those lotions and soaps and creams made just for babies, rich with shea butter and almond oil and lavender. They would be lined up along the edge of the tub—no, on a fancy glass rack, safely out of reach of inquisitive little hands—and there would be toys, too, bins of them, not just an old yogurt cup for rinsing her hair, but ducks and wind-up frogs. Dolphins. Boats and airplanes. Miniature versions of the marvelous life May Ling would have with the McCulloughs.

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