Селеста Инг - Little Fires Everywhere

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Little Fires Everywhere: краткое содержание, описание и аннотация

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From the bestselling author of Everything I Never Told You, a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their lives.
In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned – from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.
Enter Mia Warren – an enigmatic artist and single mother – who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past and a disregard for the status quo that threatens to upend this carefully ordered community.When old family friends of the Richardsons attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town—and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia's past. But her obsession will come at unexpected and devastating costs. Little Fires Everywhere explores the weight of secrets, the nature of art and identity, and the ferocious pull of motherhood – and the danger of believing that following the rules can avert disaster.

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She began to walk the long way around to the store to avoid the playground, the elementary school, the bus stop. She began to hate pregnant women. She wanted to slap them, to throw things at them, to grab them by the shoulders and bite them. On their tenth wedding anniversary, Mr. McCullough took her to Giovanni’s, her favorite restaurant, and as they entered, a vastly pregnant woman waddled up behind them. Mrs. McCullough pushed the door open and then, as the pregnant woman came up behind, let it shut in the woman’s face, and Mr. McCullough, turning back to take his wife’s arm, for a moment could not recognize this woman, so callous, so different from the endlessly maternal woman he’d always known.

Finally, after one last doctor’s appointment full of heartrending phrases— low-motility sperm; inhospitable womb; conception likely impossible— they’d decided to adopt. Even IVF would likely fail, the doctors had advised them. Adoption was their best chance for a baby. They’d put their names on every waiting list they could find, and from time to time an adoption agent would call with a possible match. But something always fell through: the mother changed her mind; a father or a cousin or a grandmother showed up out of the blue; the agency decided another, often younger couple was a better fit. A year passed, then two, then three. Everyone, it seemed, wanted a baby, and demand far exceeded supply. That January morning, when the social worker had called to say that she’d gotten their name from one of the adoption agencies, that she had a baby who was theirs if they wanted her: it had felt like a miracle. If they wanted her! All that pain, all that guilt, those seven little ghosts—for Mrs. McCullough never forgot a single one—had, to her amazement, packed themselves into a box and whisked themselves away at the sight of baby Mirabelle: so concrete, so vivid, so inescapably present. Now, at the thought that Mirabelle might be taken as well, Mrs. McCullough realized that the box and its contents had never disappeared, that they had simply been stored away, waiting for someone to open the lid.

The news had cut to commercial, and through the line Mrs. Richardson could hear the tinny jingle of the Cedar Point ad on the McCulloughs’ set, a fraction of a second behind her own. She watched an elderly woman stumble, fall, fumble for the transmitter around her neck, and Barbra Pierce’s voice-over echoed in her mind. This couple wants to adopt her child. But she won’t let her baby go without a fight.

“It’ll blow over,” Mrs. Richardson said to Mrs. McCullough now. “People will forget about it. It’ll pass.”

But it did not pass. Improbable as it seemed, something about the story had touched a nerve in the community. The news was slow: a woman had had septuplets; bears, the New York Times reported with a straight face, were the main cause of car break-ins at Yosemite. The most pressing political question—for a few more weeks, at least—was what President Clinton would name his new dog. The city of Cleveland was safe and bored, and eager for a sensation a bit closer to home.

On Friday morning there were two more camera crews at the McCulloughs’ door, and three segments that evening, on Channels 5, 19, and 43. Footage of Bebe Chow holding a picture of May Ling at one month old, pleading for her baby back. Shots of the McCulloughs’ house with its curtains drawn and front-door light off; a photo of Mr. and Mrs. McCullough, dressed in black tie at a benefit for leukemia, that had run in the glossy society pages of Shaker magazine the year before; footage of Mr. McCullough’s BMW backing out of the garage and driving away as a reporter jogged alongside holding a microphone up to the window.

By Saturday all the camera crews were back, Mrs. McCullough had locked herself in the house with Mirabelle, and the secretaries at Mr. McCullough’s investment firm had been instructed to decline any calls from news sources with “No comment.” Every night Mirabelle McCullough—or May Ling Chow, as some pointedly chose to call her—was a featured story on the evening news, always accompanied by photographs. At first there was only Bebe’s snapshot of May Ling as a newborn, but then—on the advice of the McCulloughs’ lawyer, who wanted to provide a counterpoint—came more recent portraits from the McCulloughs, taken at the Dillard’s photo studio, showing Mirabelle in a frilly yellow Easter dress with bunny ears, or in a pink romper standing beside an old-fashioned rocking horse. Supporters were emerging on both sides, and by Saturday afternoon, a local lawyer, Ed Lim, had offered to represent Bebe Chow, gratis, and sue the state for custody of her daughter.

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Saturday evening, at dinner, Mr. Richardson announced, “Mark and Linda McCullough called this afternoon to ask if I’d work with their lawyer. Seems he doesn’t have a lot of court experience, and they thought I might be a good backup.”

Lexie nibbled at her salad. “So will you?”

“None of this is their fault, you know.” Mr. Richardson sawed off a bite of chicken. “They just want to do right by the baby. And the suit isn’t directed at them. It’s at the state. But they’ll be dragged into it, and they’re the ones who’ll be affected by it most.”

“Except for Mirabelle,” Izzy said. Mrs. Richardson opened her mouth for a sharp remark, but Mr. Richardson quieted her with a glance.

“This whole thing is about Mirabelle, Izzy,” he said. “Everyone involved—we all just want what’s best for her. We just have to figure out what that is.”

We, Izzy thought. Her father had become part of this already. She thought of the image the newspaper kept running of Bebe Chow: the sadness in her eyes, the palm-sized photo of baby May Ling in her hand, one corner creased, as if it had been kept in a pocket (which it had). Right away she’d recognized the woman she’d seen in Mia’s kitchen, who had fallen silent as soon as she’d come in, who’d stared at her as if she were afraid, almost hunted. “Just a friend,” Mia had said when Izzy had asked who she was, and if Mia trusted Bebe, Izzy knew where her loyalties lay.

“Baby stealer,” she said.

A shocked silence dropped over the table like a heavy cloth. Across the table, Lexie and Trip exchanged wary, unsurprised glances. Moody shot Izzy a look that said shut up , but she wasn’t watching.

“Izzy, apologize to your father,” said Mrs. Richardson.

“What for?” Izzy demanded. “They’re practically kidnapping her. And everyone’s just letting them. Daddy’s even helping.”

“Let’s calm down,” Mr. Richardson began, but it was too late. When it came to Izzy, Mrs. Richardson was seldom calm, and for that matter, Izzy herself never was.

“Izzy. Go to your room.”

Izzy turned to her father. “Maybe they could just pay her off. How much is a baby worth in today’s market? Ten thousand bucks?”

“Isabelle Marie Richardson—”

“Maybe they can bargain her down to five.” Izzy dropped her fork onto her plate with a clatter and left the room. Mia should hear about this, she thought, running upstairs and into her bedroom. She would know what to do. She would know how to fix this. Lexie’s laugh floated up the stairwell and down the hallway, and Izzy slammed the door shut.

Downstairs, Mrs. Richardson sank back into her seat, hands shaking. It would take her until the next morning to think of a suitable punishment for Izzy: confiscating her beloved Doc Martens and throwing them in the trash. If you dress like a thug, she would insist as she opened the trash barrel, of course you act like a thug. For now, she pressed her lips together tightly and set her knife and fork down in a neat X across her plate.

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