Селеста Инг - Little Fires Everywhere

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Little Fires Everywhere: краткое содержание, описание и аннотация

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From the bestselling author of Everything I Never Told You, a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their lives.
In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned – from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.
Enter Mia Warren – an enigmatic artist and single mother – who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past and a disregard for the status quo that threatens to upend this carefully ordered community.When old family friends of the Richardsons attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town—and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia's past. But her obsession will come at unexpected and devastating costs. Little Fires Everywhere explores the weight of secrets, the nature of art and identity, and the ferocious pull of motherhood – and the danger of believing that following the rules can avert disaster.

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That had been an hour and a half ago, and she suspected, accurately, that Mr. Wrigley was holding her room for last, to punish her. Fine, she thought. But couldn’t he at least open up the faculty lounge? She had checked three times now, and the door was still locked. With every minute that passed, she became more aware of the full thermos of coffee—almost an entire potful—she’d emptied while waiting. The girls’ bathrooms had swinging doors, unlockable. Surely she would not have to go in there with the students, she thought; surely he would open the faculty lounge soon and she could use the unisex restroom there, the one reserved for teachers. As each minute ticked by, her impatience with Mr. Wrigley grew and spread to the principal, to the entire world. Couldn’t anyone think ahead? Couldn’t anyone prioritize? Couldn’t anyone take basic human needs into account? She gave up her post by the orchestra room and took up a new waiting spot outside the faculty lounge, her handbag clutched across her abdomen like a shield. Five cups of coffee trickled their slow way through her innards. For a few moments she considered simply getting into her car and driving away. She could be home in twenty-five minutes. But the longer she stood, the longer twenty-five minutes seemed, and the more certain it seemed to her that sitting, in any context, would bring disaster.

“Dr. Schwab,” she said as the principal walked by. “Can’t you ask Mr. Wrigley to open the faculty lounge, please?”

Dr. Schwab had had a difficult morning. It was 9:40 and half of the classrooms were still locked; although he’d asked teachers to bring their students into the classrooms and keep them there until all the doors had been opened, eight hundred students were still loose in the hallways. Some of them had spilled out onto the steps; groups of them had formed circles on the lawn, laughing and kicking hacky sacks and, in some cases, even smoking right there on school property. He rubbed his temple with one knuckle. Beneath his collar his neck began to chafe, and he wiggled a finger beneath his tie.

“Helen,” he said with as much patience as he could muster, “Mr. Wrigley is going as fast as he can. In the meantime, the girls’ bathroom is right down the hall. I’m sure you can use it just this one time.” He headed off, doing quick mental calculations. If everyone was back in the classrooms by 10:30—which seemed optimistic—they could run an abbreviated schedule, with each period running thirty-four minutes instead of fifty—

Mrs. Peters waited another fifteen minutes and then could wait no more. She squeezed the handles of her purse tighter, as if that would somehow help, and trotted down the hallway to the girls’ bathroom. It was the main restroom, positioned right where the main hallway met the main staircase, and even on a normal day it was crowded. Today it was mobbed. A group of boys stood in a ring outside, smashing the apples from their lunches against their foreheads and egging each other on with guttural roars. A group of girls clustered around the water fountain, half of them pretending not to notice the boys, the other half of them flirting with the boys outright. Above them, a mural of a shark looked down with a gaping mouth. Mrs. Peters felt a brief pang of irritation at their youth, their frivolity, their ease. On a normal day she would have told them to move along, or demanded hall passes from each one, but today she was in no condition to care.

She elbowed her way through the crowd. “Excuse me. Excuse me. Boys. Girls. A teacher needs to get through.”

Inside, the bathroom was crammed with girls. Girls gossiping, girls fixing their hair, girls primping. Mrs. Peters nudged her way past with increasing urgency. “Excuse me. Girls. Excuse me, girls.” Every girl in the bathroom looked up, wide-eyed, at the intrusion.

“Hi, Mrs. Peters,” said Lexie. “I didn’t know teachers ever used this bathroom.”

“The faculty lounge is still locked,” Mrs. Peters said in what she hoped was a dignified tone. Around her she noticed that all the girls had gone silent. In ordinary circumstances she would have approved of this sign of respect, but today she would have preferred to be ignored. She turned and headed for the farthest stall, by the window, but when she reached it she found that it had no door.

“What happened to the door?” she asked stupidly.

“It’s been broken forever,” Lexie said. “Since the first week of school. They really ought to fix it. You come in here and there’s only three stalls you can use and you end up being late for class.”

Mrs. Peters didn’t bother to listen to the rest of Lexie’s speech. She yanked the door of the next stall open and slammed it behind her. With trembling hands she slid the latch into place and fumbled with her skirt. But at the sight of the white porcelain bowl her body—which had been waiting for nearly two and a half hours—could resist no longer. With a tremendous gush her bladder gave way, and Mrs. Peters felt a warm rush flood down her legs, and a spreading puddle snaked its way across the tiles and out of the stall.

From behind the flimsy partition Mrs. Peters heard someone say, “Oh. My. God.” Then a shocked, utter silence. She held completely still, as if—she thought irrationally—the girls outside might simply forget about her. The silence seemed to stretch itself out like taffy. The damp patch on her skirt, and her soaked pantyhose, turned chilly. And then the giggling began, the kind of giggles that grew all the more obvious for being stifled. Bags were quickly zipped. Footsteps scurried into the hallway. Mrs. Peters heard the door swing open, then shut, and a few moments later she heard roars of laughter from the hallway. She stayed in the stall a long time, until she heard Dr. Schwab on the P.A. system informing everyone that all doors were now unlocked and all students should be in class or risk detention. When she came out into the bathroom again, it was empty, and she left concealing her stained skirt with her pocketbook, refusing to look at the puddle, which was slowly trickling past the sinks toward the drain in the corner.

If anyone in second-period orchestra rehearsal noticed that Mrs. Peters was wearing different clothing when class began at last, no one said a word. They practiced the Offenbach and the Barber and Mozart’s Twenty-fifth with blank faces. But the word had already spread. It would be days before, pausing outside the classroom, she heard someone refer to her as “Mrs. Pissers,” and it would be years—well past her retirement—before the nickname and story, passed down from class to class, faded away.

The toothpick incident would have a lasting effect on the school as well. There were no cameras in the hallways, and no one seemed to have spotted the vandals, whoever they’d been. There was some talk of instituting better security—several teachers mentioned nearby Euclid, which had recently made news for installing metal detectors at each entrance—but the general feeling was that Shaker Heights, unlike Euclid, should not need such security, and the administration decided to downplay the incident as a minor prank. In the minds of Shaker students, however, Toothpick Day would acquire the status of legend, and in future years, during Senior Prank Week, toothpicks were banned from the school by threat of detention.

The day after Toothpick Day, Izzy caught Deja Johnson’s eye and smiled, and Deja—though she had no idea that this entire event had been on her behalf, and even less of an idea that Izzy Richardson was behind it—smiled back. They wouldn’t become friends exactly, but Izzy would feel there was a bond between them, and every day in orchestra she made a point of smiling at Deja Johnson, and noted with satisfaction that Mrs. Peters now left Deja alone.

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