Aravind Adiga - Between the Assassinations

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On India's south-western coast, between Goa and Calicut, lies Kittur – a small, nondescript every town. Aravind Adiga acts as our guide to the town, mapping overlapping lives of Kittur's residents. Here, an illiterate Muslim boy working at the train station finds himself tempted by an Islamic terrorist; a bookseller is arrested for selling a copy of "The Satanic Verses"; a rich, spoiled, half-caste student decides to explode a bomb in school; a sexologist has to find a cure for a young boy who may have AIDS. What emerges is the moral biography of an Indian town and a group portrait of ordinary Indians in a time of extraordinary transformation, over the seven-year period between the assassinations of Prime Minister Gandhi and her son Rajiv. Keenly observed and finely detailed, "Between the Assassinations" is a triumph of voice and imagination.

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But the old lady had never divined his desire.

“Your daughter is excellent in the household,” he had said once, thinking that enough of a hint.

The following day, when he arrived, a strange young girl came out to meet him. The widow had moved up in life; she had now hired a servant.

“Is Madam in?” he asked. The servant nodded.

“Will you go get her?”

A minute passed. He thought he heard the sound of voices behind the door; then the servant came out and said, “No.”

“No, what?”

She turned her gaze toward the house again. “They…are not here. No.”

“And Sulochana? Is she in?”

The servant girl shook her head.

Why shouldn’t they avoid me? he thought, trailing his umbrella on the ground as he returned to the bus station. He had done his work for them; he was not needed anymore. This was how people in the real world behaved. Why should he be hurt?

In the evening, pacing around his gloomy home, he felt he had to agree with the old woman’s judgment: surely this was no fit habitation for a young girl like Sulochana. How could he bring a woman into it?

Yet the next day he was back on the bus to Salt Market Village, where, once again, the servant girl told him that no one was home.

On the way back, he rested his head against the grille and thought, The more they snub me, the more I want to fall down before that girl and propose marriage.

At home he tried writing a letter. “Dear Sulochana: I have been searching for a way to tell you. There is so much to say…”

He went back every day for a week, and was refused entry every day. I will never come back, he promised himself on the seventh evening, as he had for six evenings before. I really will never come back. This is disgraceful behavior. I am exploiting these people. But he was also angry with the old woman and Sulochana for treating him like this.

On the journey home, he stood up and shouted to the conductor, “Stop!” He had remembered, out of the blue, a story he had written twenty-five years ago, about a matchmaker who worked in the village.

He asked the children playing marbles for the matchmaker; they directed him to the shopkeepers. It took an hour and a half to find the house.

The matchmaker was an old, half-blind man sitting in a chair smoking a hookah; his wife brought a chair for the Communist to sit in.

Murali cleared his throat and cracked his knuckles. He wondered what to say, what to do. The hero in his story had walked around the matchmaker’s house and then left; he had never come this far.

“There is a friend of mine who wishes to marry that girl. Sulochana.”

“The daughter of the fellow who…” The matchmaker pantomimed a hanging.

Murali nodded.

“Your friend is too late, sir. She has money now, and so she has a hundred offers,” the matchmaker said. “That is the way of life.”

“But…my friend…my friend has set his heart on her…”

“Who is this friend?” the matchmaker asked, and with a dirty, omniscient gleam in his eyes.

He caught the bus in the mornings, as soon as his work was over at the party office, and waited for her at the market. She came in the evenings to buy vegetables. He would follow her slowly. He looked at the bananas, at the mangoes. He had been buying fruit for Comrade Thimma for decades. He was expert at so many women’s tasks; his heart skipped a beat when he saw her choose an overripe mango; when the vendor tricked her, he wanted to run over and yell at him and protect her from his avarice.

In the evenings, he stood waiting for the bus back to Kittur. He observed the way people lived in villages. He saw a boy cycling furiously, a block of ice strapped to the back of his bicycle. He had to make it in time before the ice melted; it was already half gone, and he had no aim in life but to deliver the rest of the ice in time. A man came with bananas in a plastic bag and looked around; there were large black spots on the bananas already, and he had to sell them before they rotted. All these people sent Murali a message. To want things in life, they were saying, is to recognize that time is limited.

He was fifty-five years old.

He did not take the bus back that evening; instead, he walked to the house. Rather than approach the front door, he went around to the back. Sulochana was winnowing rice; she looked at her mother and went inside.

The servant went in to bring a chair, but the old woman said, “Don’t.

“Look here; you want to marry my daughter?” she asked.

So she had found out. It was always like this; you make an effort to conceal desire and then it is out in the open. The greatest fallacy: that you can hide from others what you want from them.

He nodded, avoiding her eyes.

“How old are you?” she asked.

“Fifty.”

“Can you give her children at your age?”

He tried to respond.

The old woman said:

“Why would we want to get you into our family, in any case? My late husband always told me, Communists are trouble.”

His jaw dropped. Was this the same husband who had praised the Communists? Had this woman just made all that up?

Murali understood now; her husband had said nothing about the Communists. In their wanting they became so cunning, these people!

He said, “I bring many advantages to your family. I am a Brahmin by birth; a graduate of-”

“Look here!” The widow got up. “Please leave-or there will be trouble.”

Why not? Maybe I can’t give her children, at my age, but I can make her happy, certainly, he thought, on the bus back home. We can read Maupassant together.

He was an educated man, a graduate of the Madras University; this was no way to treat him. Tears flooded his eyes.

He sought out books of fiction and poetry, but it was the words of a film song he had heard on the bus that seemed to express his feelings best. So this is why the proletariat go to the cinema, he thought. He bought a ticket himself.

“How many?”

“One.”

The ticket seller grinned. “Don’t you have any friends, old man?”

After the movie, Murali wrote a letter, and posted it to her.

The next morning he woke up wondering if she would ever read it. Even if it reached the house, wouldn’t her mother throw it away? He should have hand-delivered it!

It was not enough to make an honest attempt. That was enough for Marx and Gandhi-to have tried. But not for the real world, in which he suddenly found himself.

After considering the matter for an hour, he wrote the letter again. This time he paid an urchin three rupees to deliver the message into the girl’s hands.

“She knows you come here to look for her,” the vegetable seller said, the next time he came to the market. “You’ve scared her away.”

She is avoiding me -his heart felt a pang. Now he understood so many more film songs. This is what they meant, the humiliation of being avoided by a girl you have come a long way to see…

He thought the vegetable sellers were all laughing at him.

Even ten years ago-in his forties-there would have been nothing unseemly about approaching such a girl, he thought, as he headed home. Now he was a dirty old man; he had become the stock figure whom he had worked into several of his stories-the lecherous old Brahmin, preying on an innocent girl of a lower caste.

But those fellows were just caricatures, class villains; now he could flesh them out so much better. When he climbed into bed that night, he took a piece of paper and wrote:

“Some thoughts that a lecherous old Brahmin might actually have.”

Now I know enough, Murali thought, looking at the words he had written. I can become a writer at last.

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