Adriana Trigiani - Brava, Valentine

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Trigiani's sequel to Very Valentine is a sweet second act for shoemaker and designer Valentine Roncalli. Val takes over the New York family-run shoe business with feet-of-clay older brother, Alfred; falls for the dashing, older Gianluca in Italy; and takes a business risk in South America, where she unearths a dusty chapter of family history. There are plenty of picturesque globe-trotting adventures in Tuscany, Manhattan, and Buenos Aires, and, for artistic and independent Val, a grown-up commitment evolves. There is no art without love. Only love can open someone up to the possibilities of living and creating art, Val writes to the wary Gianluca. And the startling twist of family history finally challenges an old-fashioned, insular clan to join the modern world. But it's always the endearing, unnerving and rowdy Roncallis who steal the show. Look for a heartbreaking exit of one beloved character, and a cliffhanger breakup in this charming valentine to love, forgiveness, and family.

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Gianluca is stumped.

I continue, “Why do I drink? I talk too fast.”

“You don’t talk enough .” He gets up and hands me the glass.

I feel slightly cornered. The fresh air that pours through the window emboldens me like the oxygen they pump into the casinos in late night Las Vegas to keep the grannies at the slot machines until dawn. I can breathe, I can think, and therefore, I am going to be direct with him. “I’m free, you’re free…get it? I wasn’t free in Capri-and now I am, but you’re not. You have Minky.”

“Carlotta.”

“Yeah. Carlotta.”

“But I don’t have Carlotta.”

“What do you mean?”

“She’s my friend . That’s all. Her family and mine have been close all these years-in business together. She came to the reception out of respect for my father.”

“Oh.”

“How do you say…” He looks off and out the window, past the shield, beyond me. “…that you have it all wrong?”

“You say, I have it all wrong.”

Gianluca moves the rocker, the barrier between us. He takes me in his arms. The night air whistles through the window like a breath, sending a chill through me. I place my hands on his face, and through his hair. Then I rest my head on his shoulder. The scent of the citrus and leather on his skin reminds me of the tins of beeswax I keep in the shop. It’s the scent of everything I treasure, my childhood in the workroom on Perry Street, the cloth when I buff a pair of shoes I’ve made, and now, him.

I remember what his arms felt like last year, but he was forbidden then, so I dared not take in the details. I had a boyfriend, and I didn’t want to take advantage of this Tuscan tanner who I thought might be trying to take advantage of me. Or was he? It doesn’t matter. This is so much better than going back in my mind’s eye to the balcony at the Quisisana-because tonight, it’s my idea. “Kiss me,” I whisper.

His lips graze my cheek until he finds my mouth. He kisses me. I am on my tiptoes for a very long time as we connect, our lips moving in full expression, without words. Who needs them now? I am done explaining my feelings. I want to have my feelings instead. Better yet, I’m going to have him . Gianluca kisses my eyes, my nose, my cheeks-I don’t know how many kisses he gives me-ten, a thousand, a million?

“I’m sorry I made you sad,” he whispers in my ear. “I’m sorry we wasted so much time.”

“I don’t care,” I tell him. “I got buckets of time. Boatloads…all I have is time.” He interrupts me with kisses down my neck. He finds the half-undone back of my dress and I hear the soft whir of the zipper as he undoes it. His hands on the small of my waist feel warm as he eases them up to my shoulders. If I wasn’t tipsy, I’d stop him, as my parents are down the hall, and Aunt Feen is sleeping off her reception bender with a snore they can hear in Florence. But I don’t care about any of that now. I just want him .

He spins me gently through the room, like the flutter of snowflakes that made dizzy patterns outside my window this morning. It’s as if I’m moving through the air without a destination in sight, not quite flying, but definitely off the ground. This must be how ballerinas feel when they sail through the air during a jump. I am weightless as he carries me to the bed.

This is not a good idea, I’m thinking, as he lays me on the bed, and yet it also feels like the best idea ever . I don’t hear church bells, or brass blaring, or see satin ribbons unfurling; this isn’t going to be triumphant sex, there isn’t going to be a parade, but I don’t need one. I need him . Gianluca wants me-and he’s wanted me a very long time. Is there any harm in pursuing something that cannot last? Isn’t it time I made up my own rules?

We both know that I’m leaving in the morning. Figuring out the continental divide, doing the math: I’m there, he’s here-so what? It’s a challenge-what element in my life isn’t a challenge? What else might stop me? He’s my grandmother’s stepson? What difference does that make? When the international divorce rate hits 50 percent, the truth is, everybody’s related anyhow.

What’s the worst that could happen here? So, we make love, it’s divine-and then, we never do again? I promise I will be very happy with the four hours I will have with him before the sun comes up. I’ll treasure the memory like a rope of dazzling diamonds and not be upset at all if I find out the stones aren’t real. I swear: whatever I get, whatever we have tonight, will be exactly enough. Here’s a bold concept for a Catholic girl from Queens: stay in the moment.

“I’m so happy you came back to me.” I cover him with kisses.

He smiles as his hands travel from my hips to my waist. My dress falls away as he pulls me closer still. “I wanted you from the first moment I saw you.”

“And I thought you didn’t like me at all.”

“Now do you understand that I do?”

“I understand.”

“There was a problem,” he whispers.

My heart races. Here it comes. I always expect to get bad news, but usually not this soon, and never after I’ve already stepped out of my dress. I ask, “What problem?”

“You’re so young.”

I don’t know if it’s the crappy sherry, or that I can’t get the sound of Aunt Feen hitting the floor out of my head, but when a thirty-four-year-old woman hears she’s too young , all inhibitions and obstacles disappear. Young . The word itself is an aphrodisiac-not that I need one. A great lover knows exactly what to say, which is even more important than a great lover knowing what to do. I needed to hear that I’m still young after a day of feeling like that warped wheel on the old horse carriage. “I’m not too young,” I assure him. “I remember eight-track tapes.”

“It doesn’t matter, because I can’t help the way I feel about you.”

Even with my smeared black kohl eyeliner giving me the look of silent movie star Theda Bara, and my disheveled silver lamé dress thrown across the bed like a mermaid’s fin, I get it. He wants me, and I want him. Beginning of story? End of story? Who needs words? Who’s even talking?

Gianluca glides on top of me gently, pulling me close. He reaches around me and lifts me so I’m on the pillows. He shifts, pulling my BlackBerry out from under me. “Lose the phone.” I kiss him. He drops the BlackBerry to the floor as the cool night air blows through the curtains and washes over us.

There’s a banging at the door.

“Oh, God,” I whisper.

“Don’t answer it,” he whispers back.

Neither of us moves.

We hold our breath.

Bang. Bang. Bang.

“Auntie Val?” my niece Chiara calls out to me.

Bang. Bang. Bang.

Gianluca rolls off me. I point to the bathroom. He goes into the bathroom and closes the door behind him. I grab my robe from the hook on the back of the door and pull it on. I yank the belt of the robe in a knot like I’m rigging a boat to the dock.

I open the door. “What’s the matter?”

My niece stands before me in her Hannah Montana pajamas, her black eyes wide open. “Can I sleep with you?”

“Um, I think it would be better if you slept in your own bed.”

“Charisma is crowding me.”

“Give her a little shove.”

My tone causes Chiara to raise her eyebrows. She counters, “She’ll wake up. It’s too hot in our room.”

“I’ll open the window.”

“Nah.” She folds her arms across her chest.

“I think you should go to your room,” I say with an urgency she hasn’t heard since I yanked her away from the closing doors on the E train exiting the Queens Boulevard stop when she was five. Chiara looks at me suspiciously. I turn perfectly nice, hoping to ditch this kid back into her room, so I can return to Gianluca’s arms. “Really, honey. Auntie is exhausted.”

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