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James TIPTREE JR.: Houston, Houston, Do You Read?

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James TIPTREE JR. Houston, Houston, Do You Read?

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 The most notable story is again an investigation into the gulf between the sexes. "Houston, Houston, Do You Read?" won both the Hugo (in a tie with Spider Robinson's "By Any Other Name") and Nebula awards as the best novella published in 1976. In it a crew of three American astronauts are caught up in an intense solar storm which apparently propels them through a time vortex into a world several hundred years into their future. A devastating plague has reduced the human population to just a few thousand, all female, whose only means of reproduction is the cloning of several basic genome types.

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"France?" Bud mutters. Dave looks at him speculatively.

"It's hard to imagine anything being kicked out in time. But they're here, whatever they are, they're over eight hundred kays outside us scooting out toward Aldebaran. As Loma said, if they're trying to reach Earth they're in trouble unless they have a lot of spare gees. Should we try to talk to them? Over. Oh, great about the cow. Over again."

"Black holes." Bud whistles softly. "That's one for you, Doc. Was we in a black hole?"

"Not in one or we wouldn't be here." If we are here, Lorimer adds to himself. A micro-black-hole cluster… what happens when fragments of totally collapsed matter approach each other, or collide, say in the photosphere of a star? Time disruption? Stop it. Aloud he says, "They could be telling us something Dave."

Dave says nothing. The minutes pass.

Finally the Earth voce comes back, saying that it will try to contact the strangers on their original frequency. Bud glances at Dave, tunes the selector.

"Calling Sunbird One?" the girl says slowly through her nose. "This is Luna Central calling Major Norman Davis of Sunbird One. We have picked up your conversation with our ship Escondita. We are very puzzled as to who you are and how you got there. If you really are Sunbird One we think you must have been jumped forward in time when you passed the solar: flare." She pronounces it Cockney-style, "toime."

"Our ship Gloria is near you, they see you on their radar. We think you may have a serious course problem because you told Lorna you were headed for Earth and you think it is now October with Earth in Pisces. It is not October, it is March fifteen. I repeat, the Earth date"-she says "dyte "is March fifteen, time twenty, hundred hours. You should be able to see Earth very close to Spica in Virgo. You said your window is damaged. Can't you go out and look? We think you: have to make a big course correction. Do you have enough fuel? Do you have a computer? Do you have enough air and water and food? Can we help you? We're listening on this frequency. Luna to Sunbird, One, come in."

On Sunbird nobody stirs. Lorimer struggles against internal eruptions. Never came back. Jumped forward; in time. The cyst of memories he has schooled himself to suppress bulges up in the lengthening silence. "Aren't, you going to answer?"

"Don't be stupid," Dave says.

"Dave. A hundred and forty-nine degrees is the difference between Gamma Piscium and Spica. That', transmission is coming from where they say Earth is."

"You goofed."

"I did not goof. It has to be March."

Dave blinks as if a fly is bothering him.

In fifteen minutes the Luna voice runs through the whole thing again, ending "Please, come in."

"Not a tape." Bud unwraps a stick of gum, adding j the plastic to the neat wad back of the gyro leads. Lorimer's skin crawls, watching the ambiguous dazzle of Spica. Spica-plus-Earth? Unbelief grips him, rocks him with a complex pang compounded of faces, voices,, the sizzle of bacon frying, the creak of his father's wheelchair, chalk on. a sunlit blackboard, Ginny's bare legs on the flowered couch, Jenny and Penny running dangerously close to the lawnmower. The girls, will be taller now, Jenny is already as tall as her mother. His father is living with Amy in Denver, determined to last till his son gets home. When I get home. This has toy be insanity, Dave's right; it's a trick, some crazy trick. The language.

Fifteen minutes more; the flat, earnest female voice comes back and repeats it all, putting in more stresses. Dave wears a remote frown, like a man listening to a lousy sports program. Lorimer has the notion he might switch off and propose a hand of gin; wills him to do so. The voice says it will now change frequencies.

Bud tunes back, chewing calmly. This time the voice stumbles on a couple of phrases. It sounds tired.

Another wait; an hour, now. Lorimer's mind holds only the bright point of Spica digging at him. Bud hums.a bar of "Yellow Ribbons," falls silent again.

"Dave," Lorimer says finally, "our antenna is pointed straight at Spica. I donut care if you think I goofed, if Earth is over there we have to change course soon. Look, you can see it could be a double light source. We have to check this out."

Dave says nothing. Bud says nothing but his eyes rove to the port window, back to his instrument panel, to the window again. In the corner of the panel is a polaroid snap of his wife. Patty: a tall, giggling, rump switching red-head; Lorimer has occasional fantasies about her. Little-girl voice, though. And so tall… Some short men chase tall women; it strikes Lorimer as undignified. Ginny is an inch shorter than he. Their girls will be taller. And Ginny insisted on starting a pregnancy before he left, even though he'll be out of commo. Maybe, maybe a boy, a son-stop it. Think about anything. Bud… Does Bud love Patty? Who knows? He loves Ginny. At seventy million miles…

"Judy?" Luna Central or whoever it is says. "They don't answer. You want to try? But listen, we've been thinking. If these people really are from the past this must be very traumatic for them. They could be just realizing they'll never see their world again. Myda says these males had children and women they stayed with, they'll miss them terribly. This is exciting for us but it may seem awful to them. They could be too shocked to answer. They could be frightened, maybe they think we're aliens or hallucinations even. See?"

Five seconds later the nearby girl says, "Da, Margo, we were into that too. Dinko. Ah, Sunbird? Major Davis of Sunbird, are you there? This is Judy Paris in the ship Gloria, we're only About a million kay from you, we see you on our screen." She sounds young and excited. "Luna Central has been trying to reach you, we think you're in trouble and we want to help. Please don't be frightened, we're people just j like you. We think you're way off course if you want to reach Earth. Are you in trouble? Can we help? If x your radio is out can you make any sort of signal? Do you know Old Morse? You'll be off our screen R soon, we're truly worried about you. Please reply somehow if you possibly can, Sunbird, come in!"

Dave sits impassive. Bud glances at him, at the port window, gazes stolidly at the speaker, his face blank. Lorimer has exhausted surprise, he wants only to reply to to the voices. He can manage a rough signal by heterodyning the probe beam. But what then, with them both against him?

The girl's voice tries again determinedly. Finally she says, "Margo, they won't peep. Maybe they're dead? I think they're aliens."

Are we not? Lorimer thinks. The Luna station: comes back with a different, older voice.

"Judy, Myda here, I've-had another thought. These people had a very rigid authority code. You remember your history, they peck ordered everything. You notice._ Major Davis repeated about being commanding. That's called dominance-submission structure, one of them gave orders and the others did whatever they were told, we don't know quite why. Perhaps they were 1 frightened. The point is that if the dominant one is in shock or panicked maybe the others can't reply unless this Davis lets them."

Jesus Christ, Lorimer thinks. Jesus H. Christ in colors. It is his father's expression for the inexpressible. Dave and Bud sit unstirring.

"How 'weird," the Judy voice says. "But don't they know they're on a bad course? I mean, could the dominant one make the others fly right out of the system? Truly?"

It's happened, Lorimer thinks; it has happened. I have to stop this. I have to act now, before they lose us. Desperate visions of himself defying Dave and Bud loom before him. Try persuasion first.

Just as he opens his mouth he sees Bud stir slightly, and with immeasurable gratitude hears him say, "Dave-o, what say we take an eyeball look? One little old burp won't hurt us."

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