Robert Pirsig - Zen and the Art of Motorcycle Maintenance

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Phædrus, our narrator, takes a present-tense cross-country motorcycle trip with his son during which the maintenance of the motorcycle becomes an illustration of how we can unify the cold, rational realm of technology with the warm, imaginative realm of artistry. As in Zen, the trick is to become one with the activity, to engage in it fully, to see and appreciate all details — be it hiking in the woods, penning an essay, or tightening the chain on a motorcycle.

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In addition to these three classical logical refutations there are some illogical, “rhetorical” ones. Phædrus, being a rhetorician, had these available too.

One may throw sand in the bull’s eyes. He had already done this with his statement that lack of knowledge of what Quality is constitutes incompetence. It’s an old rule of logic that the competence of a speaker has no relevance to the truth of what he says, and so talk of incompetence was pure sand. The world’s biggest fool can say the sun is shining, but that doesn’t make it dark out. Socrates, that ancient enemy of rhetorical argument, would have sent Phædrus flying for this one, saying, “Yes, I accept your premise that I’m incompetent on the matter of Quality. Now please show an incompetent old man what Quality is. Otherwise, how am I to improve?” Phædrus would have been allowed to stew around for a few minutes, and then been flattened with questions that proved he didn’t know what Quality was either and was, by his own standards, incompetent.

One may attempt to sing the bull to sleep. Phædrus could have told his questioners that the answer to this dilemma was beyond his humble powers of solution, but the fact that he couldn’t find an answer was no logical proof that an answer couldn’t be found. Wouldn’t they, with their broader experience, try to help him find this answer? But it was way too late for lullabies like that. They could simply have replied, “No, we’re way too square. And until you do come up with an answer, stick to the syllabus so that we don’t have to flunk out your mixed-up students when we get them next quarter.”

A third rhetorical alternative to the dilemma, and the best one in my opinion, was to refuse to enter the arena. Phædrus could simply have said, “The attempt to classify Quality as subjective or objective is an attempt to define it. I have already said it is undefinable ”, and left it at that. I believe DeWeese actually counseled him to do this at the time.

Why he chose to disregard this advice and chose to respond to this dilemma logically and dialectically rather than take the easy escape of mysticism, I don’t know. But I can guess. I think first of all that he felt the whole Church of Reason was irreversibly in the arena of logic, that when one put oneself outside logical disputation, one put oneself outside any academic consideration whatsoever. Philosophical mysticism, the idea that truth is indefinable and can be apprehended only by nonrational means, has been with us since the beginning of history. It’s the basis of Zen practice. But it’s not an academic subject. The academy, the Church of Reason, is concerned exclusively with those things that can be defined, and if one wants to be a mystic, his place is in a monastery, not a University. Universities are places where things should be spelled out.

I think a second reason for his decision to enter the arena was an egoistic one. He knew himself to be a pretty sharp logician and dialectician, took pride in this and looked upon this present dilemma as a challenge to his skill. I think now that trace of egotism may have been the beginning of all his troubles.

I see a deer move about two hundred yards ahead and above us through the pines. I try to point it out to Chris, but by the time he looks it’s gone.

The first horn of Phædrus’ dilemma was, If Quality exists in the object, why can’t scientific instruments detect it?

This horn was the mean one. From the start he saw how deadly it was. If he was going to presume to be some super-scientist who could see in objects Quality that no scientist could detect, he was just proving himself to be a nut or a fool or both. In today’s world, ideas that are incompatible with scientific knowledge don’t get off the ground.

He remembered Locke’s statement that no object, scientific or otherwise, is knowable except in terms of its qualities. This irrefutable truth seemed to suggest that the reason scientists cannot detect Quality in objects is because Quality is all they detect. The “object” is an intellectual construct deduced from the qualities. This answer, if valid, certainly smashed the first horn of the dilemma, and for a while excited him greatly.

But it turned out to be false. The Quality that he and the students had been seeing in the classroom was completely different from the qualities of color or heat or hardness observed in the laboratory. Those physical properties were all measurable with instruments. His Quality… “excellence”, “worth”, “goodness”… was not a physical property and was not measurable. He had been thrown off by an ambiguity in the term quality. He wondered why that ambiguity should exist, made a mental note to do some digging into the historic roots of the word quality, then put it aside. The horn of the dilemma was still there.

He turned his attention to the other horn of the dilemma, which showed more promise of refutation. He thought, So Quality is whatever you like? It angered him. The great artists of history… Raphael, Beethoven, Michelangelo… they were all just putting out what people liked. They had no goal other than to titillate the senses in a big way. Was that it? It was angering, and what was most angering about it was that he couldn’t see any immediate way to cut it up logically. So he studied the statement carefully, in the same reflective way he always studied things before attacking them.

Then he saw it. He brought out the knife and excised the one word that created the entire angering effect of that sentence. The word was “just.” Why should Quality be just what you like? Why should “what you like” be “just”? What did “just” mean in this case? When separated out like this for independent examination it became apparent that “just” in this case really didn’t mean a damn thing. It was a purely pejorative term, whose logical contribution to the sentence was nil. Now, with that word removed, the sentence became “Quality is what you like”, and its meaning was entirely changed. It had become an innocuous truism.

He wondered why that statement had angered him so much in the first place. It had seemed so natural. Why had it taken so long to see that what it really said was “What you like is bad, or at least inconsequential.” What was behind this smug presumption that what pleased you was bad, or at least unimportant in comparison to other things? It seemed the quintessence of the squareness he was fighting. Little children were trained not to do “just what they liked” but — but what? — Of course! What others liked. And which others? Parents, teachers, supervisors, policemen, judges, officials, kings, dictators. All authorities. When you are trained to despise “just what you like” then, of course, you become a much more obedient servant of others… a good slave. When you learn not to do “just what you like” then the System loves you.

But suppose you do just what you like? Does that mean you’re going to go out and shoot heroin, rob banks and rape old ladies? The person who is counseling you not to do “just as you like” is making some remarkable presumptions as to what is likable. He seems unaware that people may not rob banks because they have considered the consequences and decided they don’t like to. He doesn’t see that banks exist in the first place because they’re “just what people like”, namely, providers of loans. Phædrus began to wonder how all this condemnation of “what you like” ever seemed such a natural objection in the first place.

Soon he saw there was much more to this than he had been aware of. When people said, Don’t do just what you like, they didn’t just mean, Obey authority. They also meant something else.

This “something else” opened up into a huge area of classic scientific belief which stated that “what you like” is unimportant because it’s all composed of irrational emotions within yourself. He studied this argument for a long time, then knifed it into two smaller groups which he called scientific materialism and classic formalism. He said the two are often found associated in the same person but logically are separate.

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