Doris Lessing - The Grass is Singing

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Set in Rhodesia, this is the story of Dick, a failed white farmer and his wife, Mary, dependent and disappointed. Both are trapped by poverty, and in the heat of the brick and tin house, hemmed in by the bush, Mary finds herself seeking solace in the arms of the houseboy.
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The Grass Is Singing is Doris Lessing's classic first novel.
It is the story of the murder of a poor white woman by her black houseboy. It is a portrait of the woman's marriage to a luckless farmer, a union doomed to failure before they had even met. And it is an evocation of the country in which they lived – Rhodesia.
In The Grass Is Singing, the harsh, majestic beauty and the remorseless social values of white Southern Africa come violently, brilliantly to life.
'Original and striking… full of those terrifying touches of truth, seldom mentioned but instantly recognized' – NEW STATESMAN
'A first novel of astonishing accomplishment' – DAILYTELEGRAPH

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Slowly, slowly, over weeks, she persuaded herself into the belief that she would only need to get into the train and go back into town for that lovely peaceful life, the life she was made for, to begin again.

And, one day, when the boy returned from the station with his heavy sack of groceries and meat and mail, and she took out the weekly newspaper and looked as usual, at the announcements of the births and marriages (to see what her old friends were doing – this was the only part of the pager she read), she noticed that her old firm, the one she had worked for all those years, were advertising for a short hand typist. She was standing in the kitchen, that was lit dimly by a flickering candle and the ruddy glimmer from the stove, beside the table loaded with soap and meat, the cook-boy just behind her, preparing supper – yet, in a moment, she was transported away from the farm back into her old life. All night the illusion persisted, and she lay awake breathless with thoughts of this easily achievable future, that was also her past. And when Dick had gone off to the lands, she dressed, packed a suitcase, and left a note for him, quite in the traditional way, but saying merely that she was going back to her old job: exactly as if Dick had known her mind and approved of her decision.

She walked the five miles between their homestead and the Slatters' farm in just over an hour. She was running half the way, her suitcase swinging heavily in her hand and bumping against her legs, her shoes filling with the soft gritty dust, sometimes stumbling over the sharp ruts. She found Charlie Slatter standing at the gully that marked the boundary between the farms, seemingly doing nothing at all. He was looking down the road along which she came, humming at the back of his throat, his eyes screwed up. It struck her, as she stopped in front of him, that it was odd he should be idle, he who was always busy. She did not imagine he was planning how he would buy up that fool Dick Turner's farm when he went bankrupt; he needed extra grazing for his cattle. Remembering that she had only met him two or three times, and that each time he had not troubled to hide his dislike, she drew herself up, and tried to speak slowly, although she was breathless. She asked him if he would drive her into the station in time to catch the morning train; there would not be another for three days, -and it was urgent. Charlie looked at her shrewdly, and appeared to be calculating.

`Where's your old man?' he asked with brusque jocularity.

`He's working…' stammered Mary.

He grunted, looked suspicious, but lifted her suitcase into his car which was standing under a big tree beside the road. He got into the car, and she climbed in beside him, fumbling with the door, while he stared ahead down the road, whistling between his teeth: Charlie did not believe in pampering women by waiting on them. At last she got herself settled, clutching her suitcase as if it were a passport.

'Hubby too busy to take you to the station? asked Charlie at last, turning to look at her shrewdly. She coloured up, and nodded, feeling guilty; but she did not consciously reflect she was putting him in a false position; her mind was on that train.

He put down the accelerator and the big powerful car tore along the track, closely missing the trees, and skidding badly in the dust. The train was standing in the station, panting and dribbling water, and she had no time to spare. She thanked Charlie briefly, and had forgotten him before the train started. She had just enough money to get her into town: not enough for a taxi.

She waked from the station, carrying her suitcase, through the town she had not entered since she left it after her marriage; on the few occasions Dick had had to make the trip, she had refused to accompany him, shrinking from exposing herself to the chance of meeting people she had known. Her heart lifted as she neared the Club.

It was such a lovely, lovely day, with its gusts of perfumed wind, and its gay glittering sunshine. Even the sky looked different, seen from between the well-known buildings, that seemed so fresh and clean with their white walls and red roofs. It was not the implacable blue dome that arched over the farm, enclosing it in a cycle of unalterable seasons; it was a soft flower blue, and she hit in her exaltation, that she could ran off the pavement into the blue substance and float there, at ease and peaceful at last. The sheet she walked along was lined with bauhinea trees, with their pink and white blossoms perched on the branches like butterflies among leaves. It was an avenue of pink and white, with the fresh blue sky above. It was a different world! It was her world.

At the Club she was met by a new matron who told her they did not take married women. The woman looked at her curiously, and that look destroyed Mary's sudden irresponsible happiness. She had forgotten about the rule against married women; but then, she had not been thinking of herself as married. She came to her senses, as she stood in the hall where she had faced Dick Turner all those years ago, and looked about her at the unchanged setting, which was yet so very strange to her. Everything looked so glossy, and clean and ordered.

Soberly she went to an hotel, and tidied her hair when she reached the room she had been given. Then she walked to the office. None of the girls working there knew her. The furniture had been changed; the desk where she had sat was moved, and it seemed outrageous that her things should have been tampered with. She looked at the girls in their pretty frocks, with their dressed hair, and thought for the first time that she hardly looked the part. But it was too late now. She was being shown into her old employer's office, and immediately she saw on his face the look of the woman at the Club. She found herself glancing down at her hands, which were crinkled and brown; and hid them under her bag. The man opposite to her was staring at her, looking closely at her face. Then he glanced at her shoes, which were still red with dust, because she had forgotten to wipe them. Looking grieved, but at the same time shocked, even scandalized, he said that the job had been filled already, and that he was sorry. She felt, again, outraged; for all that time she had worked here, it had been part of herself, this office, and now he would not take her back. `f am sorry, Mary,' he said, avoiding her eyes; and she saw that the job had not been filled and that be was putting her off. There was a long moment of silence, while Mary saw the dreams of the last few weeks fade and vanish. Then he asked her if she had been ill.

'No,' she said bleakly.

Back in the hotel bedroom she looked at herself in the glass. Her frock was a faded cotton; and she could see, comparing it with the clothes of the girls in the office, that it was very out of fashion. Still, it was decent enough. True that her skin had become dried and brown, but when she relaxed her face, she could not see much difference in herself. Holding it smoothed and still, there were little white marks raying out from her eyes, like brush strokes. It was a bad habit to get into, she thought, screwing up one's eyes. And her hair was not very smart. But then, did he think one had hairdressers on farms? She was suddenly viciously, revengefully angry against him, against the matron, against everyone. What did they expect? That she should have gone through all those sufferings and disappointments and yet remain unchanged? But it was the first time that she admitted to herself that she had changed, in herself, not in her circumstances. She thought that she would go to a beauty shop and get at least her appearance restored to normal; then she would not be refused the job that was hers by right. But she remembered she had no money. Turning out her purse she found half a crown and a sixpence. She would not be able to pay her hotel bill. Her moment of panic faded; she sat down stiffly on a chair against the wall, and remained still, wondering what to do. But the effort of thought was too great; she seemed faced by innumerable humiliations and obstacles. She appeared to be waiting for something. After a while, her body slumped into itself, and there was a dogged patient look about her shoulders. When there was a knock on the door, she looked up as if she had been expecting it, and Dick's entrance did not change her face. For a moment they said nothing. Then he appealed to her, holding out his arms: 'Mary, don't leave me.' She sighed, stood up, automatically adjusted her skirt and smoothed her hair. She gave the impression of starting off for a planned journey. Seeing her pose, and her face, which showed no opposition or hatred, only resignation, Dick dropped his arms. There was to be no scene: her mood forbade it.

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