Julian Fellowes - Past Imperfect

I was standing in the hall of the hotel, with its wonderfully vivid, black-and-white marble floor, when Peniston Summersby touched me on the arm. Together we walked out on to the pavement, into the still bright, autumn day, as we discussed what had to be done next, since an estate like Damian’s is bound to be a work in progress for many years, but then he hesitated and I knew he wanted to say something to show me that he was aware of his good fortune. ‘It’s a wonderful opportunity. I mean to try to be worthy of it,’ he came up with at last.

‘I’m sure you will be.’

‘And I want to go on with the things that mattered to him. Then there’s cancer research, of course, and. I thought we might look at setting up some new scholarships in his name.’

‘To be honest, I don’t think he’d really care much about perpetuating his name, but I agree with you. Let’s do it.’

It was time to part, but I could see he hadn’t quite finished. Poor fellow, he looked rather awkward, and in the last analysis there is something a bit odd about being left a kingdom worth more than the National Debt because some bloke was in love with your mother forty years ago, which is all he would ever hear about it. ‘Mummy says he was a marvellous man. She wishes I’d known him.’

I considered this for a moment. ‘I think he was a brave man,’ which I truly do. ‘He was unafraid of the rules that frighten people. He made up his own and one must always admire that. I suppose he was an original. It’s something so many of us strive for and so few of us achieve.’

With that we shook hands and I walked away down Brook Street.

Julian Fellowes, actor, writer, producer, was educated at Ampleforth, Magdalene College, Cambridge and the Webber Douglas Academy of Dramatic Art. He trained in repertory theatre at Northampton and Harrogate before making his West End début in 'A Touch of Spring' by Sam Taylor. He is probably best known for his portrayal of the incorrigible Lord Kilwillie in the BBC's series, 'Monarch of the Glen'. In the cinema, he was seen in 'Shadowlands' with Anthony Hopkins, 'Damage' with Jeremy Irons and 'Tomorrow Never Dies' with Pierce Brosnan. As a TV writer his scripts include 'Little Sir Nicholas,' 'Little Lord Fauntleroy' (winner of an International Emmy, 1995) and 'The Prince and the Pauper' (nominated for a Bafta, 1997) which he also produced. His screenplay début for the big screen was 'Gosford Park' directed by Robert Altman, which won a plethora of prizes, not least the Oscar for Best Original Screenplay. He has also worked on a new version of 'Vanity Fair' with Reese Witherspoon. He is now writing the book for a new stage musical of 'Mary Poppins' for Cameron Mackintosh/ Disney (autumn 2004). His adaptation of Nigel Balchin's 'A Way Through the Wood', which he also directs, is due for release in 2004, starring Emily Watson, Tom Wilkinson and Rupert Everett. He and his wife Emma have a son, Peregrine and a dachsund, Fudge.