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Anthony Burgess: Tremor of Intent

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Anthony Burgess Tremor of Intent

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From the author of A Clockwork Orange, a brilliantly funny spy novel. Has more wit and comic invention than the books which it so boisterously ridicules. – New Republic

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This time he just stood, panting when not coughing, squinting at me warily. 'I go,' he said. 'I wish mine gelt.' So she took money, did she? 'Give it him,' I said. From the pocket of the bathrobe she drew out a few notes. He snatched them, spitting. I found an even better weapon on the dressing-table – a very long nail-file with a dagger-end. 'One minute to dress,' I said, 'and then out.' I began to count the seconds. He was pretty quick. He didn't bother to lace his shoes. 'And if you give the Herr Doktor any more trouble-' Brigitte's eyes were on me, not on him, I now had time to notice. She bade him no good-bye as I back-punched him, grumbling, out on to the landing. On the landing he saw Roper's books and, very vindictive, he swept his fist along a top shelf and sent some of them bumping and swishing to the floor. I said: 'Smutty swine, you. Uncultured shitheap,' and I kicked his arse, a large target. 'Make a fire, shall we? Burn them all?' He rounded and snarled at me in the landing-dark, so I thrust him downstairs. Bumping against the stairwell wall he dislodged a little picture that had been unhandily nailed not firmly rawlplugged. It was an old-fashioned woolly monochrome of Siegfried, his gob open for a hero's shout, his hand grasping Nothung. This angered me. Who were they in this house to think that Wagner was theirs? Wagner was mine. I banged Wurzel down the last few steps and then let him find his own way to the front door. Opening it, he turned to execrate a mouthful as elemental and nasty as a bowel movement. I raised my hand at him, and then he slammed out.

All this time I had had my raincoat on. Going back upstairs I took it off, as well as my jacket. Entering the bedroom for a new, but still cognate, purpose, I was already loosening my tie. As I'd expected, Brigitte was lying naked on the bed. In a very few seconds I was with her. It was altogether satisfactory, very gross and thorough. I rode into Germany again, a hell become all flowers and honey for the victor. She didn't want tenderness, victim self-elected, also the mother I and the enemy had been tussling to possess. I re-enacted the victory ride three times. Afterwards (it was now dark) she spoke only German to me, language of darkness. Should she make tea, would I like some schnapps?

'Did you always take money from him?' I asked. 'Do you want money from me now?'

'Not this time. But if you come again.'

We shared a black aromatic Handelsgold. 'You'll have to leave him, you know,' I said. 'This sort of thing won't do at all. Go back to Germany. They're building fine new Dirnenwohnheime there. Düsseldorf. Stuttgart. That's your line. A lot of money to be made. But leave poor Edwin alone.'

'I too have thought of that. But here in London is better. A little flat, no Dirnenwohnheim.' She did a theatrical shudder; I felt it in the dark. In the dark, above the bed, Roper and I looked out at our coming world, arms folded; Father Byrne had smiled through the act of light, the act of dusk, the act of darkness. Well, I too, were I Brigitte, would much prefer a flat and a poodle in warm sinful London to one of those cold regimented German whorehouses. I said: 'Have you any money?'

'I have saved some. But if I am divorced I am deported.'

'It's up to you. But for God's sake get out of his life. He's got work to do, important work.' Lying here, right hand splayed on her right breast, its nipple rousing itself from flaccidity, I felt both loyal and patriotic. 'Each of us must do,' I added sententiously, 'the thing that is given us to do.' My cigar had gone out; there was no point in feeling for the matches to relight it. Roper and British science were to be saved. I felt a gush of generosity. 'This,' I said, turning to her, 'can count as another visit.'

5

Did I do right to tell her to do what, and very soon after, she did? I did not see her again, though, had I had time and inclination to wander Soho or Notting Hill, I might well have spied her, smart with her little dog. I rang up Roper and told him of the discomfiture of Wurzel the West German Devil. He was elated. He thought a marriage could be saved through the elimination of what Brigitte would call the Hausfreund. He said nothing to Brigitte nor she to him of Wurzel's being kicked downstairs and out of doors. Let bygones be. Brigitte had been more tolerant, more loving (this seemed to me the best signal of the decision I had articulated for her); again (and this she might have done, had she not been going to leave) she told no lying story to Roper about attempted rape by his best friend or fiend (see: here is his cigar-butt, hurriedly crushed out). But, after a week, Roper came to my flat.

This I had expected. I had waited in every evening, expecting it, listening to Die Meistersinger. When Roper rang, Hans Sachs was opening Act III with his monologue about the whole world being mad: 'Wahn, wahn-'

'I can guess what she's done,' I said. 'She's gone back on the job. The job she'd already been doing in Germany.'

'There was no real proof of that,' he snivelled, grasping his whisky-glass as though to crush it. 'Poor little girl.'

'Poor little girl?'

'An orphan of the storm.' Oh my God. 'A war victim. We did this to her.'

'Who did? Did what?'

'Insecurity. Instability. The crash of all that meant anything. Germany, I mean. She doesn't know where she is or what she wants.'

'Oh, doesn't she? She doesn't want you, that's certain. Nor did she really want that bloody Wurzel. She just wants to do a job she can do.'

'Independence,' said Roper. 'Unsure of herself. She always talked about working, but she'd not been trained for anything. No education. That damnable war.'

That damnable. 'Oh my God, Roper, you're the end. You're totally incredible. She's just a natural prostitute, that's all. Good luck to her, if that's what she wants. But now you've got to forget all about her and get on with your work. If you're lonely, call on me any time. We'll go out and get drunk together in low pubs.'

'Drunk,' said Roper thickly. 'We're drunken beasts, that's what we are. Warmongers and ravishers and drunken beasts. But,' he said, when he'd taken a swig as though toasting that, 'she may come back. Yes, I'll be waiting for her. She'll come back crying, glad to be home again.'

'Get a divorce,' I said. 'Get a private detective on the job. They'll find her sooner or later. Evidence. No trouble at all.'

He shook his head. 'No divorce,' he said. 'That would be the final betrayal. Women are not what we are. They need protecting from the great destructive forces.'

I nodded and nodded, very grim. He'd mixed Brigitte up with the Virgin Mary (whom we'd all at school got into the habit of calling, as though she were a spy-ring or automation company, the BVM) and Gretchen in Goethe's Faust. 'Das Ewig-Weibliche zieht uns hinan,' I quoted. But he didn't recognise the quotation.

What I should have foreknown, sir, was that Roper would be thrown into a great empty pit where nothing was really to be trusted any more, where there was no belief in anything. Anything? There was the value of his work, wasn't there? Roper, gently but firmly led by Professor Duckworth, was professionally absorbed in that, but there must have been great areas of his brain suffering from inanition. Brain? Perhaps heart or soul or something. Blame England, yes, for Brigitte's defection, but – let it come slowly-blame also the whole of Western Europe, blame even Germany for not being a good father to her. But you can't fill the irrational past with blame. You need something positive. We all need our irrational part to be busy with something harmless (the housewife's hands knitting while her eyes take the television in), letting our rational part get on with what, perhaps stupidly, we suppose to be the important purpose of life. Here, in brief, is the peril of being a scientist brought up on a fierce and brain-filling religion. He starts, in his late teens, by thinking that his new sceptical rationalism (bliss was it in that dawn to be alive) makes nonsense of Adam and Eve and transubstantiation and the Day of Judgement. And then, too late, he discovers that the doctrines don't really count; what counts is the willingness and ability to take evil seriously and to explain it. Supernature abhors a super-vacuum. When I returned from that Serbo-Croat refresher course you, sir, sent me on, I was pleased to find that Roper seemed to be living a nice, decent, normal, middle-class British life. I rang his home one evening to see how he was getting on, and I heard a voice somehow beer-flushed and, behind the voice, the noise of well-in-hand gaiety. A few people in, he said. Do come round, meet the boys and girls. News of Brigitte? News of who? Oh, her. No, no news. 'Come round,' he said, 'I've joined the Labour Party.'

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