Michael Gruber - The Book of Air and Shadows

Glaser issued an immense sigh and waved his hands weakly, as if chasing gnats.

“Caro, I’ll leave it in your hands; do it quickly before the mold starts.” He shuffled away to his private office.

“He wants you to break the volumes?” Crosetti asked.

“It’s not a complex task. But we have to dry the set out,” she replied, a distracted look on her face. “Look, the fact is I’m going to need some help.” She seemed to notice him again, and an appealing expression came to her face, a look he rather liked. He mimed searching for someone behind him and said, “Oh, not me! Man, I failed finger painting. I never once colored completely inside the lines.”

“No, this involves handling paper towels. The drying operation has to go on all day and night, maybe for days.”

“What about our jobs?”

She gestured broadly to the environs. “This place’ll be closed for a month while they fix it up, and you can run the mail-order operation from any computer, can’t you?”

“I guess. Where are you going to work out of?”

“My place. I have a good deal of space. Let’s go.” She hoisted two of the folio volumes onto her hip.

“You mean now?”

“Of course. You heard what Glaser said: the faster we begin, the less damage from the damp. Get the rest of them. We’ll wrap them in paper for the trip.”

“Where do you live?” he asked, lifting the ruined volumes up against his chest.

“In Red Hook.” She was already at the shipping desk, stripping brown paper from a large roll.

“You come from Red Hook on a bicycle?” Crosetti had never been to Red Hook, a region on the southeastern coast of Brooklyn behind what used to be the Brooklyn docks. There are no subway stops in Red Hook, because until the shipping industry moved to New Jersey, everyone in the area worked longshore jobs and walked to work, nor was there any reason for outsiders to go there, unless they wanted their heads busted.

“No, of course not,” she replied as she wrapped volume six. “I bike over to the river and take the water taxi from the Thirty-fourth Street pier.”

“I thought that was real expensive.”

“It is, but my rent is cheap. You should put those in plastic.” Crosetti looked at the book he was holding. It had oozed a sooty liquor down the front of his tan trousers. For the first time he regretted not dressing entirely in black, like so many of his hipper peers; or like Carolyn. She excused herself and went upstairs, leaving him to wrap the rest of the volumes.

When this had been done, the two of them took off east, with their burden stuffed into the wire panniers of Rolly’s bike, a heavy, worn vehicle of the type favored by food delivery personnel or, some years ago, by the Vietcong. His few attempts to make conversation being greeted by short answers, he fell silent; we’re not on a date, bub, seemed to be the message. On the other hand, it was a fairly pleasant day, in the low eighties, the humidity somewhat less than tropical, and being paid to stroll across town with even a silent Carolyn Rolly beat the hell out of doing inventory in a grease-smelling basement. Crosetti looked hopefully ahead to what might occur in the woman’s apartment.

Crosetti had never been on a water taxi. He found traveling on one greatly superior to a subway journey. Rolly secured her bike to the rails at the front of the craft and stood by it, and he stood by her, with his hand on the same rail. The other people on the boat seemed to be tourists.

“Are you all right?” Rolly asked him as they bounced down the middle of the East River.

“Of course. I’m an old sailor. I spent half my life when I was a kid out on Sheepshead Bay fishing in crummy little rental boats. Would you like me to hold you out over the prow like Kate Winslet on the Titanic ?”

She gave him one of her formal deadpan looks and turned forward again. Definitely not a date.

Carolyn Rolly lived on the second floor of a Civil War-era warehouse made of blackened brick, on the corner of Van Brunt and Coffey streets. Crosetti held the folios while she hauled her bicycle up the dark, splintery stairs. There was a heavy smell in the air he could not identify, sweetish and chemical at the same time. The door to her apartment was thick wood strapped with iron, painted battleship gray.

Inside was a loft, and not the kind millionaires move into in SoHo. It was a room around sixty by thirty feet in area, with dark-stained wood-planked floors, from which there rose at intervals cast iron columns reaching to the gray stamped-tin ceiling high above. The walls were red brick, edged roughly with crumbling, filthy mortar. The room was oriented east-west, and light flooded in from tall dirty windows on either end, some of whose panes had been replaced by squares of plywood or grayish, tattered plastic sheeting.

Rolly leaned her bike against a wall by the door, walked toward the window, and placed one of the folio packages on a long table. Crosetti followed, looking about curiously for some door or hallway that led to the living quarters. Rolly was already unwrapping a book. Coming closer, Crosetti observed that the table was handmade, its top composed of many short boards laminated edge-on and sanded to a satiny finish. The six stout legs were constructed of what looked like yellow fiberglass. He placed the rest of the books down on it. It felt as solid as a marble plinth and had the simple elegance of the sort of thing you saw in the design showrooms.

She unwrapped the folios and lined them up on the table. Even he could see that two of the volumes had sustained irreparable damage to their covers.

“Nice place,” Crosetti said, when it became clear that Rolly was not about to start a conversation, or offer tea or a beer. No response. Her head was bent down over the ravaged cover of volume one.

“What’s that smell?” he asked.

“Mainly malt. There was a brewery here for about a century and then they stored chemicals.”

“Mind if I look around?”

Rolly answered this with “There’s a big package of paper towels on those shelves on the south wall. Bring it over here.”

Crosetti took his time and made a slow circuit around the huge room. In one corner he found stacks of wooden pallets, dozens of them, and also stacks of boards resulting from their disassembly. The south wall was almost entirely occupied with shelving and cabinets constructed from this wood, sanded smooth, stained, and varnished. The shelving was packed with books, all hard-covered, most with dust jackets, some with plastic covers. He looked in vain for any personal items, framed photos, souvenirs.

The work surfaces in the kitchen (which consisted of a double hot plate, a tiny microwave oven, and a small, chipped porcelain sink) were made of the same edge-on, tightly laminated planking as the big worktable, but coated thickly with amber-colored resin. Along the east wall he found a pallet of pallets, with a futon neatly rolled up on it and a table made from a cable spool and two of the sort of chairs one finds on trash heaps, all competently restored and painted cream. A chair for her and one for a visitor? Spoke to a social life and he wondered who. In the southeast corner an enclosure had been built, also out of pallet wood, within which he assumed was her toilet. Against this leaned a large battered wardrobe, hidden from the rest of the room by a folding screen of laquered wood and decoupaged paper. Interesting: she lived alone but had rigged a privacy screen. Spoke to sexual activity.

He was about to take a peek behind this screen when Rolly called out testily. He found the six-pack of paper towels and rejoined her. Between every ten pages in the damp volumes a pair of paper towels had to be interleaved, and these towels had to be changed every hour. While they dried, the wet volumes were laid flat on the worktable and weighted down with cloth-covered steel plates to prevent swelling.