Michael Gruber - The Book of Air and Shadows

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A distinguished Shakespearean scholar found tortured to death…
A lost manuscript and its secrets buried for centuries…
An encrypted map that leads to incalculable wealth…
The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet.
Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives?
These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer-or killers-unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one-not family, not friends, not lovers-is to be trusted.
Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery… or self-destruction.

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After that, the director was out of the building for a long time. When he returned, Crosetti was on his back, feeling the sweat and other fluids drying on his skin, staring up at the tin ceiling. The candle was only an inch high. He had nothing to say, and his mind was quite blank: dead air, white screen. They’d had the setup, the development, the first plot point (discovering the manuscript), the second plot point (this incredible evening), and now what? He had no idea what the third act was going to be, but he was starting to feel fear. He’d never had anything like this happen to him, except in dreamland. He reached over to caress her again but she held on to his hand and kissed it. She said, “You can’t stay.”

“Why not? Are you going to turn into a bat?”

“No, but you can’t stay. I’m not ready for…mornings. And all that. Do you understand?”

“A little. I guess. Well, Red Hook at…where’s my watch? Threeten a.m. with a roll of cash and smelling like a bordello. That sounds like fun.”

“No,” she said, “I’ll wash you.”

She took him by the hand and led him to the sink behind the screen, lit two candles set in wall sconces made of tin cans, and filled the sink with steaming water. She stood him on a thick straw bath mat and washed every inch of him, slowly, with a washcloth and Ivory soap. Then she drained the suds and washed him with clear water, kneeling lightly on one knee like a courtier before the prince. She had small flattish breasts with broad pink nipples. Despite the night’s epic exertions he hardened painfully under this treatment. It had an unnatural appearance, like one of her bookbinding implements, something suitable for burnishing leather to a high gloss. She looked up at him and said, “You can’t go out in Red Hook at three a.m. in that condition.”

“No, it would be unwise,” he said in a hoarse croak.

“Well, then,” she said.

He noticed that she held it at the base with two fingers, the other three extended, like a duchess sipping tea. Her dark little head moved slowly back and forth. How did they learn how to do that, he thought, and also: Who are you? What are you doing to me? What’s going to happen?

THE BRACEGIRDLE LETTER (6)

Thus I began my lyfe as an ordnancer of the Tower 10s. the moneth wage, prentice wages that but beggars cannot be chusers. We took lodgings two mean roomes in Fenchurch St. by Aldgate, verey poore were wee but had liverie from the Tower so saved on my cloathes. One yeare spent thus: in the winter of the second yeare came a chill & my mother sickened & wee had not coales enow to warme her. Methinkes she wase besydes wearied from her sorrowes. Alas to come to this end through no fault of hers: all ways a good, sober, virtuous woman & no papiste neither, as I asked her then, she sayinge no sonne but I did pray for the sowles of my dead babes & for the sowles of my parentes as wee learnt in the olde religion a great sinne I know & wille burn in Hell for it though I praye God not. Soe she died 2 ndFebruary AD 1606 & is buried in St Katherine Colemanchurch. Now you know, my Nan, that after that sadde tyme you gave me comfort soe that I wish to marry you but your father sayeth what, nay nay, no man can marry on prentice wages how will you keepe my daughter & I hadde no answer & and left sad & wast sad many daies.

Comes now Thomas Keane saying ho Dick what say you to Flanders? For I am off to-morrow to deliver four cannon royal to the Dutch at Sluys & shoot em too against Spain. Come & be my mate & matrosse: wee will eate cheese & drinke genever & blaste papiste dogges to Hell. I answer him yes by G-d & my hand on’t & the thynge is settled. We must needs goe from the Tower at night for the Kinges majestie had late made peace with Spain so ’twould be thought ille to arme Spaines foes. But some at court (that Prince Henry I think mee who after untimely died) thought it a shame on England to shrink cowardly from warre gainst wicked King Phillipe who pressed so cruel on the reformed faith. Besides the Dutch had payed for the gonnes before this so wase it justice too, for the King would not yield a pennie backe & thus we went for the honour of England besydes.

Wee brought out the cannon & theyre carriages braken all in peeces & all necessaries as: 500 shottes, rammers, worms, port-fyres, &c. by barges & then to the Pool where mariners swayed them into the holte of the ship Groene Draeck a saloop of 6 gonnes belonging to Captain Willem van Brille. Soe with a fair wind wee sayled down river. A three-daye voyage wee had & a goode enough sea for winter not too colde & wee ate fresh: bread & cheeses, pickel-herrynge, ale. At Sluys a flat dreare place to my eye all brick dun or red & verey goode businesse since the Spanish have tooke Ostende these many moneths tis the onlie port in western Flanders. Soe we off-lade the gonnes & placed them on theyre carriages.

Nay I am too longe about my foolishe youth & I fear I have but little tyme. My wound now gripes me more than before & the surgeon saith it is fowle & gives me two daies no more.

7

Yes, ridiculous. Did I give the impression that I am a famous lecher about town? Not true. I seem to keep falling in love, which is not the same thing. Yes, Dr. Freud, I am compensating for withdrawal of maternal affection, and yes, Dr. Jung, I am unable to make peace with my negative anima, and yes, Father, I have sinned through my own fault, in what I have done and what I have failed to do. Yet it is not, I must insist, merely sex. I have never had a better sexual relationship than the one I had with Amalie, but clearly, it was not enough. From very early in our marriage I was in the habit of having one on the side, and as I believe I’ve already noted, there is no shortage of such opportunities in New York City.

Ingrid, my current girlfriend, is a good example, and the clever and impatient reader may be thinking, Oh, he’s avoiding getting to Miranda, he’s stalling. This is true, and tough shit. I may die, but I am not actively dying like poor Bracegirdle; perhaps I have all the time in the world.

Ingrid was happily married for nearly twelve years to Guy, a successful television executive, and by all accounts a prince among men, and especially princely compared to many others in that business, but one day in his fifty-second year he got out of bed, walked into the bathroom and began to shave, whereupon something popped in his brain and he died right there. No symptoms, perfectly healthy, good blood pressure, low cholesterol, but dead. Ingrid spent the next three years in the most intense mourning, after which her naturally sunny disposition burst through again, and she decided to get on with life. She had not gone out at all during those three years but now accepted an invitation to one of those anonymous award or fund-raising galas that enable the rich to mingle with the creative and thereby draw some of the divine afflatus into their desiccated lives. She went to a spa and got done, had her hair cut at the salon of the moment, bought a new outfit and made her appearance.

She has such a nice appearance: just forty, quite tall, perhaps too fleshy to dance at the highest levels, which is why she switched early to choreography. Her hair is boy-short and light brown, very fluffy, and she has those long wolf eyes in gray. Terrific wide mouth too with a little overbite, which I find quite attractive. And the dancer’s body. I was at the party too, being myself a rich person needing a whiff of the real stuff, and as soon as I saw her, I grabbed the arm of my law partner Shelly Grossbart, who knows everyone in the music business, and asked him who she was. He had to think for a moment before he said, “Christ, that looks like Ingrid Kennedy. I thought she was dead.” He made the introductions. We chatted about dance and intellectual property and actually had a fascinating conversation about the extent to which dance was protected by the laws of copyright. I found her intelligent and amusing; I suppose she found me likewise.

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